Seven Invisible Men

Sharunas Bartas' wrenching eighth feature "Seven Invisible Men" seems to suggest that just because people are bored, depressed and have scant prospects beyond the next strong drink or harsh cigarette, doesn't mean we shouldn't spend two hours trapped in their company.

With:
With: Dmitrij Podnozov, Rita Klein, Aleksandre Saulov, Saakanush Vanyan, Denis Kirilov, Igor Cygankov.

Sharunas Bartas’ wrenching eighth feature “Seven Invisible Men” seems to suggest that just because people are bored, depressed and have scant prospects beyond the next strong drink or harsh cigarette, doesn’t mean we shouldn’t spend two hours trapped in their company. A celluloid sleeping pill for mainstream auds but a hermetic whammy of aesthetic accomplishment for fest habitues, ode to human misery, centered on a small batch of men and women in the Crimea, captures every graduation of grim.

There’s a car theft at beginning of the aggressively dreary pic, but the real crime is that all the characters have been robbed of their potential by mostly unstated political, economic or emotional circumstances. Running the gamut from sorrow to woe, their lives are riddled with regret. Nonetheless, through helmer’s eyes, the natural landscape of this territory to the south of the former Soviet Union can be staggeringly beautiful. As pic moves toward its draining, visually stunning conclusion, several generations end up sharing a sodden evening in a subsistence-level wooden shack in the middle of nowhere. Viewers will be grateful to emerge from the theater anywhere but there.

Seven Invisible Men

France-Lithuania-Portugal

Production: A Gemini Films (France)/Kinema Group (Lithuania)/Madragoa Filmes (Portugal) co-production with the participation of CNC, Lithuanian Ministry of Culture, Kult' Uros Ir Sporto Remimo Fondas, Rotterdams Fonds Voor de Film and Audiovisuele Media. (International sales: Gemini Films, Paris.) Produced by Paulo Branco, Sharunas Bartas. Co-producers, Roy Dames. Executive producer, Jurga Dikciuviene. Directed, written by Sharunas Bartas.

Crew: Camera (color), Bartas; editor, Niels Dekker; music, Vytautas Leistrumas, Shahzod; associate producer, Donatas Zvalionis. Reviewed at Cannes Film Festival (Directors Fortnight), May 17, 2005. Running time: 119 MIN.

With: With: Dmitrij Podnozov, Rita Klein, Aleksandre Saulov, Saakanush Vanyan, Denis Kirilov, Igor Cygankov.

More Film

  • 'Billionaire Boys Club' Review

    Film Review: 'Billionaire Boys Club'

    Sharunas Bartas’ wrenching eighth feature “Seven Invisible Men” seems to suggest that just because people are bored, depressed and have scant prospects beyond the next strong drink or harsh cigarette, doesn’t mean we shouldn’t spend two hours trapped in their company. A celluloid sleeping pill for mainstream auds but a hermetic whammy of aesthetic accomplishment […]

  • Crazy Rich Asians

    'Crazy Rich Asians' to Top 'The Meg's' Second Weekend

    Sharunas Bartas’ wrenching eighth feature “Seven Invisible Men” seems to suggest that just because people are bored, depressed and have scant prospects beyond the next strong drink or harsh cigarette, doesn’t mean we shouldn’t spend two hours trapped in their company. A celluloid sleeping pill for mainstream auds but a hermetic whammy of aesthetic accomplishment […]

  • Running for Grace

    Film Review: 'Running for Grace'

    Sharunas Bartas’ wrenching eighth feature “Seven Invisible Men” seems to suggest that just because people are bored, depressed and have scant prospects beyond the next strong drink or harsh cigarette, doesn’t mean we shouldn’t spend two hours trapped in their company. A celluloid sleeping pill for mainstream auds but a hermetic whammy of aesthetic accomplishment […]

  • Love 1. Dog Review

    Sarajevo Film Review: ‘Love 1. Dog’

    Sharunas Bartas’ wrenching eighth feature “Seven Invisible Men” seems to suggest that just because people are bored, depressed and have scant prospects beyond the next strong drink or harsh cigarette, doesn’t mean we shouldn’t spend two hours trapped in their company. A celluloid sleeping pill for mainstream auds but a hermetic whammy of aesthetic accomplishment […]

  • Jeffrey Katzenberg

    Jeffrey Katzenberg on Oscars' New Popular Film Category Controversy

    Sharunas Bartas’ wrenching eighth feature “Seven Invisible Men” seems to suggest that just because people are bored, depressed and have scant prospects beyond the next strong drink or harsh cigarette, doesn’t mean we shouldn’t spend two hours trapped in their company. A celluloid sleeping pill for mainstream auds but a hermetic whammy of aesthetic accomplishment […]

  • Most-Anticipated Fall Movies 2018: 'A Star

    Fall Movie Preview 2018: 'Venom,' 'A Star Is Born,' 'Halloween'

    Sharunas Bartas’ wrenching eighth feature “Seven Invisible Men” seems to suggest that just because people are bored, depressed and have scant prospects beyond the next strong drink or harsh cigarette, doesn’t mean we shouldn’t spend two hours trapped in their company. A celluloid sleeping pill for mainstream auds but a hermetic whammy of aesthetic accomplishment […]

  • Aretha Franklin 1972

    Aretha on Screen: What's the Fate of Jennifer Hudson Biopic and Embattled 'Amazing Grace' Doc?

    Sharunas Bartas’ wrenching eighth feature “Seven Invisible Men” seems to suggest that just because people are bored, depressed and have scant prospects beyond the next strong drink or harsh cigarette, doesn’t mean we shouldn’t spend two hours trapped in their company. A celluloid sleeping pill for mainstream auds but a hermetic whammy of aesthetic accomplishment […]

More From Our Brands

Access exclusive content