Variety honors leaders making a difference in Hollywood
Paramount's "Smile" looks to top the box office in its opening.
Disney’s suite of 20 TV channels was yanked off Dish Network’s satellite television and Sling TV services for customers across the U.S., after the two companies failed to reach a…
In Elena Avdija’s documentary “Stuntwomen,” which is world premiering at Zurich Film Festival, you don’t just become a stuntwoman: you have to work for it. Virginie Arnaud, Petra…
Danielle Deadwyler Gives an Oscar-Worthy Performance in 'Till,' But Will Enough Voters Watch the Film?
After the NYFF premiere of Chinonye Chukwu's historical drama, Deadwyler looks to break into the awards race.
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Truth is relative as Christian Bale, John David Washington and Margot Robbie stumble upon a plot to overturn democracy in this overstuffed social satire from David O. Russell.
Andrew Dominik's film captures how not just Marilyn Monroe's tragedy, but her sex-goddess glory emerged from her trauma.
Hollywood has been paving the way for a movie like the R-rated, Judd Apatow-produced studio comedy "Bros," a funny yet oddly self-satisfied romantic comedy.
A therapist looks like she's losing her mind in a shocker that puts a happy face on trauma.
Netflix's "Monster," starring Evan Peters as Jeffrey Dahmer, is grim, unnecessary, and all too predictable from Ryan Murphy.
The "Rogue One" spinoff marks a huge, and hugely welcome, departure from Disney+'s typical "Star Wars" model.
Hulu's new comedy about Hulu rebooting a sitcom hands weaker scripts to a stronger cast.
"Abbott Elementary" returns with a warm and melancholy look at the teaching life.
Megan Thee Stallion's "Traumazine" goes lighter on her trademark sensuality and humor as it deals with well-known career and personal drama.
Six years after the release of "Lemonade," pop icon Beyoncé has come through again with the sticky, sweaty, hedonistic "Renaissance."
Amanda Shires' seventh Americana-flavored album, "Take It Like a Man," is almost cocky in spinning strong songs out of personal uncertainty.
Jack White has released his second album in four months, a mostly acoustic collection that is as gentle as the last one was gonzo.
"Devil Wears Prada," the Broadway-bound new musical, now premiering in Chicago, needs to take a cue from Miranda Priestly and get meaner.
Starring Amir Arison, this stage adaptation of Khaled Hosseini's novel is a heartbreaker -- but so uplifting, it's worth the pain.
The National Theatre production of a new play by the writer of "One Man, Two Guvnors" proves comedy lightning does strike twice.
Boris Berezovsky, Russian oligarch and Putin foe, is brought vividly to life by Tom Hollander in Peter Morgan's latest.
With $5.6 billion so far, this year's domestic tally is well below pre-pandemic years. Can these films change that?
The 74th annual Emmy Awards are in the books following a tight three-hour telecast on NBC that saw several repeat winners, along with quite a few surprising upsets.
Hillary and Chelsea Clinton on Their ‘Gutsy’ Star Turn, Fox News and Whether a Woman Can Be PresidentBy Andrew Wallenstein
Ana de Armas’ ‘Blonde’ Ambition: How She Channeled Marilyn Monroe’s Body and Soul for Netflix’s NC-17 GambleBy Andrew Wallenstein
Quinta Brunson on Winning Emmys With Sheryl Lee Ralph, Why ‘Abbott Elementary’ Wasn’t Ready to Be Named Best Comedy Yet and Changing the Stakes in Season 2By Andrew Wallenstein
Can Kelly Clarkson Save Daytime? The Host on Taking Over Ellen’s Spot, Touring Again and Broadway DreamsBy Andrew Wallenstein