You will be redirected back to your article in seconds

Black Night

Horror feature's 3 stories share enough characteristics to suggest producers gave each scripter a list of elements for mandatory inclusion. Released in Hong Kong to decent biz, "Black Night" is skedded for Japanese and Thai release later this year. Fests with midnight slots will want to look, but should not raise expectations too high.

With:
NEXT DOOR With: Asaka Seto, Takashi Kashiwabara, Tomorowo Taguchi. (Japanese dialogue) DARK HOLE With: Asaka Seto, Takashi Kashiwabara, Tomorowo Taguchi. (Japanese dialogue) THE LOST MEMORY With: Pitchanart Sakhakorn, Kajornsak Ratananisai, Nutsha Bootsri. (Thai dialogue)

Portmanteau horror feature’s three separate stories — from Hong Kong, Japan and Thailand — share enough overlapping characteristics to suggest producers gave each scripter a list of elements for mandatory inclusion. Released in Hong Kong in April to respectable biz, “Black Night” is skedded for Japanese and Thai release later this year. Fests with midnight slots will want to look, but should not raise their expectations too high.

First installment, H.K.-set “Next Door,” is the tale of flighty sexpot Jane (Annie Liu) who returns to the apartment of her b.f., Joe (Dylan Kuo), after going AWOL. Jane suspects that, in her absence, Joe has begun a liaison with an unseen woman from the next apartment. The neighbor, Hosie (Race Wong), materializes in ghostly form (and in flashbacks) as the film employs multiple tricks to taunt and tease while revealing its backstory.

Climax shows helmer Patrick Leung and editor Tommy Wai in top form. But everything else feels over-rushed, as if compensating for the story’s hollow center.

Nipponese section, “Dark Hole,” introduces nightmare-plagued housewife Yuki (Asaka Seto) who, on the advice of her husband (Takashi Kashiwabara), visits a shrink (Tomorowo Taguchi). Under hypnosis, Yuki reveals that the many coincidental deaths in her life are attributable to an overzealous invisible friend who has protected her since childhood.

Yarn is genuinely weird, though Western viewers may balk at developments that turn on the lack of confidentiality by Japanese doctors. Story also fails to resolve itself on its own terms.

Final seg, “The Lost Memory,” is a “Memento”-flavored entry in which Thai helmer Thanit Jitnikul inventively toys with narrative. Tale involves the difficulties a husband (Kajornsak Ratananisai) experiences with his possibly hallucinating wife (Pitchanart Sakhakorn) and their maybe/maybe-not dead child.

Story is intriguingly told with multiple ellipses and, while not as frightening as it aspires to be, is ultimately the most satisfying of the trio. However, the fact each yarn dwells excessively on water imagery dilutes the impact of the final seg when it comes.

Performances in all stories are uniformly good and tech credits ditto. However, the lush lensing by Lai Yiu-fai (“2046”) in the Hong Kong section is miles ahead of its companions.

Black Night

Japan - Hong Kong -Thailand

Production: A Movie Eye Entertainment (Japan)/Filmko Entertainment (Hong Kong)/Five Star. Production Co. (Thailand) production. (International sales: Filmko, Hong Kong.) Produced by Taku Ushiyama. Executive producers, Taku Ushiyama, Kaz Tadashiki, Chareon Iamphungporn, Harvey Wong. Co-producers, Lim Young Chien, Aphiradee Iamphungporn, Katherine Lee; associate producers, Yumiko Takebe, Kiatkamon Iamphungporn, Janet Chun. NEXT DOOR Directed by Patrick Leung. Screenplay, Leung, Charlie Choi. DARK HOLE Directed by Takahiko Akiyama. Screenplay, Ako Yamamoto. THE LOST MEMORY Directed by Thanit Jitnikul. Screenplay, Titipong Chaisati.

Crew: NEXT DOOR Camera (color), Lai Yiu-fai; editor Jeff Cheung; music, Tommy Wai; art director, Alex Mok; sound (Dolby Digital), Chen Chi-kien. DARK HOLE Camera (color), Motoki Kobayashi; editor, Shuichi Kakesu; music, Masanori Adachi, Karin Nakano; art director, Satoru Ito; sound (Dolby Digital), Atsushi Sugiyama. THE LOST MEMORY Camera (color), Vardhana Vunchuplou; editor, Sunit Asawanikul; music, Soothorn Yodsrithong; art director, Somphoch Salugkum; sound (Dolby Digital), Sunit Asawanikul. Reviewed at Hong Kong Film Festival, April 5, 2006. Running time: 97 MIN.

With: NEXT DOOR With: Asaka Seto, Takashi Kashiwabara, Tomorowo Taguchi. (Japanese dialogue) DARK HOLE With: Asaka Seto, Takashi Kashiwabara, Tomorowo Taguchi. (Japanese dialogue) THE LOST MEMORY With: Pitchanart Sakhakorn, Kajornsak Ratananisai, Nutsha Bootsri. (Thai dialogue)

More Film

  • Love 1. Dog Review

    Sarajevo Film Review: ‘Love 1. Dog’

    Portmanteau horror feature’s three separate stories — from Hong Kong, Japan and Thailand — share enough overlapping characteristics to suggest producers gave each scripter a list of elements for mandatory inclusion. Released in Hong Kong in April to respectable biz, “Black Night” is skedded for Japanese and Thai release later this year. Fests with midnight […]

  • Jeffrey Katzenberg

    Jeffrey Katzenberg on Oscars' New Popular Film Category Controversy

    Portmanteau horror feature’s three separate stories — from Hong Kong, Japan and Thailand — share enough overlapping characteristics to suggest producers gave each scripter a list of elements for mandatory inclusion. Released in Hong Kong in April to respectable biz, “Black Night” is skedded for Japanese and Thai release later this year. Fests with midnight […]

  • Most-Anticipated Fall Movies 2018: 'A Star

    Fall Movie Preview 2018: 'Venom,' 'A Star Is Born,' 'Halloween'

    Portmanteau horror feature’s three separate stories — from Hong Kong, Japan and Thailand — share enough overlapping characteristics to suggest producers gave each scripter a list of elements for mandatory inclusion. Released in Hong Kong in April to respectable biz, “Black Night” is skedded for Japanese and Thai release later this year. Fests with midnight […]

  • Aretha Franklin 1972

    Aretha on Screen: What's the Fate of Jennifer Hudson Biopic and Embattled 'Amazing Grace' Doc?

    Portmanteau horror feature’s three separate stories — from Hong Kong, Japan and Thailand — share enough overlapping characteristics to suggest producers gave each scripter a list of elements for mandatory inclusion. Released in Hong Kong in April to respectable biz, “Black Night” is skedded for Japanese and Thai release later this year. Fests with midnight […]

  • Ruth Wilson

    'The Affair's' Ruth Wilson Stays Mum on Controversial Exit

    Portmanteau horror feature’s three separate stories — from Hong Kong, Japan and Thailand — share enough overlapping characteristics to suggest producers gave each scripter a list of elements for mandatory inclusion. Released in Hong Kong in April to respectable biz, “Black Night” is skedded for Japanese and Thai release later this year. Fests with midnight […]

  • CULVER CITY, CA - AUGUST 16:

    'To All the Boys I've Loved Before' Star Lana Condor on Bringing More Diversity to Movies

    Portmanteau horror feature’s three separate stories — from Hong Kong, Japan and Thailand — share enough overlapping characteristics to suggest producers gave each scripter a list of elements for mandatory inclusion. Released in Hong Kong in April to respectable biz, “Black Night” is skedded for Japanese and Thai release later this year. Fests with midnight […]

  • The Wife TIFF

    Glenn Close and Jonathan Pryce Examine Secrets and Lies in 'The Wife'

    Portmanteau horror feature’s three separate stories — from Hong Kong, Japan and Thailand — share enough overlapping characteristics to suggest producers gave each scripter a list of elements for mandatory inclusion. Released in Hong Kong in April to respectable biz, “Black Night” is skedded for Japanese and Thai release later this year. Fests with midnight […]

More From Our Brands

Access exclusive content