×
You will be redirected back to your article in seconds

The Trap

An ordinary man becomes a killer to save the life of his child in "The Trap," a psychologically dense if rather contrived tale of post-Milosevic Serbia directed by Srdan Golubovic. Aiming at being a dignified, socially relevant drama, the film struggles through a set-up of film noir/gangster movie tropes until becoming more engrossing in its second half.

With:
Mladen - Nebojsa Glogovac Marija - Natasa Ninkovic Jelena - Anica Dobra Milos - Miki Manojlovic

An ordinary man becomes a killer to save the life of his child in “The Trap,” a psychologically dense if rather contrived tale of post-Milosevic Serbia directed by Srdan Golubovic (“Absolute Hundred.”) Aiming at being a dignified, socially relevant drama, the film struggles through a set-up of film noir/gangster movie tropes until becoming more engrossing in its second half. With Anica Dobra and Miki Manojlovic in the cast, this cleanly lensed Serbian-German-Hungarian co-production could elbow its way into limited theatrical release, before making its main haul in the ancillary markets.

Underpaid engineer Mladen (Nebojsa Glogovac) and his wife Marija (Natasa Ninkovic) are a young middle-class couple living with their 10-year-old son in Belgrade and struggling to make ends meet. When the boy is diagnosed with a life-threatening illness that requires immediate surgery abroad, they are at a loss to find $30,000 for the operation. With no other option, Marija swallows her pride and puts an appeal in the paper for donations.

The only person who answers the ad is the mysterious Milos (Miki Manojlovic), who makes Mladen an indecent proposal: the money in exchange for murdering a business rival. At first Mladen is repulsed, but when the boy’s condition becomes critical, he has second thoughts.

Based on a play, script by Srdan Koljevic (“Sky Hook”) and Melina Potakogevic takes place mostly in cramped interiors and a few sloped streets in downtown Belgrade. The claustrophobic atmosphere heightens the moral and dramatic choice Mladen must make, but offers little in the way of visual excitement. That TV feeling creeps into the hospital scenes where the anxious parents talk to the doctor, as well as the trumped-up quarrels between Mladen and Marija at home, which are inserted only for dramatic convenience.

More interesting is watching nice-guy Mladen’s slow descent into a moral black hole of criminality and cowardice. In a culminating scene of genuine tension, he bursts into Milos’ over-furnished house and turns on him like a vicious animal, driving home the theme of collapsing moral values.

Other nice touches highlight the bizarre social universe of Belgrade, where expensive SUVs roam the streets beside rusty tin cans from the Socialist era, and where one little boy begs his parents for a mobile phone on his way to school, while a child his age begs for money at traffic lights. These acutely observed details beam a sharp image of life in today’s Serbia.

Principals Glogovac and Ninkovic are troopers who approach their roles with deadly seriousness and professionalism. As the ambiguous Milos, Manojlovic is a fascinating study of a hollow man constructed out of lies. Most memorable character, however, played by Anica Dobra, is a gangster’s beautiful, sensitive wife who befriends Mladen because she believes he’s a good man.

The Trap

Serbia - Germany - Hungary

Production: A Film House Bas Celik (Belgrade)/Mediopolis (Leipzig)/UJ Budapest Filmstudio KFT coproduction. (International sales: Bavaria Film Intl., Geiselgasteig.) Produced by Jelena Mitrovic, Natasa Ninkovic, Alexander Ris, Jorg Rothe, Laszlo Kantor. Directed by Srdan Golubovic. Screenplay, Srdan Koljevic, Melina Potakogevic, based on a play by Nenad Teofilovic.

Crew: Camera (color), Aleksandar Ilic; editors, Marko Glusac, Dejan Urosevic; music, Mario Schneider; production designer, Goran Joksimovic; costume designer, Ljiljana Petrovic; sound (Dolby digital), Branko Dordevic. Reviewed at Berlin Film Festival (Forum), Feb. 13, 2007. Running time: 106 MIN.

With: Mladen - Nebojsa Glogovac Marija - Natasa Ninkovic Jelena - Anica Dobra Milos - Miki ManojlovicWith: Marko Durovic, Dejan Cukic, Vuk Kostic, Bogdan Diklic, Milorad Mandic, Vojin Cetkovic, Mladen Nelevic, Boris Isakovic

More Film

  • Colombia’s Macondo Academy Award Winners, 2018

    ‘Killing Jesus’ Wins Big at Colombia’s 2018 Macondo Academy Awards

    An ordinary man becomes a killer to save the life of his child in “The Trap,” a psychologically dense if rather contrived tale of post-Milosevic Serbia directed by Srdan Golubovic (“Absolute Hundred.”) Aiming at being a dignified, socially relevant drama, the film struggles through a set-up of film noir/gangster movie tropes until becoming more engrossing […]

  • ‘Free Solo’ Tops Kendal Mountain Festival,

    ‘Free Solo’ Tops Kendal Mountain Festival

    An ordinary man becomes a killer to save the life of his child in “The Trap,” a psychologically dense if rather contrived tale of post-Milosevic Serbia directed by Srdan Golubovic (“Absolute Hundred.”) Aiming at being a dignified, socially relevant drama, the film struggles through a set-up of film noir/gangster movie tropes until becoming more engrossing […]

  • Olivier Awards 2016

    Judi Dench to Be Honored at British Independent Film Awards

    An ordinary man becomes a killer to save the life of his child in “The Trap,” a psychologically dense if rather contrived tale of post-Milosevic Serbia directed by Srdan Golubovic (“Absolute Hundred.”) Aiming at being a dignified, socially relevant drama, the film struggles through a set-up of film noir/gangster movie tropes until becoming more engrossing […]

  • ‘Act of Killing’s’ Final Cut for

    Frida and Lasse Barkfors Pitch 'School Shooters' At IDFA Forum

    An ordinary man becomes a killer to save the life of his child in “The Trap,” a psychologically dense if rather contrived tale of post-Milosevic Serbia directed by Srdan Golubovic (“Absolute Hundred.”) Aiming at being a dignified, socially relevant drama, the film struggles through a set-up of film noir/gangster movie tropes until becoming more engrossing […]

  • IDFA: ‘Dawn’ Director Carmen Torres on

    IDFA: Colombia’s Carmen Torres’ Talks IDFA Doc ‘Dawn’

    An ordinary man becomes a killer to save the life of his child in “The Trap,” a psychologically dense if rather contrived tale of post-Milosevic Serbia directed by Srdan Golubovic (“Absolute Hundred.”) Aiming at being a dignified, socially relevant drama, the film struggles through a set-up of film noir/gangster movie tropes until becoming more engrossing […]

  • VENOM

    China Box Office: 'Venom' Enjoys Spectacular $87 Million Second Weekend

    An ordinary man becomes a killer to save the life of his child in “The Trap,” a psychologically dense if rather contrived tale of post-Milosevic Serbia directed by Srdan Golubovic (“Absolute Hundred.”) Aiming at being a dignified, socially relevant drama, the film struggles through a set-up of film noir/gangster movie tropes until becoming more engrossing […]

  • Fantastic Beasts: The Crimes of Grindelwald

    Korea Box Office: 'Fantastic Beasts' Beats 'Bohemian Rhapsody' and Burns 'BTS'

    An ordinary man becomes a killer to save the life of his child in “The Trap,” a psychologically dense if rather contrived tale of post-Milosevic Serbia directed by Srdan Golubovic (“Absolute Hundred.”) Aiming at being a dignified, socially relevant drama, the film struggles through a set-up of film noir/gangster movie tropes until becoming more engrossing […]

More From Our Brands

Access exclusive content