×
You will be redirected back to your article in seconds

Fun With Dick and Jane

The new "Fun With Dick and Jane" gives the finger to scandal-ridden big businesses everywhere. Breezy, uneven update of the 1977 George Segal-Jane Fonda vehicle is the rare Hollywood remake that, by daring to reinterpret its source material within a fresh political context, actually has a reason to exist.

With:
Dick Harper - Jim Carrey Jane Harper - Tea Leoni Jack McCallister - Alec Baldwin Frank Bascombe - Richard Jenkins Veronica Cleeman - Angie Harmon Garth - John Michael Higgins Joe - Richard Burgi Oz Peterson - Carloss Jacott Billy Harper - Aaron Michael Drozin Blanca - Gloria Garayua

A screwball heist comedy for the Enron era, the new “Fun With Dick and Jane” gives the finger to scandal-ridden big businesses everywhere. Breezy, uneven update of the 1977 George Segal-Jane Fonda vehicle is the rare Hollywood remake that, by daring to reinterpret its source material within a fresh political context, actually has a reason to exist; the results, if not exactly subtle, are still fun enough to fend off any charges of titular false advertising. Fans of Jim Carrey in full-on manic mode should help Sony bank some B.O. during a competitive holiday frame.

Some might argue that by lambasting the giant corporations whose politically entrenched top dogs and fraudulent accounting practices have wreaked havoc on the American economy in recent years, pic is basically shooting fish in a barrel. True enough, but when the fish are this rotten, why complain?

Pointedly setting their story in the year 2000, pre-Enron, scribes Judd Apatow and Nicholas Stoller (who previously collaborated on TV’s short-lived “Undeclared”) imagine a cartoonishly exaggerated version of the doomed corporate behemoth in Globodyne, a company specializing in “fiber-optic content provision,” among other things.

In the original, it took five minutes for aerospace engineer Dick Harper to get fired. Here, it takes almost half an hour for an entire company to go under, taking Dick (played by Carrey, who produced with Brian Grazer) with it. Within hours of being promoted to a top communications post, Dick is brought on TV to announce the company’s earnings and explain why chief executive Jack McCallister (Alec Baldwin) has abruptly dumped his shares of Globodyne stock.

After an amusing scene of frantic document-shredding, during which the company’s No. 2 (an effective Richard Jenkins) goes on a boozy expository rant about Globodyne’s cooked books, Dick breaks the news to his wife Jane (Tea Leoni), who, as luck would have it, has just quit her job. With both spouses out of work, a son (Aaron Michael Drozin) to feed and a pile of ever-rising debt, it’s not long before they’re forced to sell off the Beemer and the plasma TV while the rest of their beautiful suburban abode is stripped bare.

While some scenes are lifted straight from the original (i.e. contractors showing up to repossess the lawn), the script adds another satirical layer by playfully sending up Dick, Jane and the greedy consumerist culture that produced them — evident from the cookie-cutter houses lining their street as well as the neighbor who owns a voice-operated Mercedes. Pic also has fun with Dick’s vain attempts to find a job amid cutthroat competition, which end with him working as a greeter at a Costco-like retailer.

But the crux of the story — the fun, if you will — is that Dick and Jane end up going the way of Bonnie and Clyde, staging a few clumsy convenience-store robberies before perfecting their methods and moving on to bigger fish. Pic essentially becomes a parade of costumes at this point, which is fine, as both Carrey and Leoni are adept at physical comedy and perfectly comfortable donning all manner of ridiculous outfits from one holdup to the next.

While Segal played Dick as an affable bumbler, Carrey imbues him with an anarchic, irrepressibly show-offy streak from the start, which makes the character’s criminal progression both logical and weirdly sympathetic. Still, thesp is more or less playing himself here, and mileage will vary accordingly.

Leoni, however, is smooth and winning in a perf that ideally complements and sometimes even trumps Carrey’s shenanigans. Baldwin is commandingly corrupt as the sleazy ex-CEO who becomes Dick and Jane’s final target, hammering home the message that for sheer evil, petty theft has nothing on white-collar crime.

Helmer Dean Parisot (“Galaxy Quest”) juggles the various genre elements with a light but supple touch; even when the jokes don’t work, pic never overstays its welcome, clocking in at five minutes shorter than the original. Impudent political humor reaches its arguable nadir during the end credits, which extend a special thank-you to top executives from the likes of Enron, Worldcom, Arthur Andersen, Adelphia, Cendant and too many others.

Fun With Dick and Jane

Production: A Sony Pictures Entertainment release of a Columbia Pictures and Imagine Entertainment presentation of a Brian Grazer, JC 23 Entertainment and Bart/Palevsky production. Produced by Grazer, Jim Carrey. Executive producers, Peter Bart, Max Palevsky, Jane Bartelme.  Directed by Dean Parisot. Screenplay, Judd Apatow, Nicholas Stoller, based on a story by Gerald Gaiser, Apatow, Stoller.

Crew: Camera (Deluxe color, Panavision widescreen), Jerzy Zielinski; editor, Don Zimmerman; music, Theodore Shapiro; music supervisor, Randall Poster; production designer, Barry Robison; art directors, Troy Sizemore, Greg Hooper; set decorator, Garrett Lewis; costume designer, Julie Weiss; sound (Dolby Digital/DTS/SDDS), Lee Orloff; sound designer, Odin Benitez; supervising sound editor, Michael Hilkene; visual effects supervisor, Gray Marshall; stunt coordinators, Mickey Giacomazzi, Andy Armstrong; associate producer, Linda Fields; assistant director, David Sardi; casting, Debra Zane. Reviewed at the Avco Cinema, Westwood, Dec. 14, 2005. MPAA Rating: PG-13. Running time: 90 MIN.

With: Dick Harper - Jim Carrey Jane Harper - Tea Leoni Jack McCallister - Alec Baldwin Frank Bascombe - Richard Jenkins Veronica Cleeman - Angie Harmon Garth - John Michael Higgins Joe - Richard Burgi Oz Peterson - Carloss Jacott Billy Harper - Aaron Michael Drozin Blanca - Gloria Garayua

More Film

  • Audrey Wells

    Film News Roundup: Audrey Wells Scholarships Launched by UCLA, China's Pearl Studio

    In today’s film news roundup, Pearl Studio and UCLA start a “Say Yes!” scholarship in memory of Audrey Well; Gina Lollobrigida and Claudia Cardinale are honored; and the “General Magic” documentary gets bought. SCHOLARSHIPS UNVEILED China’s Pearl Studio has made a gift of $100,000 for endowed scholarships to the UCLA School of Theater, Film and [...]

  • Honey Boy Knock Down the House

    Sundance Hot Titles List: 13 Buzzy Films That Have Buyers Talking

    There’s a good reason that much of Hollywood braves the thin mountain air each year to make the trek to the Sundance Film Festival, and it’s not to check out the nearby ski slopes. The annual launch of the indie film gathering brings with it the possibility of discovering the next big thing in moviemaking. [...]

  • (L to R) VIGGO MORTENSEN and

    Will Oscar Nominations Give This Year's Contenders a Box Office Boost?

    With nominees like “Black Panther,” “Bohemian Rhapsody,” and “A Star Is Born,” the 2018 class of movies proved the Oscars don’t need a popular films category to recognize movies that also made bank in theaters. But now that the academy has selected this year’s crop of awards hopefuls, is there any green left to squeeze [...]

  • A24 Buys Sequel to Tilda Swinton's

    Sundance: A24 Buys Sequel to Tilda Swinton's Romance-Drama 'The Souvenir'

    A24 has bought the North American rights to Tilda Swinton’s romance-drama “The Souvenir – Part 2,” closing the deal on the eve of the Sundance Film Festival. “The Souvenir” is set to make its world premiere at Sundance on Jan. 27, followed by playing in the Panorama section of the Berlin Film Festival in February. [...]

  • The Boy Who Harnessed the Wind

    Chiwetel Ejiofor Adds Authenticity to Directorial Debut by Shooting in Malawi

    When actor Chiwetel Ejiofor optioned the rights for the 2009 best-seller “The Boy Who Harnessed the Wind,” penning the screenplay for a feature directorial debut that world-premieres in Sundance and then appears in the Berlin Film Festival before being released globally by Netflix this spring, colleagues floated the idea of shooting the Malawi-set film in tried-and-tested [...]

  • ally billboard a star is born

    Oscar Campaign Spending Reaches New Heights in Competitive Season

    The escalating cost of awards campaigning may reach an all-time high this season as heavyweights such as “Roma” and “A Star Is Born” battle for Oscar gold. The quest for an Academy Award has always been expensive, but Netflix’s hunger to nab its first best picture win, coupled with the presence of legitimate studio contenders [...]

  • The Wizard of Oz

    'The Wizard of Oz' to Return to Theaters for 80th Anniversary

    “The Wizard of Oz” is returning to theaters this weekend for a special limited engagement marking the 80th anniversary of the film’s Hollywood premiere. Fathom Events, TCM, and Warner Bros. are re-releasing the beloved family film in select theaters across the country beginning on Sunday, Jan. 27, with additional dates on Tuesday, Jan. 29, and Wednesday [...]

More From Our Brands

Access exclusive content