Box Office: ‘Total Recall’ won’t bump ‘Batman’

Sony remake tracking with $30 mil upside; 'Dark Knight' staying afloat

Having already raised more than $311 million domestically, Warner Bros.’ “The Dark Knight Rises” is poised to nab its third straight domestic weekend win, tracking ahead of Sony’s pricey sci-fi remake “Total Recall” and Fox’s family outing “Diary of a Wimpy Kid: Dog Days.”

The Batman finale could feasibly drop around 45% from last week’s soph sesh, for a three-day gross in the mid-$30 millions. “Recall” should land between $25 million and $30 million, while “Dog Days” — Fox’s third adaptation from the popular kid-book series — is expected to hit $15 million through Sunday.

Debuts could be higher based on strong mid-week business for “TDKR,” however. Overseas, “Dark Knight Rises” has cumed north of $250 million, playing in 54 markets. Though it’s waiting on a release date in China, pic already has been released in most major markets, including the U.K., which has contributed the most, at $47.9 million through July 29.

Total Recall” launches day-and-date in some smaller Asian markets, before largely kick-starting its overseas rollout (lasting throughout August) next weekend in countries like Japan, Mexico and Russia. Tracking for the remake has been strongest in Latin America and Europe.

Sony will rely heavily on “Recall” working internationally. That’s because the film cost $125 million (not including marketing) and a six-digit domestic finish would be difficult to achieve if the film’s $25 million-plus opening comes true. Moreover, Universal’s “The Bourne Legacy,” which moved to next weekend to avoid a head-to-head battle with “Recall,” still will provide direct competish among men.

Re-worked from the 1990 original, “Total Recall” tells the futuristic story of a factory worker (Colin Farrell) who finds himself on the run after realizing he may be a spy.

It’s difficult to gauge enthusiasm for this version based on the original. The first “Recall,” which toplined Arnold Schwarzenegger and Sharon Stone, opened in June with $25.5 million and wound up cuming $119.4 million domestically — the sixth-highest grossing release that year. Rialto Pictures will re-release the original starting Aug. 10 for a limited engagement at New York’s Film Forum, before expanding to other markets.

Fox, meanwhile, should be able to attract “Diary” fans more easily, as it’s the franchise’s first summer release. The previous two pics launched mid-March; the original bowed in 2010 to $22 million, while “Rodrick Rules” grossed $23.8 million during opening weekend the following year.

Though pre-weekend tracking suggests a more modest opening for the three-quel, the film could see a higher upside based on a three-week absence for fresh family fare. “Dog Days” also bows this weekend in five overseas markets, including Italy and the U.K.

Strong mid-week business is good news for the new entries, especially after last weekend’s slightly deflated Friday, a result of the Summer Olympics and residual hesitance among moviegoers after the Aurora, Colo., shooting.

This weekend’s specialty newcomers include Sony Pictures Classics’ Sundance comedy “Celeste and Jesse Forever,” which bows today at six locations in the U.S. and Canada. Also opening limited is Fernando Meirelles’ ensemble drama “360,” starring Anthony Hopkins, Jude Law and Rachel Weisz. Magnolia Pictures is distributing domestically.

Popular on Variety

More Film

  • Amanda Awards

    ‘Out Stealing Horses’ Tops Norway’s 2019 Amanda Awards

    HAUGESUND, Norway —  Hans Petter Moland’s sweeping literary adaptation “Out Stealing Horses” put in a dominant showing at Norway’s Amanda Awards on Saturday night, placing first with a collected five awards, including best Norwegian film. Celebrating its 35th edition this year, the Norwegian industry’s top film prize helped kick off the Haugesund Film Festival and [...]

  • Editorial use onlyMandatory Credit: Photo by

    Richard Williams, 'Who Framed Roger Rabbit' Animator, Dies at 86

    Renowned animator Richard Williams, best known for his work on “Who Framed Roger Rabbit,” died Friday at his home in Bristol, England, Variety has confirmed. He was 86. Williams was a distinguished animator, director, producer, author and teacher whose work has garnered three Oscars and three BAFTA Awards. In addition to his groundbreaking work as [...]

  • Instinct

    Locarno Film Review: 'Instinct'

    Now that “Game of Thrones” has finally reached its conclusion, releasing its gifted international ensemble into the casting wilds, will Hollywood remember just what it has in Carice van Houten? It’s not that the statuesque Dutch thesp hasn’t been consistently employed since her startling 2006 breakout in Paul Verhoeven’s “Black Book,” or even that she’s [...]

  • Good Boys Movie

    Box Office: 'Good Boys' Eyes Best Original Comedy Opening of 2019

    Universal’s “Good Boys” is surpassing expectations as it heads toward an estimated $20.8 million opening weekend at the domestic box office following $8.3 million in Friday ticket sales. That’s well above earlier estimates which placed the film in the $12 million to $15 million range, marking the first R-rated comedy to open at No. 1 [...]

  • Pedro Costa’s 'Vitalina Varela' Wins at

    Pedro Costa’s 'Vitalina Varela' Triumphs at Locarno Film Festival

    The 72nd Locarno Film Festival drew to a close Saturday with Portuguese auteur Pedro Costa’s dark and detached film “Vitalina Varela” coming away with several awards together with superlatives from segments of the hardcore cinephile crowd, including jury president Catherine Breillat. In announcing the Golden Leopard prize for the film, as well as best actress [...]

  • Vitalina Varela

    Locarno Film Review: 'Vitalina Varela'

    Frequently beautiful compositions and the theatrical use of a fierce kind of artifice have long been the hallmarks of Portuguese auteur Pedro Costa, regarded by a small but influential group of aesthetes as one of the great filmmakers of our era. For those in tune with his vision, the director’s films offer an exciting lesson [...]

  • Notre dame

    Locarno Film Review: 'Notre dame'

    Not to be too cynical about it, but might the recent horrific fire in Paris’ cathedral attract audiences to a film in which the gothic gem plays a major role? It’s likely a wiser marketing strategy than promoting the unrelenting silliness of Valerie Donzelli’s oh-so-kooky comedy “Notre dame,” the writer-director-star’s return to contemporary Paris following [...]

More From Our Brands

Access exclusive content