You will be redirected back to your article in seconds

The Last Train

Erratic production values and one-dimensional characterizations severely compromise impact of fitfully affecting Holocaust transport saga "The Last Train." Pic is thus destined for specialty fests and undiscerning cablers, with solid ancillary classroom use to follow.

With:
With: Gedeon Burkhard, Lale Yavas, Sibel Kekilli, Brigitte Grothum, Juraj Kukura, Lena Byerling, Roman Roth, Ludwig Blochberger. (German, Polish dialogue).

Erratic production values and one-dimensional characterizations severely compromise impact of fitfully affecting Holocaust transport saga “The Last Train.” Pic is thus destined for specialty fests and undiscerning cablers, with solid ancillary classroom use to follow.

In 1943, cross-section of Berlin Jews are herded into a cattle car; unbeknownst to them, destination is Auschwitz death camp. Ex-boxer Henry Neumann (Gedeon Burkhard) quickly aligns with rich kid Albert Rosen (Lale Yavas) to organize a group and thwart baby-faced commanding Nazi sadist Crewes (Ludwig Blochberger). As days pass with no food or water, each principle character is allowed a flashback to happier times. Back in the present, older cabaret singer Rosen (Roman Roth) prepares to sing for a crust of bread: “I’ve played worse audiences,” he scoffs. Genuinely affecting finale plays as if from another movie altogether. With filmmakers as credentialed as helmer Josef Vilsmaier (“Stalingrad,” “Comedian Harmonists”) and producer Artur Brauner (“Hanussen,” “Europa Europa”), pic’s primitive lighting and make-up are a mystery; poorly pancaked thesps on a garishly lit set does not a fitting Holocaust tribute make. Story is credited to “Art Bernd,” pseudonym used by Brauner on similar-themed 2003 misfire “Babij Jar.”

The Last Train

Germany - Czech Republic

Production: A Concorde Film release (in Germany) of a CCC (Central Cinema Company) (Germany), Diamant Films (Czech Republic) production. (International sales: Telepool, Munich.) Produced by Artur Brauner. Executive producer, Ivo Pavelek. Directed by Joseph Vilsmaier, Dana Vavrova. Screenplay, Stephen Glantz, from a story by Art Bernd.

Crew: Camera (color), Vilsmaier; editor, Uli Schoen; music, Chris Heyne; production designers, Jaromir Swarc, Zadenek Lstiburek. Reviewed at Berlin Film Festival (German Cinema), Feb. 10, 2007. Running time: 123 MINS.

With: With: Gedeon Burkhard, Lale Yavas, Sibel Kekilli, Brigitte Grothum, Juraj Kukura, Lena Byerling, Roman Roth, Ludwig Blochberger. (German, Polish dialogue).

More Film

  • Between Two Waters

    San Sebastian: Filmax Swoops on Competition Title ‘Between Two Waters’ (EXCLUSIVE)

    Erratic production values and one-dimensional characterizations severely compromise impact of fitfully affecting Holocaust transport saga “The Last Train.” Pic is thus destined for specialty fests and undiscerning cablers, with solid ancillary classroom use to follow. In 1943, cross-section of Berlin Jews are herded into a cattle car; unbeknownst to them, destination is Auschwitz death camp. […]

  • CARY FUKUNAGA Beasts of No Nation

    Cary Joji Fukunaga to Direct New James Bond Film

    Erratic production values and one-dimensional characterizations severely compromise impact of fitfully affecting Holocaust transport saga “The Last Train.” Pic is thus destined for specialty fests and undiscerning cablers, with solid ancillary classroom use to follow. In 1943, cross-section of Berlin Jews are herded into a cattle car; unbeknownst to them, destination is Auschwitz death camp. […]

  • 'Garry Winogrand: All Things Are Photographable'

    Film Review: 'Garry Winogrand: All Things Are Photographable'

    Erratic production values and one-dimensional characterizations severely compromise impact of fitfully affecting Holocaust transport saga “The Last Train.” Pic is thus destined for specialty fests and undiscerning cablers, with solid ancillary classroom use to follow. In 1943, cross-section of Berlin Jews are herded into a cattle car; unbeknownst to them, destination is Auschwitz death camp. […]

  • Danny Boyle

    Film News Roundup: Danny Boyle's Comedy Moved Forward

    Erratic production values and one-dimensional characterizations severely compromise impact of fitfully affecting Holocaust transport saga “The Last Train.” Pic is thus destined for specialty fests and undiscerning cablers, with solid ancillary classroom use to follow. In 1943, cross-section of Berlin Jews are herded into a cattle car; unbeknownst to them, destination is Auschwitz death camp. […]

  • Los Angeles Film Festival Tries Awards

    LA Film Festival Looks for Reinvention With Fall Berth

    Erratic production values and one-dimensional characterizations severely compromise impact of fitfully affecting Holocaust transport saga “The Last Train.” Pic is thus destined for specialty fests and undiscerning cablers, with solid ancillary classroom use to follow. In 1943, cross-section of Berlin Jews are herded into a cattle car; unbeknownst to them, destination is Auschwitz death camp. […]

  • Kesha

    Kesha Releases Song 'Here Comes the Change' for Ruth Bader Ginsburg Movie

    Erratic production values and one-dimensional characterizations severely compromise impact of fitfully affecting Holocaust transport saga “The Last Train.” Pic is thus destined for specialty fests and undiscerning cablers, with solid ancillary classroom use to follow. In 1943, cross-section of Berlin Jews are herded into a cattle car; unbeknownst to them, destination is Auschwitz death camp. […]

  • The Last Suit

    Film Review: 'The Last Suit'

    Erratic production values and one-dimensional characterizations severely compromise impact of fitfully affecting Holocaust transport saga “The Last Train.” Pic is thus destined for specialty fests and undiscerning cablers, with solid ancillary classroom use to follow. In 1943, cross-section of Berlin Jews are herded into a cattle car; unbeknownst to them, destination is Auschwitz death camp. […]

More From Our Brands

Access exclusive content