You will be redirected back to your article in seconds

Mrs. Palfrey at the Claremont

The tale of an unlikely friendship between an elderly widow and a young writer, "Mrs. Palfrey at the Claremont" is an endearing, deceptively simple story. Like helmer Dan Ireland's previous (and very different) films, "Mrs. Palfrey" excels at presenting a relationship unfurling.

With:
Mrs. Palfrey - Joan Plowright Ludovic Meyer/the Writer - Rupert Friend Gwendolyn - Zoe Tapper Mrs. Arbuthnot - Anna Massey Mr. Osborne - Robert Lang Mrs. Post - Marcia Warren Mrs. Burton - Millicent Martin Desmond - Lorcan O'Toole

The tale of an unlikely friendship between an elderly widow and a young writer, “Mrs. Palfrey at the Claremont” is an endearing, deceptively simple story. Like helmer Dan Ireland’s previous (and very different) films, “Mrs. Palfrey” excels at presenting a relationship unfurling. Pic’s debt to “Harold and Maude” is clear — one character, eyeing the friendship, even mentions that classic comedy by name — but this is a far gentler film, a low-key drama with comedic undertones that will appeal to older auds, arthouse patrons, and Joan Plowright fans.

When Mrs. Palfrey (Plowright) arrives at London’s Claremont Hotel (sporting, in a delicious homage, Celia Johnson’s hat from “Brief Encounter”), she announces under her breath, “I had expected something quite different.” In fact, her stay at the senior-oriented residence hotel is nothing like she anticipated.

Having relocated from Scotland to be near her 26-year-old grandson Desmond (Lorcan O’Toole), Mrs. Palfrey soon faces a host of questions from well-meaning but nosy fellow residents. Where is Desmond, wonders Mrs. Arbuthnot (Anna Massey), among others, and when will he be coming to visit?

But Desmond fails to return Mrs. Palfrey’s many calls. Just as she is about to retreat into loneliness, she stumbles and falls outside the flat of aspiring scribe Ludovic “Ludo” Meyer (Rupert Friend). Meyer treats her wounds, and a friendship begins. In their ensuing conversations, it’s clear that each fills a void for the other, and that these two lonely souls have much more in common that meets the eye. Ludo even agrees to pass himself off as Mrs. Palfrey’s grandson during a visit to the Claremont.

Some situational comedy follows, especially when the real Desmond finally shows up and Mrs. Palfrey tries to pass him off as her accountant.

But pic’s best moments are those in which the friendship of Mrs. Palfrey and Ludo grows into a deep bond. One scene in particular, in which Ludo serenades her with an impromptu version of “For All We Know,” is beautifully directed.

Mrs. Palfrey inadvertently plays matchmaker for Ludo when she recommends her favorite film, “Brief Encounter,” to him, and, at the video store, Ludo collides with another customer, Gwendolyn (Zoe Tapper of “Stage Beauty”), who becomes his girlfriend.

Plowright is cast here in one of her best roles in years. So often relegated to dotty supporting perfs, she carries this pic squarely on her shoulders as the proud, private Mrs. Palfrey.

And, she’s surprisingly well-matched by Friend as the kindly young writer. Friend joins a list of young actors shepherded by Ireland, including Renee Zellweger, Thomas Jane and Emmy Rossum; with his strapping looks and ample talent, Friend can expect bigger roles ahead.

Final act is unexpectedly dark and poignant, but also offers hope and misty optimism. The entire film has a retro look and feel that is especially evident in its costumes and intimate settings. Pic also features also a rich, evocative score by Steven Barton.

Mrs. Palfrey at the Claremont

Production: A Cineville/Picture Entertainment release of a Picture Entertainment production. Produced by Lee Caplin, Zachary Matz, Carl Colpaert. Executive producer, Gustavas Prinz. Co-producer, Matthew Devlin. Co-executive producers, Martin Donovan, Harry Gregson Williams. Directed by Dan Ireland. Screenplay, Ruth Sacks, based on the novel by Elizabeth Taylor.

Crew: Camera (color), Claudio Rocha; editors, Nigel Galt, Virginia Katz; music, Stephen Barton; production designer, Julian Nagel; art director, Fabrice Spelta; costume designer, Maja Meschede; sound (Dolby Digital), Jerry Gilbert; assistant director, Rod Smith. Reviewed on DVD, Santa Monica, Nov. 18, 2005. Running time: 108 MIN.

With: Mrs. Palfrey - Joan Plowright Ludovic Meyer/the Writer - Rupert Friend Gwendolyn - Zoe Tapper Mrs. Arbuthnot - Anna Massey Mr. Osborne - Robert Lang Mrs. Post - Marcia Warren Mrs. Burton - Millicent Martin Desmond - Lorcan O'Toole

More Film

  • Japan Ramps Up International Film Co-Productions

    Japanese Film Makers Find Opportunities in International Co-Productions

    The tale of an unlikely friendship between an elderly widow and a young writer, “Mrs. Palfrey at the Claremont” is an endearing, deceptively simple story. Like helmer Dan Ireland’s previous (and very different) films, “Mrs. Palfrey” excels at presenting a relationship unfurling. Pic’s debt to “Harold and Maude” is clear — one character, eyeing the […]

  • Netflix Unveils 'Great Day in Hollywood'

    Netflix Unveils 'Great Day in Hollywood' Image Spot Highlighting Black Creators

    The tale of an unlikely friendship between an elderly widow and a young writer, “Mrs. Palfrey at the Claremont” is an endearing, deceptively simple story. Like helmer Dan Ireland’s previous (and very different) films, “Mrs. Palfrey” excels at presenting a relationship unfurling. Pic’s debt to “Harold and Maude” is clear — one character, eyeing the […]

  • Kendrick Lamar

    2018 BET Awards Complete Winners List

    The tale of an unlikely friendship between an elderly widow and a young writer, “Mrs. Palfrey at the Claremont” is an endearing, deceptively simple story. Like helmer Dan Ireland’s previous (and very different) films, “Mrs. Palfrey” excels at presenting a relationship unfurling. Pic’s debt to “Harold and Maude” is clear — one character, eyeing the […]

  • Tom Holland Uncharted

    Tom Holland Reveals 'Spider-Man 2' Title: 'Far From Home'

    The tale of an unlikely friendship between an elderly widow and a young writer, “Mrs. Palfrey at the Claremont” is an endearing, deceptively simple story. Like helmer Dan Ireland’s previous (and very different) films, “Mrs. Palfrey” excels at presenting a relationship unfurling. Pic’s debt to “Harold and Maude” is clear — one character, eyeing the […]

  • Palm Springs Shortfest Winners List

    'Fauve' Takes Top Prize at Palm Springs International Shortfest

    The tale of an unlikely friendship between an elderly widow and a young writer, “Mrs. Palfrey at the Claremont” is an endearing, deceptively simple story. Like helmer Dan Ireland’s previous (and very different) films, “Mrs. Palfrey” excels at presenting a relationship unfurling. Pic’s debt to “Harold and Maude” is clear — one character, eyeing the […]

  • The Closing of Magno, the Quintessential

    The Closing of Magno, the Quintessential New York Screening Room

    The tale of an unlikely friendship between an elderly widow and a young writer, “Mrs. Palfrey at the Claremont” is an endearing, deceptively simple story. Like helmer Dan Ireland’s previous (and very different) films, “Mrs. Palfrey” excels at presenting a relationship unfurling. Pic’s debt to “Harold and Maude” is clear — one character, eyeing the […]

  • (L to R) Owen (CHRIS PRATT),

    'Jurassic World: Fallen Kingdom' Tops $700 Million Worldwide

    The tale of an unlikely friendship between an elderly widow and a young writer, “Mrs. Palfrey at the Claremont” is an endearing, deceptively simple story. Like helmer Dan Ireland’s previous (and very different) films, “Mrs. Palfrey” excels at presenting a relationship unfurling. Pic’s debt to “Harold and Maude” is clear — one character, eyeing the […]

More From Our Brands

Access exclusive content