A Midsummer Night’s Dream

Shakespeare meant to evoke nonstop laughter when he created "A Midsummer Night's Dream," and Theatricum Botanicum's version is so successful in realizing this goal that giggles and guffaws drown out dozens of the Bard's lines. Directed with wit by Melora Marshall, every scene sets the pulse racing while still preserving a romantic flavor.

With:
Theseus - Abner Genece Hippolyta - Lexi Pearl Egeus - Eric Peterson Lysander - Jeff Wiesen Demetrius - Justin Doran Hermia - Megan Goodchild Helena - Willow Geer Philostrate - Dave Dettore Quince - Mikko D. Sperber Bottom - Thad Geer Flute - Ian Flanders Snout - Jeffrey Cannata Snout's Father - Israel Baron Snug - Robert Adler Starveling - Steve Sisk Oberon - Eric Quander Titania - Abby Craden Puck - Melora Marshall Peas-Blossom - Elisa Richardson Cobweb - Amanda Pajer Fairy - Valerie Hager Fairy - April Joelle Moth - Sachiko Hayashi Mustard-Seed - Amber East Amazon - Yael Berkovich Court - Francis Reyes Court - Merlin Gaspers Amazon - Adeye Sahran Amazon - Yvonne Fisher Changling Child - Leah Gutentag

Shakespeare clearly meant to evoke nonstop laughter when he created “A Midsummer Night’s Dream,” and Theatricum Botanicum’s effervescent version is so successful in realizing this goal that giggles and guffaws drown out dozens of the Bard’s lines. Broad in the best sense, directed with scintillating wit by Melora Marshall, every scene sets the pulse racing while still preserving a romantic flavor.

The look of Marshall’s production is breathtaking, from Ruth Barrie’s sumptuous costumes to Joe Morrisey’s lighting of the theater’s spacious outdoor backdrop. These images furnish an ideal visual complement to the story of lovestruck Hermia (Megan Goodchild) and her emotional crises. Goodchild registers the right degree of anxiety and desperation when told by Theseus, Duke of Athens, (Abner Genece), that she must obey her father and marry Demetrius (Justin Doran), rather than Lysander (Jeff Wiesen), the man she truly adores. As every Shakespeare devotee knows, determined Hermia doesn’t take this news lying down, not even when the Duke ominously threatens her with death or a nunnery if she refuses to comply.

Doran and Wiesen, as the fiercely competitive lovers, play off each other like a long-established comedy duo. Aided by exciting Stuart Rogers/Aaron Hendry fight choreography, they turn physical battling into a riotous routine. When fairy Puck (director Marshall) casts a spell on Demetrius, tricking him into rejecting Hermia and loving Helena, Demetrius’ lust is entertainingly demonstrated by slavish puppydog devotion. Lysander is ardent but also petulant, like a child denied his favorite toy. Both actors remain so in command that they can turn nasty and cruel to Hermia when bewitched and still keep us in their corner.

Willow Geer’s Helena is a masterful comedic creation (Give this girl a major movie or a TV series!) “The more I love, the more he hateth me,” she cries when faced with former boyfriend Demetrius’ rejection. But self-pity is replaced by a passionate desire to reclaim his affections. We feel sympathy when she wails, “I’m as ugly as a bear,” comparing herself unfavorably to the delicately beautiful Hermia.

Bottom, as always, seizes the stage, and Thad Geer portrays him splendidly as a shameless ham. When Quince (Mikko D. Sperber) decides to cast a show, “Pyramus and Thisby” and assigns parts to his acting troupe, Bottom’s famous request to play the leading man, the heroine and the lion is a flagrantly funny display of egotism. Sperber’s Quince shines as a talentless actor and frustrated director.

Marshall’s Puck takes a controversial approach. Always lively, supple in her movements and a crackling presence, she seems to be cloning Joan Crawford and Gloria Swanson in her extravagant interpretation. Occasionally, she comes across more wicked witch than playful prankster. Eric Quander, with iridescent green face, decked out in pheasant feathers and jeweled headdress, makes an imposing Fairy King. The fairy ensemble, led by an alluring Titania (Abby Craden) offers fantasy enchantment, whether singing a lilting lullaby or flitting gracefully through the forest.

The ending, when Bottom’s troupe — Ian Flanders, Jeffrey Cannata, Israel Baron, Robert Adler, Steve Sisk, Sperber, Armando Gutierrez, Thad Geer — performs a blissfully campy version of their play, we feel a sense of elation that these performers are willing to abandon themselves to the zany antics, and happily concur with Puck’s line: “What fools these mortals be.”

A Midsummer Night's Dream

Will Geer Theatricum Botanicum; 350 seats; $22 top

Production: A Will Geer Theatricum Botanicum presentation of a play in two acts by William Shakespeare. Directed by Melora Marshall.

Creative: Lighting, Joe Morrisey; costumes, Ruth Barrie; sound, Dominic Lee Dodrill; production manager, Michael Hans; stage manager, Brian L'Ecuyer. Opened, reviewed June 14, 2003; runs through Sept. 27. Running time: 2 HOURS, 10 MIN.

Cast: Theseus - Abner Genece Hippolyta - Lexi Pearl Egeus - Eric Peterson Lysander - Jeff Wiesen Demetrius - Justin Doran Hermia - Megan Goodchild Helena - Willow Geer Philostrate - Dave Dettore Quince - Mikko D. Sperber Bottom - Thad Geer Flute - Ian Flanders Snout - Jeffrey Cannata Snout's Father - Israel Baron Snug - Robert Adler Starveling - Steve Sisk Oberon - Eric Quander Titania - Abby Craden Puck - Melora Marshall Peas-Blossom - Elisa Richardson Cobweb - Amanda Pajer Fairy - Valerie Hager Fairy - April Joelle Moth - Sachiko Hayashi Mustard-Seed - Amber East Amazon - Yael Berkovich Court - Francis Reyes Court - Merlin Gaspers Amazon - Adeye Sahran Amazon - Yvonne Fisher Changling Child - Leah Gutentag

More Legit

  • Skintight review

    Off Broadway Review: ‘Skintight’ With Idina Menzel

    Shakespeare clearly meant to evoke nonstop laughter when he created “A Midsummer Night’s Dream,” and Theatricum Botanicum’s effervescent version is so successful in realizing this goal that giggles and guffaws drown out dozens of the Bard’s lines. Broad in the best sense, directed with scintillating wit by Melora Marshall, every scene sets the pulse racing […]

  • Sugar in Our Wounds

    Off Broadway Review: ‘Sugar in Our Wounds’

    Shakespeare clearly meant to evoke nonstop laughter when he created “A Midsummer Night’s Dream,” and Theatricum Botanicum’s effervescent version is so successful in realizing this goal that giggles and guffaws drown out dozens of the Bard’s lines. Broad in the best sense, directed with scintillating wit by Melora Marshall, every scene sets the pulse racing […]

  • SPRINGSTEEN ON BROADWAY

    Bruce Springsteen Condemns Trump's 'Inhumane' Border Policy During Broadway Show

    Shakespeare clearly meant to evoke nonstop laughter when he created “A Midsummer Night’s Dream,” and Theatricum Botanicum’s effervescent version is so successful in realizing this goal that giggles and guffaws drown out dozens of the Bard’s lines. Broad in the best sense, directed with scintillating wit by Melora Marshall, every scene sets the pulse racing […]

  • Kenya Barris and Pharrell Williams

    Kenya Barris, Pharrell Williams to Collaborate on Juneteenth Stage Musical

    Shakespeare clearly meant to evoke nonstop laughter when he created “A Midsummer Night’s Dream,” and Theatricum Botanicum’s effervescent version is so successful in realizing this goal that giggles and guffaws drown out dozens of the Bard’s lines. Broad in the best sense, directed with scintillating wit by Melora Marshall, every scene sets the pulse racing […]

  • BD Wong

    Stagecraft Podcast: BD Wong Talks Basketball in Beijing, Dinosaurs and Batman

    Shakespeare clearly meant to evoke nonstop laughter when he created “A Midsummer Night’s Dream,” and Theatricum Botanicum’s effervescent version is so successful in realizing this goal that giggles and guffaws drown out dozens of the Bard’s lines. Broad in the best sense, directed with scintillating wit by Melora Marshall, every scene sets the pulse racing […]

  • Michael Jackson Musical Coming to Broadway

    Michael Jackson Musical Coming to Broadway in 2020

    Shakespeare clearly meant to evoke nonstop laughter when he created “A Midsummer Night’s Dream,” and Theatricum Botanicum’s effervescent version is so successful in realizing this goal that giggles and guffaws drown out dozens of the Bard’s lines. Broad in the best sense, directed with scintillating wit by Melora Marshall, every scene sets the pulse racing […]

  • Watch Tom Hanks Vamp on Stage

    Watch Tom Hanks Vamp on Stage to Calm His 'Henry IV' Audience

    Shakespeare clearly meant to evoke nonstop laughter when he created “A Midsummer Night’s Dream,” and Theatricum Botanicum’s effervescent version is so successful in realizing this goal that giggles and guffaws drown out dozens of the Bard’s lines. Broad in the best sense, directed with scintillating wit by Melora Marshall, every scene sets the pulse racing […]

More From Our Brands

Access exclusive content