Reputation isn’t everything for “The Marquis,” a Jean Doe who pretends to be the eponymous — and faceless — criminal mastermind in the slammer to avoid being bullied, only to get into hot water when he’s freed by a crime boss who requires the Marquis’ expertise for a job abroad. Sophomore stab at the helm for producer Dominique Farrugia (“The Perfect Date”) was shot in the Philippines but is otherwise a typical, mainstream-oriented French laffer with big-name stars and its fair share of chuckles. March 9 release has done noble but not regal biz locally.

Weak-willed nitwit Thomas (Franck Dubosc, sticking to his regular shtick), a security-system salesman jailed for a minor offense, loves to pretend he’s the Marquis, at least until he’s unexpectedly — and spectacularly — freed by the glacially menacing Jo (Jean-Hugues Anglade, perfectly cast against type). Paired with a fumbling underling (Richard Berry, solid) who’s majorly indebted to Jo, Thomas continues to pretend to prep Jo’s big coup while trying to find ways to hide his real identity and escape his dire predicament. Comedy is broad, rhythm pacey and location work slick (though not exploited to the max).

The Marquis


  • Production: A Pathe Distribution release of a Few presentation and production, in association with Pathe, TF1 Films. (International sales: Pathe Intl., Paris.) Produced by Dominique Farrugia. Co-producer, Romain Le Grand. Directed by Dominique Farrugia. Screenplay, Guillaume Lemans, Jean-Paul Bathany, based on an idea by Farrugia, Charly Delwart.
  • Crew: Camera (color), Eric Guichard; editor, Sylvie Gadmer; music, Marco Prince; production designer, Louise Marzaroli; costume designer, Veronique Perier. Reviewed at Kinepolis, Saint-Julien-les-Metz, France, March 10, 2011. Running time: 88 MIN.
  • With: With: Franck Dubosc, Richard Berry, Jean-Hugues Anglade, Luisa Ranieri, Sara Martins, Pascale Louange, Joel Torre, Fred Scotland, Alain Zef. (French, English, Tagalog dialogue)
  • Music By: