×

Union leaders adhere to blackout

Negotiations to begin in Sherman Oaks

Screen Actors Guild president Ken Howard and American Federation of Television & Radio Artists prexy Roberta Reardon adhered to a 3-day-old news blackout as they arrived Monday morning at the headquarters of the Alliance of Motion Picture & Television Producers in Sherman Oaks, Calif., to begin primetime-feature negotiations.

“I’ve been practicing my ‘no comment’ for the last few days,” said Howard, who was limping from an ankle injury.

Others arriving for the first days of talks included SAG’s Hollywood director Illyanne Morden Kichaven and negotiating committee members George Coe, Carole Elliott, Ron Morgan, Paul Napier, Marcia Strassman and Danny Woodburn.

The first day of talks usually involves presentation of proposals by both sides. SAG and AFTRA launched the talks well before the June 30 contract expiration and have said nothing publicly about which issues have priority.

Talks are scheduled to go until Nov. 7 when SAG begins negotiating over its basic cable contract for a week. The negotiations with the Directors Guild of America are expected to start in mid-November.

Sources have indicated that SAG and AFTRA’s top priority at the bargaining table will be their health and pension plans. Negotiations are launching two weeks after the SAG-industry health plan announced that it would be cutting benefits, hiking premiums and tightening eligibility next year in the face of a $30 million deficit this year with projections of a $50 million deficit next year (Daily Variety, Sept. 14).

Employers’ contributions to union pension and health plans are calculated as a percentage of the total compensation paid to members of that union for the year. For the DGA, employers contribute an additional 14% of the total compensation paid to directors to the DGA plans — 8.5% to health and 5.5% to pension for the DGA. The WGA receives 14.5% (8.5% health, 6% pension), while SAG receives 15% (9.25% health, 5.75% pension) as does AFTRA (9.75% health, 5.25% pension). Those plans are operated separately from the unions, and are overseen by a board comprising reps from the studios and the unions.

More Film

  • The Invisible Man

    Elisabeth Moss in 'The Invisible Man': Film Review

    These days, the horror-fantasy thriller tends to be a junk metaphysical spook show that throws a whole lot of scary clutter at the audience — ghosts, “demons,” mad killers — without necessarily adding up to an experience that’s about anything. But in “The Invisible Man,” Leigh Whannell’s ingenious and entertaining update of a concept that’s [...]

  • Nora Arnezeder

    Berlin: Wide's Thriller 'Blast' Sold to Japan, Latin America at the EFM (EXCLUSIVE)

    “Blast,” a high-concept thriller produced and represented in international markets by Paris-based company Wide, has sold to several territories at the EFM in Berlin. Vanya Peirani-Vignes’ feature debut, “Blast” takes place Parisian parking lot where Sonia finds herself trapped in her car with her son while her boyfriend’s daughter has been left outside to deal [...]

  • digger

    Greek Director Grigorakis Saddles up 'Western' 'Digger' at Berlin

    For a feature debut that he describes as a contemporary Western, Greek director Georgis Grigorakis settled on a familiar archetype — “a lonely guy with his horse, with his shotgun” — who, in keeping with the genre’s conventions, is drawn into a confrontation and is prepared to fight to the bitter end in the defense [...]

  • North Macedonian directors Ljubo Stefanov (R)

    Berlin: 'Honeyland' Directors Prepping New Projects (EXCLUSIVE)

    Tamara Kotevska and Ljubomir Stefanov, the Macedonian directors of the dual Oscar-nominated documentary “Honeyland,” are prepping several new projects, Variety has learned exclusively. The directing duo are looking to build on the success of their debut, a moving portrait of a lone beekeeper struggling to preserve a traditional way of life, which was nominated for [...]

  • David-Casademunt-and-Joaquin

    Rodar y Rodar Boards “The Beast” (EXCLUSIVE)

    Barcelona-based Rodar y Rodar, producer of Spanish horror titles such as J.A. Bayona’s “The Orphanage” and Oriol Paulo’s “The Body, has thrown its weight behind David Casademunt’s “The Beast,” boarding it as its main producer. “The Beast,” which participated in Filmarket Hub’s 2017 Sitges Pitchbox event as well as Ventana Sur’s 2017 Blood Window, it [...]

  • Bad Tales

    Italy's Pepito Prods. Shines With 'Bad Tales' (EXCLUSIVE) Trailer

    Italy’s Pepito Prods., at Berlin with competition drama “Bad Tales” by Damiano and Fabio D’Innocenzo, is emerging as a new home for the country’s auteurs.  The company, headed by former RAI head of drama Agostino Saccà in January, scored more than $6 million in Italian cinemas with veteran Gianni Amelio’s “Hammamet,” a biopic of disgraced [...]

  • La Belle Époque

    France's Les Films du Kiosque Board Nicolas Bedos', Mabrouk El Mechri's Next Films (EXCLUSIVE)

    Les Films du Kiosque, the Paris-based production company behind Nicolas Bedos’ Cannes-premiering “La Belle Epoque” and Netflix’ hit original “Family Business,” is set to reteam with Bedos on “Masquarade,” and will produce Mabrouk El Mechri’s “Kung Fu Zohra.” El Mechri’s film follows Zohra, a young cashier from the suburbs who is being physically abused by [...]

More From Our Brands

Access exclusive content