You will be redirected back to your article in seconds


Unlike the disturbingly mysterious original, "Saw III" is a neatly wrapped-up package that explains everything. This strategy hardly seems the best course to sustain a horror franchise, but, with nearly everybody dead at the end pic's 3,150-screen Halloween weekend may prove to be a whopping farewell to a stunning moneymaker for Lionsgate.

Jigsaw/John - Tobin Bell Amanda - Shawnee Smith Jeff - Angus MacFadyen Lynn - Bahar Soomekh Kerry - Dina Meyer Tim - Mpho Koaho Judge Halden - Barry Flatman

Unlike the disturbingly mysterious original, “Saw III” is a neatly wrapped-up package that explains everything — including Jigsaw’s evil contraptions and the background of his crazed female assistant. This strategy hardly seems the best course to sustain a horror franchise, but, with nearly everybody dead at the end — despite the hint of another sequel — pic’s 3,150-screen Halloween weekend may prove to be a whopping farewell to a stunning moneymaker for Lionsgate.

With moralistic mastermind of torture Jigsaw (Tobin Bell) set free in dubious health in “Saw II,” the new edition returns to Donnie Wahlberg’s ill-fated cop Eric having to chop off his foot to free himself from chains and irons. This marks just one of several flashbacks that eventually hinder the movie, ratcheting down its tension and pace.

Another, even more dogged cop, Kerry (Dina Meyer), is back but not for too long, as she’s captured and killed in a diabolical contraption that rips her torso to shreds. What’s missing this time, however, is a gaming aspect that called for Jigsaw to torture only the victims he deemed worthy of punishment.

Key “Saw III” victim is ER surgeon Lynn (Bahar Soomekh), who is stressed over her failing marriage. Snatched from her hospital’s locker room, Lynn revives in Jigsaw’s lab of horrors, where Jigsaw lies close to death with an inoperable brain tumor.

Jigsaw’s high-strung assistant Amanda (Shawnee Smith) locks the usual “Saw”-esque device on Lynn, this one a neck brace triggered to detonate if Jigsaw’s heart rate flatlines. So, if Lynn wants to live, she must keep Jigsaw alive.

Unlike either first pic’s dominant, white-tiled set imprisoning two victims or the follow-up’s less effective use of a house of horrors, “Saw III” jumps from Lynn’s predicament to that of Jeff (Angus MacFadyen). Jeff is targeted by Jigsaw, rather unfairly, for wanting revenge on the driver who accidentally killed his 8-year-old son. Still-grieving dad finds himself trapped in a crate. He escapes only to find he’s in a warehouse with one of Jigsaw’s torture “games” behind every door.

Pic’s most blood-curdling scene is when Lynn drills into Jigsaw’s skull, which suggests that the franchise’s exploitative use of torture to make an aud squirmy has lost its effect.

A bigger problem lies with Leigh Whannell’s script, which utilizes so many flashbacks and explanatory inserts that the tension, a defining feature of the first “Saw,” is lost.

By the time Amanda realizes that she is the real subject of Jigsaw’s current game, another rapid flashback sequence a la “Saw II” is needed to put all the pieces together. This wrapping up of all the loose ends unfortunately leaves little that could be used to construct another sequel.

With the superb, gravelly-voiced Bell now mostly confined to a bed, more of the load is on Smith, who is not as effective in the nasty department. MacFadyen delivers a strong, almost silent performance that conveys a pained father’s dark night of the soul, while Soomekh (the distressed Iranian daughter in “Crash”) is reasonably convincing as the surgeon.

Dark, ghoulish look of “III” is identical to “II” thanks to production designer David Hackl (who also handled latter) and lenser David A. Armstrong (who has been with “Saw” since the beginning). What’s been sacrificed is the original’s distinctive use of bright lights and white sets, which ran so counter to conventional expectations in a horror pic.


Production: A Lionsgate release of a Twisted Pictures presentation of a Burg/Koules/Hoffman production. Produced by Gregg Hoffman, Oren Koules, Mark Burg. Executive producers, Daniel Jason Heffner, James Wan, Leigh Whannell, Stacy Testro, Peter Block, Jason Constantine. Co-producer, Greg Copeland. Directed by Darren Lynn Bousman. Screenplay, Leigh Whannell; story, Whannell, James Wan.

Crew: Camera (Deluxe color), David A. Armstrong; editor, Kevin Greutert; music, Charlie Clouser; music supervisors, Jonathan McHugh, Jonathan Platt, Jonathan Scott Miller; production designer, David Hackl; art director, Anthony Ianni; set designer, Brent McGillivray; set decorator, Liesl Deslauriers; costume designer, Alex Kavanaugh; makeup, Sarah Fairbairn; sound (Dolby Digital/SDDS/DTS), Rick Penn; supervising sound editors, Mark Gingras, John Douglas Smith; visual effects supervisor, Jon Campfens; special effects coordinator, Tim Good; visual effects, Switch VFX; associate producer, Troy Begnaud; assistant director, Elizabeth Scherberger; second unit director, Hackl; casting, Stephanie Gorin. Reviewed at Lionsgate screening room, Santa Monica, Oct. 27, 2006. MPAA Rating: R. Running time: 108 MIN.

With: Jigsaw/John - Tobin Bell Amanda - Shawnee Smith Jeff - Angus MacFadyen Lynn - Bahar Soomekh Kerry - Dina Meyer Tim - Mpho Koaho Judge Halden - Barry Flatman

More Film

  • 'Captain Marvel' Lands Day-And-Date China Release

    'Captain Marvel' Lands Day-And-Date China Release

    Marvel Studios’ hotly-anticipated Brie Larson-starring blockbuster “Captain Marvel” will hit Chinese theaters on the same day as it debuts in North America. The female-led picture will release on March 8, 2019, International Women’s Day. Written and directed by Anna Boden and Ryan Fleck, the film tells the story of Carol Danvers, a former fighter pilot who joins [...]

  • Peter Rabbit trailer

    Australia Box Office Recovers, Grows 3.8% in 2018

    Gross theatrical box office in Australia grew by 3.6% in 2018, to $890 million (A$1.25 billion). The score was propelled by a rebound in the performance of the top local films. Data from the Motion Picture Distributors Association of Australia published Tuesday showed aggregate cinema revenues recovering after a dip in 2017. While the 2018 [...]

  • Why Megan Mullally Won't Talk Politics

    Q&A: Why Megan Mullally Won't Talk Politics While Hosting the SAG Awards

    Megan Mullally is funny. The “Will & Grace” star can also sing and dance. While she’s not picking up the Oscar hosting gig after the Kevin Hart fiasco, Mullally will take center stage on Sunday, Jan. 27 when she makes her debut as the host of the 25th annual SAG Awards. Variety caught up with [...]

  • Glass trailer

    'Glass': Five Box Office Takeaways From M. Night Shyamalan's Thriller

    With his fifth No. 1 box office opening, M. Night Shyamalan has plenty to celebrate. “Glass,” the conclusion to a trilogy that consists of the 2000 cult hit “Unbreakable” and 2016’s box office sensation “Split,” topped the box office last weekend — though its win comes with a few caveats. James McAvoy reprised his role [...]

  • Berlin: Patra Spanou Picks Up Panorama

    Berlin: Patra Spanou Picks Up Panorama Title 'Family Members' (EXCLUSIVE)

    Patra Spanou has picked up world sales rights to “Los miembros de la familia” (Family Members), which will world premiere in the Berlin Film Festival’s Panorama section. Variety has been given an exclusive first look of the film’s trailer. The film is the second feature from writer/director Mateo Bendesky, and is produced by Agustina Costa [...]

  • Great Point Media, The Development Partnership

    Great Point Media, Development Partnership Join Forces on Slate of Movies

    Great Point Media and The Development Partnership, the development and production arm of the talent agency the Artists Partnership, are joining forces to develop, package, and co-produce multiple films, kicking off with three projects, including “Chasing Agent Freegard,” starring James Norton (“War & Peace”). “Chasing Agent Freegard,” which is being produced by “Captain Phillips” co-producer [...]

  • Berlin: FiGa Acquires ‘Landless,’ Drops ‘Hormigas’

    Berlin: FiGa Acquires ‘Landless,’ Drops ‘Hormigas’ Trailer (EXCLUSIVE)

    Sandro Fiorin’s Miami-based FiGa Films, a leading sales agent on the independent Latin American scene, has announced the acquisition of Brazilian doc “Landless,” and released a trailer for the Costa Rican-Spanish drama “El despertar de las hormigas.” Both features will play at this year’s Berlinale Forum and come from young Latin American filmmakers making their [...]

More From Our Brands

Access exclusive content