Broadway biz grew by a healthy $620,000 for the week ending Oct. 23, with total grosses rising to $15,848,231 and attendance stepping up about 10,000 to 225,538.
There was no change in the top 10, with “Wicked” ($1,301,198), “Lion King” ($1,138,474) and “Spamalot” ($1,066,499) taking their customary positions at the head of the pack. Still, a few shows had an unusually good week.
Rosie O’Donnell earned a mixed bag of reviews as Golde, but the positive ones were enough to propel “Fiddler on the Roof” to $582,273, up $100,979 over the previous sesh.
“Dirty Rotten Scoundrels” ($840,433) saw a $74,310 bump even with one of its stars, Sherie Rene Scott, on vacation. “The Light in the Piazza” ($596,633) rose $75,633, perhaps with some help from the TV ads that began airing that week, and “Jersey Boys” ($389,964) gained $60,000 in momentum as it gears up for its Nov. 6 opening.
Down below, “In My Life” may only have grossed $145,853, but that was still an unlikely increase in the wake of critical brickbats and a heavily comped opening week. Tuner looks like it’s making a go of it; the show is pouring $1.5 million into its ad budget over the next couple of weeks.
And still on the bottom rung, “Latinologues” grossed a paltry $69,642, but nonetheless aims to hang on through the end of its limited run Dec. 4.