Intriguing indie “Both” is a low-key examination of the turmoil caused when a young Peruvian woman in California discovers she was born a hermaphrodite, and initially raised as a boy. First feature by director Lisset Barcellos is too loose and ambiguous in narrative approach, and, while accomplished for a micro-budget DV effort, it still looks like one. Gay fests and niche home format rep likeliest outlets.
San Francisco stuntwoman Rebecca (Jackie Parker) is friendly but a little remote both on the set and in her private life. Latest affairs with an actress (Nicole Wilder) and male mechanic (J.D. Brumback) suggest she runs whenever people get too close. Rebecca’s curiosity is provoked when a long-unseen aunt sends an old photo album including shots of protag’s brother, who purportedly died in childhood. Rebecca’s mother (Yvonne Frayssinet) refuses to discuss the tragedy, for reasons soon uncovered: The “boy” was in fact Rebecca nee Pedro, who was given a clitorectomy to “correct” nature’s “mistake” before being whisked off to the U.S. with a new identity. Script is sparse, but premise, decent perfs and surprising use of Yma Sumac tunes on the soundtrack hold attention.