You will be redirected back to your article in seconds

Ravioli

Defiantly eccentric, "Ravioli" charts the lifelong shortcomings of an Austrian nebbish as a ruminative comedy of never-ending tragedies. Similar to recent the Polish pity party "The Day of the Wacko," pic will fare about as well: sporadic fest exposure, limited regional sales and mid-range homevid life.

With:
With: Alfred Dorfer, Gertraud Jesserer, Branko Samarovski, Guenther Paul, Michou Friesz, Isabella Richtar, Konrad Krusche.

This article was updated on July 10, 2003.

Defiantly eccentric, “Ravioli” charts the lifelong shortcomings of an Austrian nebbish as a ruminative comedy of never-ending tragedies. Similar to recent the Polish pity party “The Day of the Wacko,” pic will fare about as well: sporadic fest exposure, limited regional sales and mid-range homevid life.

Returning to his mother’s vacant apartment after her funeral (dad’s in an old folks’ home), skinny loser Leopold “Heinzi” Hoschek (scripter and co-producer Alfred Dorfer) takes valium and drinks large yellow cans of beer while reflecting on the personal and professional failures in his life. These include grotesque parents, school days as a proto-slacker, and divorced wife Petra (Isabella Richtar) and son Gregor (Konrad Krusche). Only when he gains employment as a swimming pool attendant (“life-saving and German required,” says the ad) does he find a measure of peace. Helmer Peter Payer calls pic “the monologue of failure as a film experiment,” but Dorfer comes closer to the truth when he has Heinzi wonder “What if entertainment is punishment?” Tech credits are fine, with some imaginatively staged fantasy sequences accomplished on an obvious budget. Deeper meaning of title is not immediately apparent.

Ravioli

Austria

Production: A Film Laden presentation of a Arge Heimat-ORF production. (International sales: Austrian Film Commission, Vienna.) Produced by Peter Payer, Alfred Dorfer. Directed by Peter Payer. Screenplay, Alfred Dorfer.

Crew: Camera (color), Thomas Prodinger; editor, Cordula Werner; music, Lothar Scherpe, Peter Hermann. Reviewed at Karlovy Vary Film Festival (Forum of Independents), July 6, 2003. Running time: 70 MIN.

With: With: Alfred Dorfer, Gertraud Jesserer, Branko Samarovski, Guenther Paul, Michou Friesz, Isabella Richtar, Konrad Krusche.

More Film

  • San Sebastian: ‘Midnight Runner’ World Premieres

    ‘Midnight Runner’ Takes Off at San Sebastian New Directors Premiere

    This article was updated on July 10, 2003. Defiantly eccentric, “Ravioli” charts the lifelong shortcomings of an Austrian nebbish as a ruminative comedy of never-ending tragedies. Similar to recent the Polish pity party “The Day of the Wacko,” pic will fare about as well: sporadic fest exposure, limited regional sales and mid-range homevid life. Returning […]

  • San Sebastian/Toronto: Simon Jaquemet on ‘The

    San Sebastian/Toronto: Simon Jaquemet on ‘The Innocent,’ Frail Faith, Certainty

    This article was updated on July 10, 2003. Defiantly eccentric, “Ravioli” charts the lifelong shortcomings of an Austrian nebbish as a ruminative comedy of never-ending tragedies. Similar to recent the Polish pity party “The Day of the Wacko,” pic will fare about as well: sporadic fest exposure, limited regional sales and mid-range homevid life. Returning […]

  • village rockstars TIFF

    India Rolls With 'Village Rockstars' as Oscar Contender

    This article was updated on July 10, 2003. Defiantly eccentric, “Ravioli” charts the lifelong shortcomings of an Austrian nebbish as a ruminative comedy of never-ending tragedies. Similar to recent the Polish pity party “The Day of the Wacko,” pic will fare about as well: sporadic fest exposure, limited regional sales and mid-range homevid life. Returning […]

  • 'A Happening of Monumental Proportions' Review:

    Film Review: 'A Happening of Monumental Proportions'

    This article was updated on July 10, 2003. Defiantly eccentric, “Ravioli” charts the lifelong shortcomings of an Austrian nebbish as a ruminative comedy of never-ending tragedies. Similar to recent the Polish pity party “The Day of the Wacko,” pic will fare about as well: sporadic fest exposure, limited regional sales and mid-range homevid life. Returning […]

  • 'Johnny English Strikes Again' Review: Sorry,

    Film Review: 'Johnny English Strikes Again'

    This article was updated on July 10, 2003. Defiantly eccentric, “Ravioli” charts the lifelong shortcomings of an Austrian nebbish as a ruminative comedy of never-ending tragedies. Similar to recent the Polish pity party “The Day of the Wacko,” pic will fare about as well: sporadic fest exposure, limited regional sales and mid-range homevid life. Returning […]

  • France Selects 'Memoir of War' as

    France Selects 'Memoir of War' as Foreign-Language Oscar Candidate

    This article was updated on July 10, 2003. Defiantly eccentric, “Ravioli” charts the lifelong shortcomings of an Austrian nebbish as a ruminative comedy of never-ending tragedies. Similar to recent the Polish pity party “The Day of the Wacko,” pic will fare about as well: sporadic fest exposure, limited regional sales and mid-range homevid life. Returning […]

More From Our Brands

Access exclusive content