Origin stories for Oscar contenders

Amou
Producers of 17 top Oscar contenders of 2012 discuss how their movies came to life, starting off alphabetically with "Amour."

Additionally, in a feature looking at this year's Oscar best picture contenders, Peter Debruge notes a general infatuation with contemporary stories (films like "Lincoln" aside).

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    Producers of 17 top Oscar contenders of 2012 discuss how their movies came to life, starting off alphabetically with "Amour." Additionally, in a feature looking at this year's Oscar best picture contenders, Peter Debruge notes a general infatuation with contemporary stories (films like "Lincoln" aside).

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    Producers of 17 top Oscar contenders of 2012 discuss how their movies came to life, starting off alphabetically with "Amour." Additionally, in a feature looking at this year's Oscar best picture contenders, Peter Debruge notes a general infatuation with contemporary stories (films like "Lincoln" aside).

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    Producers of 17 top Oscar contenders of 2012 discuss how their movies came to life, starting off alphabetically with "Amour." Additionally, in a feature looking at this year's Oscar best picture contenders, Peter Debruge notes a general infatuation with contemporary stories (films like "Lincoln" aside).

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    Producers of 17 top Oscar contenders of 2012 discuss how their movies came to life, starting off alphabetically with "Amour." Additionally, in a feature looking at this year's Oscar best picture contenders, Peter Debruge notes a general infatuation with contemporary stories (films like "Lincoln" aside).

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    Producers of 17 top Oscar contenders of 2012 discuss how their movies came to life, starting off alphabetically with "Amour." Additionally, in a feature looking at this year's Oscar best picture contenders, Peter Debruge notes a general infatuation with contemporary stories (films like "Lincoln" aside).

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    Producers of 17 top Oscar contenders of 2012 discuss how their movies came to life, starting off alphabetically with "Amour." Additionally, in a feature looking at this year's Oscar best picture contenders, Peter Debruge notes a general infatuation with contemporary stories (films like "Lincoln" aside).

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