You will be redirected back to your article in seconds

Maroa

A worthy, humdrum and often far-fetched item about the redemption of a Caracas street urchin, "Maroa" is stuck between socially concerned neo-realism and soapish melodrama, but functions as neither. Theatrical prospects look limited beyond domestic, but its good intentions could be rewarded by the odd fest appearance.

With:
With: Tristan Ulloa, Yorlis Dominguez, Elba Escobar, Luke Grande, Enghel Alejo.

A worthy, humdrum and often far-fetched item about the redemption of a Caracas street urchin, “Maroa” is stuck between socially concerned neo-realism and soapish melodrama, but functions as neither. Decent perfs from a mostly Venezuelan cast and the occasional winsome moment are not enough to save the project from drowning in its own cliches. Theatrical prospects look limited beyond domestic, but its good intentions could be rewarded by the odd fest appearance.

Petty criminal teen Maroa (Yorlis Dominguez) lives with violent grandmother Brigida (Elba Escobar). After her b.f. Carlos (Enghel Alejo) is involved in a shooting, Maroa is arrested and sent to a school where Joaquin (Tristan Ulloa) conducts the youth orchestra, which he asks the naturally talented Maroa to join. Rest of the pic deals with their troubled relationship. Though the street scenes feel authentically gritty, there is too little overall excitement to be had. Helmer elicits decent perfs from a mostly youthful cast, and debutante Dominguez as Maroa in particular does well in a sensitively-drawn role, but Spanish thesp Ulloa struggles to work up interest in his mono-dimensional good guy.

Maroa

Spain - Venezuela

Production: An Alta Classics release of a Tornasol Films (Spain)/Macu Films (Venezuela) production in association with TVE, Canal Plus. (International sales: Latido Films, Madrid). Produced by Gerardo Herrero, Solveig Hoogesteijn. Executive producer, Diana Sanchez. Directed by Solveig Hoogesteijn. Screenplay, Hoogesteijn, Claudia Nazoa, Fernando Castets.

Crew: Camera (color), Alfredo Mayo; editor, Carmen Frias; music, Nascuy Linares; art director, Diego Risquez. Reviewed at Cine Princesa, Madrid, July 6, 2005. Running time: 102 MIN.

With: With: Tristan Ulloa, Yorlis Dominguez, Elba Escobar, Luke Grande, Enghel Alejo.

More Film

  • Michael Moses Dwight Caines

    Universal Marketing Overhaul: Michael Moses Promoted, Dwight Caines Hired

    A worthy, humdrum and often far-fetched item about the redemption of a Caracas street urchin, “Maroa” is stuck between socially concerned neo-realism and soapish melodrama, but functions as neither. Decent perfs from a mostly Venezuelan cast and the occasional winsome moment are not enough to save the project from drowning in its own cliches. Theatrical […]

  • TODD FISHER Bright Lights Producer

    Todd Fisher Opens Up About Deaths of Carrie Fisher and Debbie Reynolds

    A worthy, humdrum and often far-fetched item about the redemption of a Caracas street urchin, “Maroa” is stuck between socially concerned neo-realism and soapish melodrama, but functions as neither. Decent perfs from a mostly Venezuelan cast and the occasional winsome moment are not enough to save the project from drowning in its own cliches. Theatrical […]

  • Disney Pixar Bob Iger John Lasseter

    Is the Era of the Superstar Media Executive Over?

    A worthy, humdrum and often far-fetched item about the redemption of a Caracas street urchin, “Maroa” is stuck between socially concerned neo-realism and soapish melodrama, but functions as neither. Decent perfs from a mostly Venezuelan cast and the occasional winsome moment are not enough to save the project from drowning in its own cliches. Theatrical […]

  • Heather GrahamWomen in Film Pre-Oscar Cocktail

    Heather Graham, Jodi Balfour to Star in Drama 'The Rest of Us'

    A worthy, humdrum and often far-fetched item about the redemption of a Caracas street urchin, “Maroa” is stuck between socially concerned neo-realism and soapish melodrama, but functions as neither. Decent perfs from a mostly Venezuelan cast and the occasional winsome moment are not enough to save the project from drowning in its own cliches. Theatrical […]

  • PRACTICE MAKES PERFECT - In the

    How 'Incredibles' Became Animation's Hottest Franchise

    A worthy, humdrum and often far-fetched item about the redemption of a Caracas street urchin, “Maroa” is stuck between socially concerned neo-realism and soapish melodrama, but functions as neither. Decent perfs from a mostly Venezuelan cast and the occasional winsome moment are not enough to save the project from drowning in its own cliches. Theatrical […]

  • Jurassic World Fallen Kingdom - Kelloggs

    'Jurassic World: Fallen Kingdom' Video Now Playing on Kellogg's Boxes

    A worthy, humdrum and often far-fetched item about the redemption of a Caracas street urchin, “Maroa” is stuck between socially concerned neo-realism and soapish melodrama, but functions as neither. Decent perfs from a mostly Venezuelan cast and the occasional winsome moment are not enough to save the project from drowning in its own cliches. Theatrical […]

  • Korea Box Office: 'Accidental Detective 2'

    Korea Box Office: 'Accidental Detective 2' Holds off 'Oceans 8'

    A worthy, humdrum and often far-fetched item about the redemption of a Caracas street urchin, “Maroa” is stuck between socially concerned neo-realism and soapish melodrama, but functions as neither. Decent perfs from a mostly Venezuelan cast and the occasional winsome moment are not enough to save the project from drowning in its own cliches. Theatrical […]

More From Our Brands

Access exclusive content