You will be redirected back to your article in seconds

Hear and Now

Irene Taylor Brodsky's "Hear and Now" examines cochlear implant surgery through the eyes -- and ears -- of the filmmaker's own parents. Sundance exposure should widen awareness, but HBO production feels best suited for TV, where families can watch with hankies ready.

With: Paul Taylor, Sally Taylor.
Narrator: Irene Taylor Brodsky.

Not to be confused with the Oscar-nominated docu “Sound and Fury,” Irene Taylor Brodsky’s “Hear and Now” examines cochlear implant surgery through the eyes — and ears — of the filmmaker’s own parents. Both deaf since birth, the couple decides to undergo the operation together at age 65, optimistic but ultimately unprepared for the results. Helmer’s personal connection to her subjects heightens the extremes of their emotional journey, with Taylor Brodsky serving as a thoughtful if admittedly non-objective observer. Sundance exposure should widen awareness, but HBO production feels best suited for TV, where families can watch with hankies ready.

Though Taylor Brodsky focuses exclusively on her parents, Paul and Sally Taylor, this is no amateur home movie. Helmer easily might have expanded the scope to include other patients considering the controversial surgery, only to diminish the intimacy the film achieves. Pic asks auds not only to consider the hearing they take for granted but also to imagine the effect of experiencing sound for the first time after a lifetime of silence.

By framing her parents’ marriage as an enduring love story, Taylor Brodsky suggests an idyllic silent world disrupted by the late-in-life addition of this new dimension. Before surgery, the couple appears holding hands on long, wordless walks or working together to read lips in group conversations. Friends since the age of 3, when they met as classmates at the Central Institute for the Deaf, the pair learned to navigate their disability together.

More “Oprah” than “Frontline,” pic uses casual handheld camerawork and introspective narration to chart their transformation. Though hardly the standard in the documentary world, Taylor Brodsky’s sentimental human-interest approach is far more likely to resonate with casual or classroom auds. More seasoned viewers may find it simplistic, however. “They’ve been daydreaming about sound their whole lives,” she muses. “But what if hearing … disappoints us all?”

Sure enough, the procedure doesn’t go entirely as planned. The operation itself is presented in unblinking detail, yet it’s nothing auds haven’t seen in plastic-surgery and medical documentaries featured regularly on cable television.

A short month later, Paul and Sally’s first hearing moments seem miraculous indeed, as Paul searches for the words to define what he’s experiencing: “That’s a tough question. How do you describe what green looks like?” He drives through the car wash twice in one day, just to soak up the machine’s jet-engine symphony.

But in the weeks that follow, all that changes, as Paul adjusts more quickly to the mechanical implant, while Sally struggles to distinguish sounds, quickly losing patience with the device. Suddenly there is a disparity between them that creates tension in their relationship. At a Christmas family gathering, Paul plays air guitar to a music CD, while Sally sits with her ear pressed to the speaker, relying on the vibrations to detect the rhythm.

Taylor Brodsky’s film echoes her parents’ heartbreak, constantly shifting away from the medical advice (in short, these things take time and demand patience) to capture their frustration. Like the wrenching personal accounts of cancer survivors, “Hear and Now” unlocks the psychological side of their experience, with raw emotion smoothing over the intimate pic’s less cinematic qualities.

Hear and Now


Production: A HBO Documentary Films presentation. Produced, directed, written, edited by Irene Taylor Brodsky.

Crew: Camera (color/B&W, 8mm archival and DV-to-HD), Taylor Brodsky, Crofton Diack; music, Joel Goodman; sound (SDDS), Michael Gandsey; senior producer, Eve Epstein; associate producer, Diack. Reviewed on DVD, Los Angeles, Jan. 12, 2007. (In Sundance Film Festival -- competing.) Running time: 85 MIN.

With: With: Paul Taylor, Sally Taylor.
Narrator: Irene Taylor Brodsky.

More Film

  • Osopez Pitches Toon Adult comedy 'Pleasefixers'

    Animation!: Costa Rica's Osopez Pitches 'The Pleasefixers'

    Costa Rican animation studio Osopez is developing 3D CGI black comedy series “The Pleasefixers,” its most ambitious project to date, which has been selected for pitching at Ventana Sur’s 3rd Animation! showcase. Co-created by Osopez’s Ariel Arburola and Carlos Redondo, the 12-episode, 23-minute TV show targets young adults and adults, aged 18-34. “Pleasefixers” follows a [...]

  • ‘The Goalkeeper’s’ Gory Patiño Teams With

    ‘The Goalkeeper’s’ Gory Patiño Teams with Luis Reneo on ‘Pseudo’

    Bolivia’s Gory Patiño, writer-director for his country’s Academy Award submission “The Goalkeeper” – also the highest grossing Bolivian film in 15 years – and his frequent filmmaking partner, Spain’s Luis Reneo, are participating in this year’s Ventana Sur films in progress section with their socio-political thriller “Pseudo.” The project was also selected as a finalist [...]

  • Roy Ashton

    Ventana Sur: The Gersh Agency’s Roy Ashton Talks Pitching 101

    BUENOS AIRES — Roy Ashton, responsible for packaging and selling projects to markets and operators such as Amazon for Hollywood’s The Gersh Agency, spoke to a standing-room-only crowd about the process of pitching successfully to the U.S. market ahead of a script workshop he attended Tuesday afternoon. Ashton emphasized the draw of storytelling on an international [...]

  • Ainbo

    Ventana Sur: CMG Pre-Sells ‘Ainbo’ to Over Half the World (EXCLUSIVE)

    BUENOS AIRES — Marking what looks very much like a new record for animation in Latin America, Edward Noeltner’s Cinema Management Group, the sales company behind Oscar-nominated “Loving Vincent,” has pre-sold “Ainbo – Spirit of the Amazon” to over half the planet. “Ainbo” was picked up by CMG in January 2017 off the first edition [...]

  • Breaking Glass Picks Up Romantic Drama

    Ventana Sur: Breaking Glass Picks up Threesome Drama ‘We Are Three’ (EXCLUSIVE)

    Breaking Glass Pictures has clinched North American rights to Argentine helmer-scribe Marcelo Briem Stamm’s ménage-a-trois drama “We Are Three,” (“Somos Tr3s”), which it first spotted at the Buenos Aires’ 2017 Ventana Sur. Breaking Glass CEO Rich Wolff and Ida Martins of Media Luna New Films closed the deal at this year’s Ventana Sur. The film’s [...]

  • Chile’s Powerful Producers Assn. Aims For

    Ventana Sur: Chile’s Producers Look to Take Industry to Next Level

    BUENOS AIRES — Oscar-winning Chilean producer Juan de Dios Larraín (“A Fantastic Woman”), Sebastián Freund, co-creator of Chile’s biggest ever B.O. hit, “Stefan vs. Kramer,” and Gabriela Sandoval, co-director of Sanfic, Chile’s biggest film event, Sanfic festival, are joining forces to haul Chile’s much vaunted cinema into the 21st century. They will be joined by [...]

  • Portugal’s Pepe Rapazote to lead Leonardo

    Ventana Sur: Portugal’s Pepe Rapazote Toplines Argentine Leonardo Brzezicki’s ‘Almost in Love’ (EXCLUSIVE)

    Portuguese actor Pêpê Rapazote (“Narcos,” “Shameless”) is toplining Argentine helmer-scribe Leonardo Brzezicki’s second feature, “Almost in Love.” The father-daughter drama is the third collaboration between Argentine shingle Ruda Cine and Rodrigo Teixeira’s RT Features of Brazil, a co-producer of such stellar titles as “Call Me by Your Name,” “Little Men,” “Patti Cake$” and “Frances Ha.” Derk-Jan [...]

More From Our Brands

Access exclusive content