×
You will be redirected back to your article in seconds

Transformers

If it's true that there's an 8-year-old boy inside every man, "Transformers" is just the ticket to bring the kid out. Big, loud and full of testosterone-fueled car fantasies, Michael Bay's actioner hits a new peak for CGI work, showcasing spectacular chases and animated transformation sequences seamlessly blended into live-action surroundings.

With:
Sam Witwicky - Shia LaBeouf Sgt. Epps - Tyrese Gibson Capt. Lennox - Josh Duhamel Glen Whitmann - Anthony Anderson Mikaela Banes - Megan Fox Maggie Madsen - Rachael Taylor Agent Simmons - John Turturro John Keller - Jon Voight

If it’s true that there’s an 8-year-old boy inside every man, “Transformers” is just the ticket to bring the kid out. Big, loud and full of testosterone-fueled car fantasies, Michael Bay’s actioner hits a new peak for CGI work, showcasing spectacular chases and animated transformation sequences seamlessly blended into live-action surroundings. There’s no longer any question whether special effects can be made more realistic: The issue is whether disposable actors can be trained to play better with bluescreens. Paramount/DreamWorks’ summer tentpole is certain to do gangbusters biz, while the sequel-screaming ending and the usual spinoffs should send ancillary through the roof.

Toy giant Hasbro will see its coffers full to overflowing after the July 4 release, perfectly timed for a consumer run on already popular Transformers figures, comic books, videogames and cartoons. “Transformers” is the apotheosis of product placement, using tried-and-true formulas in the story department as a showcase for the toys (already featured in the 1986 toon “The Transformers: The Movie”). Best of all for anyone who put coin into the production, pic builds off multiple generations of fans, from the kids obsessed with the robots at their launch in 1984 to those collecting the latest incarnations today.

Adult dweebs still enthralled by the figurines’ facile mythology have flooded the Web with complaints that the franchise has been tampered with to form a (relatively) cohesive plot, but most viewers either won’t notice or won’t care. At the center of the tale is Sam Witwicky (Shia LaBeouf), an average 11th grader psyched about getting his first car — a mysterious, beat-up yellow Camaro that lot owner Bobby Bolivia (Bernie Mac, in a brief role) has never seen before.

Sam’s attempts to impress cool girl Mikaela (Megan Fox) are falling flat, and the car’s habit of playing the right song (“Sexual Healing,” “Baby Come Back”) at the right moment only increases the initial tension. The machine really freaks Sam out when it drives away at night and transforms into a giant robot that communicates via light beam with a UFO.

Meanwhile, U.S. soldiers in Qatar have been attacked by a helicopter that transforms itself into one nasty robot, destroying everything in its path while an offshoot downloads top-secret files from the computers. Secretary of Defense John Keller (Jon Voight, doing a Southern version of Donald Rumsfeld) calls an emergency conference to analyze the data (“This is way too smart for the Iranians”), but one of the small robots has already hacked into Air Force One’s computer.

The evil robots are after Sam — or rather, a discovery made by Sam’s ancestor, an Arctic explorer. Thanks to introductory narration by good Transformer Optimus Prime (voiced by Peter Cullen), auds know what’s going on before Sam does: The planet Cybertron was ravaged by a civil war between the good Autobots and the evil Decepticons. In their search for an all-powerful cube called the Allspark, both sides learn that super-evil Megatron (voiced by Hugo Weaving) crashed in the Arctic a millennia ago, and with him the Allspark. Sam’s great-great-grandfather’s cracked glasses hold the key to its location.

It’s all very easy to follow. Sam’s car is one of the good guys, Bumblebee. He and his fellow Autobots bond (not literally, though that could be for the sequel) with the teenager, who pledges to help them out, fighting not only the Decepticons but also the uptight feds led by Agent Simmons (John Turturro).

Scripters Alex Kurtzman and Roberto Orci, together with John Rogers, had to keep the basic Transformers stories intact while placing them in a human environment, turning to plot elements from a number of successful pics including “King Kong,” “War Games” and “The Love Bug.” Pic also follows the early Steven Spielberg formula (he’s on board as an exec producer): Take a likeable young Joe with an ordinary upper-middle-class family and have him champion some aliens.

More than any of Bay’s earlier blockbusters, including “Pearl Harbor” and “Armageddon,” “Transformers” has an oddly Reagan-era feel, at times resembling an Air Force recruitment commercial. Soldiers, led by Capt. Lennox (Josh Duhamel) and Sgt. Epps (Tyrese Gibson), are as much heroes as Sam, fighting to rid the world not only of authoritarian regimes — there’s frequent speculation that Russia or China is involved, proving the Cold War hasn’t ended — but also secret government programs. Ethnic stereotypes abound, and there’s a none-too-subtle jab at the Spanish-as-an-equal-language lobby. “Freedom is the right of all sentient human beings,” intones Optimus, sounding more appropriately President Bush circa 2007.

LaBeouf is pleasantly sympathetic, but this is hardly the role to test his acting chops — or, for that matter, anyone else’s. Fox is little more than eye candy, while Bay has put together a nicely multiracial cast to broaden the pic’s appeal. Among the thesps, Turturro is so over-the-top that he provides a welcome acknowledgment of the pic’s cartoon origins.

But everyone involved knows the actors are mere props for Industrial Light & Magic’s CGI team, which has put together an impressive show of the latest tech advances — not only transforming cars and helicopters into enormous robots within a few thoroughly believable seconds, but also setting them in real spaces and having them interact with real objects. The premise for these fights hasn’t moved beyond 1925’s “The Lost World,” but the digital animation has never been better.

No wonder Bay needed a team of editors, who succeed in making the fight sequences exciting spectacles, though toward the end they all tend to become just a mess of flying wreckage and random explosions — the outcome is always predictable, if the movements themselves remain unexpected. Sound is cranked up to mega-decibels; if the action doesn’t generate stomach tremors, the bass lines will. Overly grand music used halfway through, during Bumblebee’s subjugation scene, seems to confuse it with the pic’s climax.

Transformers

Production: A Paramount release of a DreamWorks Pictures, Paramount Pictures presentation, in association with Hasbro, of a di Bonaventura Pictures production. Produced by Lorenzo di Bonaventura, Tom DeSanto, Don Murphy, Ian Bryce. Executive producers, Steven Spielberg, Michael Bay, Brian Goldner, Mark Vahradian. Co-producers, Allegra Clegg, Ken Bates. Directed by Michael Bay. Screenplay, Alex Kurtzman, Roberto Orci; story, Kurtzman, Orci, John Rogers.

Crew: Camera (color, widescreen), Mitchell Amundsen; editors, Paul Rubell, Glen Scantlebury, Thomas A. Muldoon; music, Steve Jablonsky; music supervisor, Dave Jordan; production designer, Jeff Mann; art directors, Sean Haworth, Beat Frutiger, Kevin Kavanaugh; costume designer, Deborah L. Scott; sound (Dolby Digital/DTS/SDDS), Erik Aadahl; sound mixer, Peter J. Devlin; visual effects supervisor, Scott Farrar; visual effects, Industrial Light & Magic, Digital Domain; special effects supervisor, John Frazier; animation supervisor, Scott Benza; stunt coordinators, associate producers, Matthew Cohan, Michelle McGonagle; assistant director, Simon Warnock; second unit director, stunt coordinator, Ken Bates; casting, Janet Hirshenson, Jane Jenkins, Michelle Lewitt. Reviewed at Taormina Film Festival (Grande Cinema), June 21, 2007. (Also in Los Angeles Film Festival.) MPAA Rating: PG-13. Running time: 140 MIN.

With: Sam Witwicky - Shia LaBeouf Sgt. Epps - Tyrese Gibson Capt. Lennox - Josh Duhamel Glen Whitmann - Anthony Anderson Mikaela Banes - Megan Fox Maggie Madsen - Rachael Taylor Agent Simmons - John Turturro John Keller - Jon VoightWith: Kevin Dunn, Michael O'Neill, Julie White, Amaury Nolasco, Bernie Mac, Johnny Sanchez. Voices: Peter Cullen, Hugo Weaving, Mark Ryan, Jess Harnell, Robert Foxworth, Jimmie Wood, Darius McCrary, Charlie Adler, Reno Wilson.

More Film

  • Ari Emanuel Endeavor

    Endeavor IPO Filing Offers Details of Company's Financials, Leadership Pay Packages

    Endeavor’s IPO filing Thursday offers a hard look at the company’s financial performance during the past three years during a period of rapid growth for the company that’s home to UFC, WME, Professional Bull Riders and a clutch of other assets. Endeavor is generating solid free cash flow from operations and healthy adjusted earnings for [...]

  • Inside amfAR's Cannes Gala

    Inside amfAR's Cannes Gala: Mariah Carey, Kendall Jenner and Tiffany Trump

    Kendall Jenner caused a commotion when she arrived. Tiffany Trump went unrecognized until a member of the press pointed her out as she made her way down the carpet. And Mariah Carey flew in to perform a couple of songs. Welcome to this year’s AmfAR Gala Cannes, the AIDS organization’s annual — and largest — [...]

  • 'Mektoub, My Love: Intermezzo' Review: Abdellatif

    Cannes Film Review: 'Mektoub, My Love: Intermezzo'

    A simple but somehow atypical shot opens Abdellatif Kechiche’s new film: a serene closeup of a young woman’s face, as seen through the camera lens of Amir, a budding photographer still finding his perspective. Her expression is ambiguously tranquil, her long hair lightly rustled by a humid breeze, all softly lit by a sinking afternoon [...]

  • Crown Vic

    Thomas Jane's Police Thriller 'Crown Vic' Sells to Screen Media (EXCLUSIVE)

    Screen Media has bought North American rights to writer-director Joel Souza’s police crime-thriller “Crown Vic,” starring Thomas Jane and Luke Kleintank. The distributor closed terms during the Cannes Film Festival amid a competitive bidding situation between seven other suitors. Screen Media plans to release the pic this fall. “Crown Vic” premiered in April at the [...]

  • Colleen Bell

    Colleen Bell Replaces Amy Lemisch as California Film Commission Director

    Veteran entertainment executive and ambassador Colleen Bell will replace Amy Lemisch as director of the California Film Commission. Bell, who was appointed by Gov. Gavin Newsom on Thursday, has worked as a consultant since 2017. She was the U.S. ambassador to Hungary from 2014 to 2017. She held several positions at Bell-Phillip Television Productions, including [...]

  • Jon Feltheimer

    Lionsgate Posts Loss, Underperforms Wall Street Expectations

    Lionsgate has posted a quarterly loss and its revenues and operating income have come in under Wall Street projections, despite growth from its premium cable channel, Starz. The studio reported a net loss of $24 million, or 11 cents a share, with adjusted operating income of $103 million for its fourth fiscal quarter ended March [...]

More From Our Brands

Access exclusive content