Newsies: The Musical

The strong pro-union message pumping through "Newsies: The Musical" will thrill some viewers as much as it irks others, but otherwise this new tuner is likely to please audiences craving clean, keen and tween-friendly entertainment.

'Newsies: The Musical'

The strong pro-union message pumping through “Newsies: The Musical” will thrill some viewers as much as it irks others, but otherwise this new tuner is likely to please audiences craving clean, keen and tween-friendly entertainment. Cleverly scavenged from Disney’s 1992 screen dud, with a trim script by Harvey Fierstein and extra songs by original creatives Alan Menken and Jack Feldman, this lusty saga of striking newsboys in yesteryear Gotham should appeal to twenty- and thirtysomethings who teethed on the DVD release as well as the older crowd who enjoy nicely traditional musicals.

Plenty of frisky dancing, several stirring anthems and an exuberant production staged by Jeff Calhoun with a handsome company and impressive visuals score a winner for Paper Mill Playhouse. Like the two-act legit version of “Aladdin” that bowed in Seattle over the summer, this Disney Theatrical Prods.-backed stage adaptation is targeted to regional, stock and amateur stagings rather than a large-scale Broadway berth.

Looking more like a dark Leonardo DiCaprio than pic’s kid star Christian Bale, Jeremy Jordan shines as the brave, brooding Jack Kelly who organizes an unruly crew of newsboys in 1899 to oppose a scheme by publishing mogul Joseph Pulitzer (a ripely villainous John Dossett) to cut into their meager earnings.

The major difference in the film and stage versions is Fierstein’s re-gendering of Bill Pullman’s screen character into a spunky girl reporter, who becomes Jack’s love interest Katherine and is vivaciously played by newcomer Kara Lindsay. Their new ballad “Then I See You Again” is not so hot but she gets a feisty solo, “Watch What Happens,” to neatly establish her spirited nature. Detail on the secondary figures is sacrificed to speed up the story, but bright turns by Andrew Keenan-Bolger as Crutchie, Ben Fankhauser as Jack’s better-bred ally Davey and Tommy Bracco as pugnacious Brooklynite Spot Conlon flesh out the blanks. Picturesquely garbed by Jess Goldstein in raggedy knee-pants and vests, the smudge-faced ensemble of newsies physically range from hunky to adorable as they whirl energetically through Christopher Gattelli’s athletic choreography. A knockout in the dance-driven show is the gang’s clattering tap number across tables with Katherine to “King of New York.”

Further propelling Calhoun’s swift staging is Tobin Ost’s fluid design of three towering Erector Set-like metal units that pivot and reconfigure while housing roll-down screens for Sven Ortel’s numerous projections. Jeff Croiter’s lighting often tints the visuals with blues and sepias to suggest rotogravure days.

Along with creating a more memorable duet for the sweethearts, other needed tweaks include mopping up some anachronisms among the script and lyrics. But essentially the musical is in crowdpleasing form.

It’s hard not to like an upbeat story about triumphant ragamuffins, so regional prospects are favorable and schools will find the show a relief from reviving “Annie” and “Oliver!” While “Newsies” may be too earnest for Broadway circulation, it’s a vigorous David-and-Goliath tale rendered with old-school skill.

Newsies: The Musical

Paper Mill Playhouse, Millburn, N.J.; 1,200 seats; $95 top

  • Production: A Paper Mill Playhouse presentation by special arrangement with Disney Theatrical Prods. of a new musical in two acts with book by Harvey Fierstein, lyrics by Jack Feldman and music by Alan Menken based on a Disney film written by Bob Tzudiker and Noni White. Directed by Jeff Calhoun. Choreographed by Christopher Gattelli.
  • Crew: Set, Tobin Ost; costumes, Jess Goldstein; lighting, Jeff Croiter; projections, Sven Ortel; sound, Randy Hansen; orchestrations, Danny Troob; music supervision and vocal and incidental arrangements, Michael Kosarin; music director, David Holcenberg; production stage manager, Thomas J. Gates. Opened, reviewed, Sept. 25, 2011. Continues through Oct. 16. Running time: 2 HOURS, 20 MIN.
  • Cast: Jack Kelly - Jeremy Jordan <br> Katherine Plumber - Kara Lindsay<br> Joseph Pulitzer - John Dossett <br> Davey - Ben Fankhauser <br> Crutchie - Andrew Keenan-Bolger <br> Medda Larkin - Helen Anker <br> Spot Conlon - Tommy Bracco <br> Governor Roosevelt - Kevin Carolan With: Ryan Breslin, Garett Hawe, Ryan Steele, Kyle Coffman, Aaron J. Albano, Andy Richardson, Evan Kasprzak, Scott Shedenhelm, JP Ferreri, Corey Hummerston, Brendon Stimson, Mike Faist, Max Ehrich, Vincent Agnello, RJ Fattori, John E. Brady, Nick Sullivan, Mark Aldrich, Laurie Veldheer, Stuart Marland, Julie Foldesi, Michael McArthur, Jack Scott. Musical numbers: Act One: "Santa Fe," "Carrying the Banner," "The News Is Getting Better," "Don't Come a-Knocking," "The World Will Know," "The World Will Know" (reprise), "Watch What Happens," "Seize the Day," "Santa Fe." Act Two: "King of New York," "Watch What Happens" (reprise), "The News Is Getting Better" (reprise), "Brooklyn's Here," "Then I See You Again," "Seize the Day" (reprise), "Once and for All," "Finale."
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