×

Hick

Playing a 13-year-old, pistol-packing smart aleck who grows up quick while thumbing her way West from Nebraska, Chloe Grace Moretz invests far more emotion in "Hick" than the film deserves.

With:
Luli - Chloe Grace Moretz
Eddie - Eddie Redmayne
Tammy - Juliette Lewis
Clement - Rory Culkin
Lloyd - Ray McKinnon
Nick - Anson Mount
Ray - Robert Baker
Lux - Robert J. Stephenson
Blane - Shaun Sipos
Glenda - Blake Lively
Beau - Alec Baldwin

Playing a 13-year-old, pistol-packing smart aleck who grows up quick while thumbing her way West from Nebraska, Chloe Grace Moretz invests far more emotion in “Hick” than the film deserves. This white-trash picaresque, set to classic tunes by the likes of Bob Dylan and the Rolling Stones, rarely if ever transcends its crude formula to command one’s interest. Moreover, the movie hurls its young heroine into a variety of abusive situations, resulting in a pic that’s unpleasant when it isn’t simply boring. Alec Baldwin’s late-reel cameo turn as a motel-crashing father figure seems insufficient to help “Hick” reach big-city theaters.

Co-scripted by Andrea Portes from her like-titled novel, “Hick” opens on the 13th birthday of foul-mouthed Luli (Moretz), whose uncle gives her a 45-caliber Smith & Wesson, and with it some protection as she hits the road to flee her alcoholic parents (including a blond-wigged Juliette Lewis). Dreaming of stardom while drawing implausibly brilliant works in colored pencil, the kid hitches a ride from Stetson-sporting Eddie Kreezer (Eddie Redmayne), who comes on like a cowboy charmer but eventually reveals himself to be a psychopath at best.

On the road, the runaway’s vocabulary runs the gamut from “ergo” to “skank,” but that’s hardly the height of her precocity. Hooking up with big-sisterly Glenda (Blake Lively), Luli enjoys her first snort of cocaine, inspiring a succession of slurred images taken from the pair’s speeding car — and a brief respite from the pic’s gratingly twangy dialogue.

Working with d.p. Frank Godwin, director Derick Martini (“Lymelife”) knows how to fill the widescreen frame, although the movie remains largely empty nonetheless. “Hick” borrows more from the films of Martin Scorsese than one could begin to calculate, but it regularly mistakes caricature for characterization, and its combination of vintage pop music and extreme violence feels merely gratuitous. A particularly nasty scene set to Patsy Cline’s “Sweet Dreams” seems to victimize young Luli as much as any of the movie’s perverted males do.

Amazingly, Moretz manages to acquit herself with grace and humor, even in feebly imagined moments of Luli twirling her pistol and spouting old-movie dialogue in front of a mirror. Supporting actors, from Lewis and Lively to Baldwin, appear as little more than garishly costumed props, while tech credits are mature enough to make the screenplay seem even more childish by comparison.

Hick

Production: A Lighthouse Entertainment, TL, Treetop production. (International sales: Content Media Corp. Intl., Santa Monica.) Produced by Steven Siebert, Christian Taylor, Jon Cornick. Executive producer, Charles de Portes. Co-producers, Michael Jefferson, Andrea Portes. Co-executive producers, Anna Margaret Smedvig, Stuart Gibson, Pedro Portes, Paul Greenwood, Tommy Brazie, Jeff Sanders, Trevor Duke-Moretz, Teri Moretz. Directed by Derick Martini. Screenplay, Andrea Portes, Martini, from the novel by Portes.

Crew: Camera (color, widescreen), Frank Godwin; editor, Mark Yoshikawa; music, Larry Campbell; music supervisors, P.J. Bloom, Heather Guibert; production designer, Roshelle Berliner; art director, Brian Stultz; set decorator, Andy Krish; costume designer, Erika Munro; sound (Dolby Digital), Carl Rudisill; supervising sound editor, Terry Rodman; re-recording mixers, Jason Brennan, Rodman; visual effects supervisors, Daniel P. Rosen, Cameron Neilson; visual effects, Evil Eye; stunt coordinators, Dino Muccio, John Gilbert, Haley Nott, Bob Fisher; assistant director, Michael Jefferson; casting, Eyde Belasco. Reviewed at Toronto Film Festival (Special Presentations), Sept. 11, 2011. Running time: 102 MIN.

With: Luli - Chloe Grace Moretz
Eddie - Eddie Redmayne
Tammy - Juliette Lewis
Clement - Rory Culkin
Lloyd - Ray McKinnon
Nick - Anson Mount
Ray - Robert Baker
Lux - Robert J. Stephenson
Blane - Shaun Sipos
Glenda - Blake Lively
Beau - Alec Baldwin

More Film

  • Mother and son bonding in Wayne

    Wayne Wang’s ‘Coming Home Again’ to be Handled by Asian Shadows (EXCLUSIVE)

    Specialty film sales agent Asian Shadows has picked up international rights to “Coming Home Again,” by Wayne Wang, one of Asia’s most celebrated directors. The film, which tackles food, family and mortality, will premiere as a special presentation at the Toronto festival in September. Based on a short story of the same name, published in [...]

  • The Great Hack (2019) - pictured:

    Film Review: 'The Great Hack'

    When I was growing up, we learned that the moral cornerstone of the First Amendment — the very essence of it — is that it’s about protecting the speech you don’t like. If the Nazis aren’t allowed to march in Skokie (a major test case in the 1970s), then a treacherous principle gets laid down: that [...]

  • Once Upon a Time in Hollywood

    ‘Once Upon a Time in Hollywood’ Tops Studios’ TV Ad Spending

    In this week’s edition of the Variety Movie Commercial Tracker, powered by the always-on TV ad measurement and attribution company iSpot.tv, Columbia Pictures claims the top spot in spending with “Once Upon a Time in Hollywood.” Ads placed for the drama had an estimated media value of $5.71 million through Sunday for 997 national ad [...]

  • Circus of Books

    Outfest Film Review: 'Circus of Books'

    Rachel Mason grew up believing that her parents ran a small bookstore in Los Angeles. She wasn’t entirely mistaken, although the naive young woman — then an artsy teen, now a documentary filmmaker — never imagined that, as her mother Karen bluntly tells her on camera, “at one point, we were probably the biggest distributor [...]

  • Themba Ntuli and Ashley Lazarus

    Ashley Lazarus, Director of Apartheid-Era Cult Classic, Returns to Screen

    DURBAN–Director Ashley Lazarus, whose film about the interracial friendship between two young boys during the apartheid era became a South African cult classic in the 1970s, is set to return to the big screen with a film that builds on his life-long passion for early-childhood education. “Teacher Wanted” is the inspirational story of a teacher [...]

  • Channing Tatum

    Channing Tatum's Free Association Partners With Atwater Capital for Film Development Fund

    Free Association, a production company led by Channing Tatum, Peter Kiernan and Reid Carolin, has entered into a film development fund with Atwater Capital. The four-year $2 million revolving fund stipulates that Atwater will finance a minimum of five films with Free Association. Michael Parets, VP of production, will oversee the deal. Free Association will [...]

More From Our Brands

Access exclusive content