You will be redirected back to your article in seconds

The Ghost

If Karen Oganesyan's "The Ghost" hadn't been so blatantly tooled as an item for Hollywood remake, it might have proved to be a clever fusion of the twin Russian obsessions for the criminal underground and the literary world.

With:
With: Konstantin Khabensky, Vladimir Mashkov, Chulpan Khamatova.

If Karen Oganesyan’s “The Ghost” hadn’t been so blatantly tooled as an item for Hollywood remake, it might have proved to be a clever fusion of the twin Russian obsessions for the criminal underground and the literary world. When the film’s bestselling crime novelist hits a creative slump and finds sudden inspiration from a hitman who could have popped from the pages of one of his tomes, the action flirts with outright comedy, but turns into a merely mediocre shoot-’em-up straining for effect. Surefire local B.O. likely will gird a future deal with a Stateside studio.

Author Anton (Konstantin Khabensky) is signing copies of his latest book, “The Ghost’s Revenge,” in a Moscow bookstore when he witnesses hitman Mikhail (Vladimir Mashkov) perform a swift assassination across the street. Beset with his own personal and familial demons, Anton proves vulnerable to Mikhail’s entreaties to let him provide the author with an insider’s view of the life of a killer-for-hire. Even half-interested viewers will be far ahead of Anton in his shock that he’s become a pawn in Mikhail’s larger game, which turns out to be only slightly intriguing.

The Ghost

Russia

Production: A Magnum Studio production in association with Central Partnership. (International sales: Central Partnership, Moscow.) Produced by Ruben Dishdishyan, Anna Melikyan. Directed by Karen Oganesyan. Screenplay, Oleg Malovichko.

Crew: Camera (color, widescreen), Zaur Bolotaev; editor, Oganesyan; music, Nino Katamadze, Gocha Kacheishvily, Ucha Gugunava, David Abuladze; production designer, Ulyana Ryabova. Reviewed at Toronto Film Festival (Contemporary World Cinema), Sept. 9, 2008. Running time: 110 MIN.

With: With: Konstantin Khabensky, Vladimir Mashkov, Chulpan Khamatova.

More Film

  • Actor Scott Wilson arrives at the

    Actor Scott Wilson of 'The Walking Dead' Remembered at Memorial

    If Karen Oganesyan’s “The Ghost” hadn’t been so blatantly tooled as an item for Hollywood remake, it might have proved to be a clever fusion of the twin Russian obsessions for the criminal underground and the literary world. When the film’s bestselling crime novelist hits a creative slump and finds sudden inspiration from a hitman […]

  • Julio Medem’s ‘The Tree of Blood’

    Julio Medem’s ‘The Tree of Blood’ Picked up by FilmSharks Intl. (EXCLUSIVE)

    If Karen Oganesyan’s “The Ghost” hadn’t been so blatantly tooled as an item for Hollywood remake, it might have proved to be a clever fusion of the twin Russian obsessions for the criminal underground and the literary world. When the film’s bestselling crime novelist hits a creative slump and finds sudden inspiration from a hitman […]

  • Danny Leiner'THE GREAT NEW WONDERFUL' FILM

    Danny Leiner, Director of 'Dude, Where's My Car,' Dies at 57

    If Karen Oganesyan’s “The Ghost” hadn’t been so blatantly tooled as an item for Hollywood remake, it might have proved to be a clever fusion of the twin Russian obsessions for the criminal underground and the literary world. When the film’s bestselling crime novelist hits a creative slump and finds sudden inspiration from a hitman […]

  • ‘Joy’ by Sudabeh Mortezai Wins Best

    'Joy' by Sudabeh Mortezai Wins Best Film at BFI London Film Festival

    If Karen Oganesyan’s “The Ghost” hadn’t been so blatantly tooled as an item for Hollywood remake, it might have proved to be a clever fusion of the twin Russian obsessions for the criminal underground and the literary world. When the film’s bestselling crime novelist hits a creative slump and finds sudden inspiration from a hitman […]

  • Halloween

    'Halloween': 20 Inside Jokes and Easter Eggs

    If Karen Oganesyan’s “The Ghost” hadn’t been so blatantly tooled as an item for Hollywood remake, it might have proved to be a clever fusion of the twin Russian obsessions for the criminal underground and the literary world. When the film’s bestselling crime novelist hits a creative slump and finds sudden inspiration from a hitman […]

  • 'Been So Long' Review: Michaela Coel

    London Film Review: 'Been So Long'

    If Karen Oganesyan’s “The Ghost” hadn’t been so blatantly tooled as an item for Hollywood remake, it might have proved to be a clever fusion of the twin Russian obsessions for the criminal underground and the literary world. When the film’s bestselling crime novelist hits a creative slump and finds sudden inspiration from a hitman […]

More From Our Brands

Access exclusive content