My Best Friend’s Girl

The raunch-to-romance ratio isn't up to Judd Apatow level -- the current gold standard for R-rated romantic comedies -- but has enough down-and-dirty laughs to make it a midrange B.O. performer before its likely long shelf life as homevideo fare.

Tank - Dane Cook Alexis - Kate Hudson Dustin - Jason Biggs Professor Turner - Alec Baldwin Rachel - Diora Baird Ami - Lizzy Caplan

The raunch-to-romance ratio isn’t up to Judd Apatow level — the current gold standard for R-rated romantic comedies — and the third act bespeaks much second-guessing and waffling on the part of everyone involved. Still, despite bowing on the low end of expectations with some $8 million, “My Best Friend’s Girl” has plenty of down-and-dirty laughs and should have a long shelf life as homevideo fare. The inevitable “unrated director’s cut” should sell especially well, even though it’s difficult to imagine how it could be more foul-mouthed than the current theatrical version.

Top-billed comic-turned-actor Dane Cook is almost too credible for comfort in the lead role of Tank, a customer-service telerep who moonlights as “an asshole” — his own self-description — for fun and profit. In the world according to scribe Jordan Cahan, any fellow who’s dumped by his girlfriend can win her back simply by paying Tank to treat her to the worst date of her life. One night out with the purposefully obnoxious and sexually aggressive lout, and the g.f. will run back to the guy she left behind.

Tank is so adept at this that his services are sought by Dustin (Jason Biggs), his roomie and best friend. Hopelessly smitten with Alexis (Kate Hudson), a beautiful co-worker, Dustin proposes to her barely five weeks into their relationship. But Alexis isn’t ready to proceed so quickly, so she rebuffs his overeager overtures and Dustin calls Tank.

Complications arise, however, as Alexis — actively encouraged by her randy roommate, Ami (Lizzy Caplan) — realizes that, at this particular point in her relatively unexciting life, what she really wants isn’t Mr. Right, but Mr. Right Now. That is, a stud muffin who makes booty calls without demanding commitments. Which, of course, makes Tank the wrong man in the right place at the right time.

Not surprisingly, Tank, heretofore a swaggering sexual buccaneer, quickly evolves into a reluctantly lovestruck suitor when the tables are turned on him. For an impressively long stretch, though, director Howard Deutch (who took a considerably more demure approach to romance way back when he helmed “Some Kind of Wonderful” and “Pretty in Pink”) manages to distract auds from the predictability of the plot with fusillades of profanely funny dialogue and some playfully sexy chemistry generated by Cook and Hudson.

It also helps that Alec Baldwin gleefully steals scenes right and left as Tank’s father, a middle-aged, unapologetically sybaritic college professor who feigns feminist attitudes to score with women of all ages. (“Guilt,” father warns son, “is just one more thing trying to asphyxiate us while we’re having sex.”)

Somewhere around the two-thirds mark, however, “My Best Friend’s Girl” starts to cloud over with an air of indecision, suggesting the filmmakers were torn between the commercial imperative of providing an upbeat resolution, and a near-uncontrollable urge to go for broke with a cynical (but more dramatically plausible) conclusion. Final scene feels like a tacked-on compromise that may have been added after unsuccessful preview screenings.

Cook is most amusing while emphasizing his sardonic edginess, a trait that may eventually serve him well in some anti-heroic (or downright villainous) dramatic role. Better still, he establishes an effectively fluid give-and-take with Hudson, enabling her to strike an attractive balance of comedy and carnality.

Drab lensing of Boston locations is a minor annoyance throughout.

Popular on Variety

My Best Friend's Girl

Production: A Lionsgate release and presentation of a Lionsgate production, in association with Management 360, Terra Firma Films and Superfinger Entertainment. Produced by Adam Herz, Gregory Lessans, Josh Shader, Guymon Casady, Doug Johnson, Barry Katz, Brian Volk-Weiss. Executive producers, Mike Elliott, Michael Paseornek, John Sacchi. Co-producers, Jerry P. Jacobs, Jordan Cahan. Directed by Howard Deutch. Screenplay, Jordan Cahan.

Crew: Camera (FotoKem color), Jack N. Green; editor, Seth Flaum; music, John Debney; music supervisor, Jay Faires; production designer, Jane Ann Stewart; art director, Timothy "TK" Kirkpatrick; costume designer, Marilyn Vance; sound (Dolby Digital/DTS/SDDS), Edward Tise; supervising sound editor, Peter Brown; re-recording mixers, Orest Sushko, Adam Jenkins; visual effects supervisor, Mike Uguccioni; visual effects, XY&Z Visual Effects; stunt coordinators, Steve Ritzi, Jeff Gibson; assistant director, K.C. Colwell; casting, Annie McCarthy, Jay Scully, Freddy Luis. Reviewed at AMC First Colony 24, Houston, Sept. 19, 2008. MPAA Rating: R. Running time: 103 MIN.

With: Tank - Dane Cook Alexis - Kate Hudson Dustin - Jason Biggs Professor Turner - Alec Baldwin Rachel - Diora Baird Ami - Lizzy Caplan

More Film

  • Amanda Awards

    ‘Out Stealing Horses’ Tops Norway’s 2019 Amanda Awards

    HAUGESUND, Norway —  Hans Petter Moland’s sweeping literary adaptation “Out Stealing Horses” put in a dominant showing at Norway’s Amanda Awards on Saturday night, placing first with a collected five awards, including best Norwegian film. Celebrating its 35th edition this year, the Norwegian industry’s top film prize helped kick off the Haugesund Film Festival and [...]

  • Editorial use onlyMandatory Credit: Photo by

    Richard Williams, 'Who Framed Roger Rabbit' Animator, Dies at 86

    Renowned animator Richard Williams, best known for his work on “Who Framed Roger Rabbit,” died Friday at his home in Bristol, England, Variety has confirmed. He was 86. Williams was a distinguished animator, director, producer, author and teacher whose work has garnered three Oscars and three BAFTA Awards. In addition to his groundbreaking work as [...]

  • Instinct

    Locarno Film Review: 'Instinct'

    Now that “Game of Thrones” has finally reached its conclusion, releasing its gifted international ensemble into the casting wilds, will Hollywood remember just what it has in Carice van Houten? It’s not that the statuesque Dutch thesp hasn’t been consistently employed since her startling 2006 breakout in Paul Verhoeven’s “Black Book,” or even that she’s [...]

  • Good Boys Movie

    Box Office: 'Good Boys' Eyes Best Original Comedy Opening of 2019

    Universal’s “Good Boys” is surpassing expectations as it heads toward an estimated $20.8 million opening weekend at the domestic box office following $8.3 million in Friday ticket sales. That’s well above earlier estimates which placed the film in the $12 million to $15 million range, marking the first R-rated comedy to open at No. 1 [...]

  • Pedro Costa’s 'Vitalina Varela' Wins at

    Pedro Costa’s 'Vitalina Varela' Triumphs at Locarno Film Festival

    The 72nd Locarno Film Festival drew to a close Saturday with Portuguese auteur Pedro Costa’s dark and detached film “Vitalina Varela” coming away with several awards together with superlatives from segments of the hardcore cinephile crowd, including jury president Catherine Breillat. In announcing the Golden Leopard prize for the film, as well as best actress [...]

  • Vitalina Varela

    Locarno Film Review: 'Vitalina Varela'

    Frequently beautiful compositions and the theatrical use of a fierce kind of artifice have long been the hallmarks of Portuguese auteur Pedro Costa, regarded by a small but influential group of aesthetes as one of the great filmmakers of our era. For those in tune with his vision, the director’s films offer an exciting lesson [...]

  • Notre dame

    Locarno Film Review: 'Notre dame'

    Not to be too cynical about it, but might the recent horrific fire in Paris’ cathedral attract audiences to a film in which the gothic gem plays a major role? It’s likely a wiser marketing strategy than promoting the unrelenting silliness of Valerie Donzelli’s oh-so-kooky comedy “Notre dame,” the writer-director-star’s return to contemporary Paris following [...]

More From Our Brands

Access exclusive content