You will be redirected back to your article in seconds

Leap Year

A lonely Mexican woman with some major intimacy issues goes on a one-month sex spree in "Leap Year."

With: Monica del Carmen, Gustavo Sanchez Parra, Marco Zapata.

A lonely Mexican woman with some major intimacy issues goes on a one-month sex spree in “Leap Year,” Michael Rowe’s raunchy and acutely minimalist study of urban alienation, romantic longing and bedroom practices no one should try at home. Set almost entirely inside a drab Mexico City apartment and filmed in a series of well-designed masters, pic evokes both Tsai Ming-liang’s quiet studies of contempo gloom and Bruno Dumont’s raw depictions of flesh-on-flesh, with a cleverly constructed story that pays off despite the bodily fluids. Semi-extreme content will attract distribs prepared to take a leap of faith.

Initially, first-timer Michael Rowe’s script (written with Lucia Carreras) plays like yet another dull meditation on modern big-city blues, as we follow freelance business journo Laura (“Babel’s” Monica del Carmen) through her solemn routine of eating, watching TV, looking out the window and talking on the phone with her mother.

But such details take on added significance as the narrative slides into darker waters, beginning with the first time Laura brings a guy home and the two have rough but passionless sex, the guy stealing away in the wee morning hours. This routine is repeated several times with different men, and it’s not until Laura meets Arturo (Gustavo Sanchez Parra), whose taste for violent coitus seems to be Laura’s cup of tea, that we begin to notice how her manic routines and masochistic urges are sheltering a deeper trauma.

As things advance toward a potentially horrendous finale, Rowe maintains a solid, unadorned aesthetic, meticulously studying an existence that’s not without its own absurdist humor. Both Juan Manuel Sepulveda’s widescreen setups and Alisarine Ducolomb’s threadbare art direction grant significance to the most basic gestures and props, while Oscar Figueroa Jara’s editing limits action to one shot per scene, a la “Stranger Than Paradise.”

Whether standing or on all fours, del Carmen’s performance is carefully constructed, oscillating between hard-hitting promiscuity and an everyday boredom that reveals its hidden agenda in subtle but telling ways.

Some fairly disturbing sex scenes may be a turnoff to high-brow arthouse crowds, but patient viewers will be rewarded with a conclusion that can only come from its character’s intense trial by fornication.

Leap Year


Production: A Machete Producciones, Instituto Mexicano de Cinematografia production. (International sales: Pyramide Intl., Paris.) Produced by Edher Campos, Luis Salinas. Directed by Michael Rowe. Screenplay, Rowe, Lucia Carreras.

Crew: Camera (color, widescreen), Juan Manuel Sepulveda; editor, Oscar Figueroa Jara; art director, Alisarine Ducolomb; costume designer, Adolfo Cruz Mateo; sound (Dolby Digital), Antonio Diego; sound designer, Miguel Angel Molina Gutierrez; associate producers, Olga Gonzalez, Gustavo Campos; assistant director, Rafael Ravinet Virbel. Reviewed at Cannes Film Festival (Directors' Fortnight), May 17, 2010. Running time: 92 MIN.

Cast: With: Monica del Carmen, Gustavo Sanchez Parra, Marco Zapata.

More Scene

  • Bebe Rexha

    Mumford and Sons, Sting, Ciara, Bebe Rexha Light Up Cannes Lions

    There was no shortage of excellent music at the 2019 edition of Cannes Lion. The international gathering of creatives drew top music brands – among them: Spotify, Live Nation, iHeartRadio, SiriusXM/Pandora, VEVO and Universal Music Group – and a slew of well-known acts to stages across the Croissette, to villas above the city and onto [...]

  • Patrick Wilson

    Patrick Wilson, Mckenna Grace on Scary Stories From 'Annabelle Comes Home' Set

    Tales of spooky occurrences on the sets of horror movies like “The Exorcist” and “Poltergeist” have circulated for years, and it looks like “The Conjuring” franchise is following in their footsteps in that regard. The cast of “Annabelle Comes Home” shared their unnerving stories from set at the film’s premiere on Thursday night at the Regency [...]

  • Donald Trump Chucky Childs Play

    'Child's Play' Stars on New Chucky's 'Creepy' Resemblance to Donald Trump

    At Wednesday night’s world premiere of the “Child’s Play” remake, it was obvious that evil doll Chucky — the star of seven films over three decades — had a little work done. And now he bears a striking resemblance to Donald Trump. “Oh, you caught that?” Aubrey Plaza asked Variety on the black carpet outside [...]

  • Cara Delevingne attends The Trevor Project's

    Cara Delevingne Recalls Producers Saying That Being Queer Will Hurt Her Career

    Hollywood may be celebrating LGBTQ Pride Month with displays of the rainbow flag and lots of talk about supporting diversity and inclusion, but Cara Delevingne says there’s still work to be done. “Behind closed doors, we are still being told, as I have, by powerful Hollywood producers that we can’t make it if we’re queer,” [...]

More From Our Brands

Access exclusive content