×
You will be redirected back to your article in seconds

My Fairytale

The Hans Christian Andersen tuner "My Fairytale" distills the kidlit genius' oeuvre into a satisfying narrative brimming with style and color, puppetry and pageant.

With:
Hans Christian Andersen - Kevin Cahoon
Jenny Lind - Lesley McKinnell
The Boy - Marisa Dinsmoor
Shadow - Erik Stein

The Hans Christian Andersen tuner “My Fairytale” distills the kidlit genius’ oeuvre into a satisfying narrative brimming with style and color, puppetry and pageant. Appealing songs by Stephen Schwartz — in his mellow-“Godspell” rather than bravura-“Wicked” mode — are wrapped around a familiar but workable Dorothy-in-Oz framing device, the woodsmoke flavor of Andersen’s darker tales coming through in Scott Schwartz’ staging for PCPA. If there’s room in the marketplace for a midsized musical extravaganza appealing to moppets and grownups alike, “My Fairytale” could fit the bill.

The tuner was originally conceived in Denmark by impresario Flemming Enevold to celebrate the author’s 2005 bicentennial, and is now tied to the centennial of California’s Danish-American settlement Solvang. In this telling, Andersen (Kevin Cahoon) is poised between an ambition to write serious opera libretti and his whimsical fancies, a readily dramatizable conflict with the added benefit of fidelity to his life’s known facts.

Offered a late-night challenge at Copenhagen’s Royal National Theater to adapt weighty myth “Atalante” for visiting diva Jenny Lind (Lesley McKinnell), Andersen falls through the looking glass — actually into the briefcase, a nice piece of legerdemain — into a magical land inhabited by the characters and creatures he will eventually pen, from the Ugly Duckling to the emperors who, respectively, pine for a nightingale and wear no clothes.

He can’t just click his Red Shoes together three times to get home, but keeps stumbling into adventures inspired by the passionate, even erotically-tinged tales yet to come. The pining Little Mermaid and icy Snow Queen are authentic products of Andersen’s psyche, granting a strange dramatic integrity to the journey.

Emotional underpinnings are provided by songwriter Schwartz’s ecstatic “On the Wings of a Swan” and two of his most stirring ensemble numbers in years, “Stay with Us” and “Can You Imagine That?”

While id bubbles beneath the stories’ surface, there’s also much eye-popping fun, Alejo Vietti’s lavish costumes set against Tom Buderwitz’s parchment-paper floor and backdrop. Sequences are pleasingly color-coded — a ravishing blue-green wash for “The Little Mermaid”; Halloween orange and black for marauding robbers — and puppet designer Emily DeCola provides outsized poultry who menace the Ugly Duckling in a calico-infused barnyard, and a darling saucer-eyed pooch.

At this juncture, the spectacle works better than the story. By introducing Andersen as a goofy, screeching child-man already besotted by fables, and having the Lind commission foisted on him rather than its being a personal project, chief librettist Philip LaZebnik undercuts the fundamental premise of a creator genuinely torn between artistic poles. Andersen needs to find his mission en route, but as yet that arc is cloudy.

Moreover, LaZebnik hasn’t granted enough personality to the grim Shadow (Erik Stein) and peasant Boy (Marisa Dinsmoor) who dog Andersen’s steps representing the yin-and-yang of his aesthetic bent. Saddled with Schwartz’s unpleasant “Fellow Traveler,” they are never less than creepy; one keeps hoping they’ll step aside to let us watch the fairy-tale folk, and happily they consistently oblige.

Once he sets aside his overaggressive Tommy Steele quality, Cahoon proves a likeable, versatile leading man. And McKinnell’s remarkable ability to move from poignant romance to knockabout comedy, as the incarnation of all of Andersen’s feminine fantasies, is no fairy tale.

My Fairytale

Solvang Festival Theater, Solvang, Calif.; 708 seats; $39.75 top

Production: A PCPA Theaterfest presentation of a musical in two acts with music and lyrics by Stephen Schwartz. Original idea and concept by Flemming Enevold. Book by Philip LaZebnik with Enevold, Schwartz, Adam Price and Pierre Westerdahl. Additional music and lyrics, James and Adam Price and the Safri Duo. Directed by Scott Schwartz. Choreography, Michael Jenkinson. Musical director, Callum Morris.

Creative: Sets, Tom Buderwitz; costumes, Alejo Vietti; lighting, Jennifer "Z" Zornow; sound, Walter T.J. Clissen; puppets, Emily DeCola; musical coordinator, Andrew Fox. Opened, reviewed Aug. 26, 2011. Runs through Sept. 25. Running time: 2 HOURS. Musical Numbers: "Aria," "Andersen's Shadow," "Stay With Us," "Father You Were Weary," "The Emperor of China's Court," "Your Fellow Traveler," "Your Fellow Traveler" (reprise), "Stay With Me," "The Royal Guest Room," "The Dream Waltz," "Bro Bro Brille/Robber's Dance," "On the Wings of a Swan," "Come Drown in My Love," "Conversation," "Atalante of Arcady," "Poor Andersen," "Save Us," "My Fellow Traveler," "Can You Imagine That?," "Finale."

Cast: Hans Christian Andersen - Kevin Cahoon
Jenny Lind - Lesley McKinnell
The Boy - Marisa Dinsmoor
Shadow - Erik SteinWith: Andrew Philpot, Sam Zeller, Karin Hendricks, Natasha Harris, Jacqueline Hildebrand, Jillian Van Niel, Sarah Girard, Tracy Leigh Freeman, Layli Kayhani, John Keating, George Walker, Daniel J. Self, Glenn M. Snellgrose II, Nikko Kimzin, Zachary Bukarev-Padlo.

More Legit

  • Richard E Grant Everybody's Talking About

    Richard E. Grant to Play Former Drag Queen in 'Everybody's Talking About Jamie'

    Oscar-nominated actor Richard E. Grant will portray a former drag queen and mentor in “Everybody’s Talking About Jamie,” the movie adaptation of the British stage musical. “Catastrophe” co-creator and star Sharon Horgan and “Happy Valley” star Sarah Lancashire have also joined the film. Max Harwood will play the titular role of Jamie, a role inspired [...]

  • The Secret Life of Bees review

    Off Broadway Review: 'The Secret Life of Bees'

    There’s a sweet sense of sisterhood that’s simply divine in “The Secret Life of Bees,” the heartwarming new musical at the Atlantic Theater Company based on Sue Monk Kidd’s bestselling 2002 coming-of-age novel, set in South Carolina in 1964 amid Civil Rights struggles. (A 2008 film adaptation starred Dakota Fanning and Queen Latifah.) The feeling [...]

  • 10 Comics to Watch

    Variety Announces 10 Comics to Watch for 2019

    Variety has chosen its 10 Comics to Watch for 2019. The honorees will be profiled in the July 18 issue of Variety and at the Just for Laughs Comedy Festival in Montreal at a cocktail party on Thursday, July 25, followed by a panel and showcase on Friday, July 26. The events are sponsored by Cohen & Gardner LLP. The [...]

  • Vanessa Hudgens So You Think You

    Vanessa Hudgens, Hailey Kilgore to Star in Reading of 'The Notebook' Musical

    Vanessa Hudgens and Tony-nominee Hailey Kilgore are joining an upcoming reading of Ingrid Michaelson’s stage adaptation of “The Notebook” by Nicholas Sparks. Tony nominee Michael Greif is set to direct the reading, which will open June 23 at Vassar College’s Martel Theater as part of their Powerhouse Theater season. Kilgore will star as the younger [...]

  • Moulin Rouge director Alex Timbers

    'Beetlejuice,' 'Moulin Rouge!' Director Alex Timbers on Creating Worlds on Broadway

    In the past year, Alex Timbers has directed the Tony-nominated “Beetlejuice” and the stage adaptation of “Moulin Rouge!” (which begins previews June 28 at the Al Hirschfeld Theatre). Here, he reflects on his most recent projects and the challenges of bringing two iconic movie musicals to Broadway within a year.  Both your musicals live in [...]

  • Actor Anthony Ramos Signs With Republic

    Actor Anthony Ramos Signs With Republic Records (EXCLUSIVE)

    Singer-songwriter and actor Anthony Ramos, known for his roles in “Hamilton” and “A Star Is Born,” has signed with Republic Records, the company announced today. Ramos will release his forthcoming debut album later this year, with new music expected this summer. Footage from the signing aired on his YouTube series today. “Anthony is a true [...]

  • Much Ado About Nothing review

    Shakespeare in the Park Review: Danielle Brooks in 'Much Ado About Nothing'

    The Public Theater’s Free Shakespeare in the Park productions can be provocative, irritating, enlightening or maddening, but they are always fun. In his new staging of “Much Ado About Nothing” with a cast led by Danielle Brooks, director Kenny Leon (“A Raisin in the Sun,” “American Son”) delivers the fun in a slaphappy, dance-crazy version [...]

More From Our Brands

Access exclusive content