×
You will be redirected back to your article in seconds

My Right to Ravage Myself

With its emphasis on suicide and avant-garde theater, arty Korean drama "My Right to Ravage Myself" may have a future as a weapon of self-destruction. Jeon Soo-il's helming has improved on his previous effort, "Wind Echoing in My Being," but pic's intellectual homilies aren't going to sustain auds once the initial sex scenes are over.

With:
With: Jeong Bo-seok, Chu Sang-mi, Park Soi, Kim Yeong-min, Jang Hyeon-seong.

With its emphasis on suicide and avant-garde theater, ploddingly arty Korean drama “My Right to Ravage Myself” may have a future as a weapon of self-destruction. Local academic Jeon Soo-il’s helming has improved on his previous somnambulistic effort, “Wind Echoing in My Being” (1997), but pic’s intellectual homilies aren’t going to sustain most auds once the initial provocative sex scenes are over.

Performance artist Mara (Chu Sang-mi) begins proceedings with a bloody recreation of birthing that’s likely to make most entertainment-minded viewers head for the exit. Pic then pursues a multi-stranded story involving a punk rocker, a photographer, his taxi driver brother and a promiscuous temptress, all of whom are linked to cool-headed, Kafkaesque-named writer S (Jeong Bo-seok), who promotes suicide via his sinister Web site. Lensing is stylishly sleek and perfs are as good as the wearying script allows, but it’s Park Soi’s sluttish lollypop-sucker who lingers longest in the memory, despite her character being knocked off early on. Score is effectively menacing, but can’t enhance this dire arthouse dead-end.

My Right to Ravage Myself

South Korea-France

Production: A Dong Nyuk (South Korea)/RG Prince (France) production. (International sales: RG Prince, Paris.) Produced by Hong Seung-hyun. Directed, written by Jeon Soo-il, based on Kim Yeong-ha's novel "I Have the Right to Ravage Myself."

Crew: Camera (color), Kim Seong-tai; editor, Seo Yong-deok; music, Kim Seong-su; art directors, Choi Na-ni, No Hyeon-ju. Reviewed at Pusan Film Festival (Korean Panorama), Oct. 5, 2003. Running time: 92 MIN.

With: With: Jeong Bo-seok, Chu Sang-mi, Park Soi, Kim Yeong-min, Jang Hyeon-seong.

More Film

  • Audrey Wells

    Film News Roundup: Audrey Wells Scholarships Launched by UCLA, China's Pearl Studio

    In today’s film news roundup, Pearl Studio and UCLA start a “Say Yes!” scholarship in memory of Audrey Well; Gina Lollobrigida and Claudia Cardinale are honored; and the “General Magic” documentary gets bought. SCHOLARSHIPS UNVEILED China’s Pearl Studio has made a gift of $100,000 for endowed scholarships to the UCLA School of Theater, Film and [...]

  • Honey Boy Knock Down the House

    Sundance Hot Titles List: 13 Buzzy Films That Have Buyers Talking

    There’s a good reason that much of Hollywood braves the thin mountain air each year to make the trek to the Sundance Film Festival, and it’s not to check out the nearby ski slopes. The annual launch of the indie film gathering brings with it the possibility of discovering the next big thing in moviemaking. [...]

  • (L to R) VIGGO MORTENSEN and

    Will Oscar Nominations Give This Year's Contenders a Box Office Boost?

    With nominees like “Black Panther,” “Bohemian Rhapsody,” and “A Star Is Born,” the 2018 class of movies proved the Oscars don’t need a popular films category to recognize movies that also made bank in theaters. But now that the academy has selected this year’s crop of awards hopefuls, is there any green left to squeeze [...]

  • A24 Buys Sequel to Tilda Swinton's

    Sundance: A24 Buys Sequel to Tilda Swinton's Romance-Drama 'The Souvenir'

    A24 has bought the North American rights to Tilda Swinton’s romance-drama “The Souvenir – Part 2,” closing the deal on the eve of the Sundance Film Festival. “The Souvenir” is set to make its world premiere at Sundance on Jan. 27, followed by playing in the Panorama section of the Berlin Film Festival in February. [...]

  • The Boy Who Harnessed the Wind

    Chiwetel Ejiofor Adds Authenticity to Directorial Debut by Shooting in Malawi

    When actor Chiwetel Ejiofor optioned the rights for the 2009 best-seller “The Boy Who Harnessed the Wind,” penning the screenplay for a feature directorial debut that world-premieres in Sundance and then appears in the Berlin Film Festival before being released globally by Netflix this spring, colleagues floated the idea of shooting the Malawi-set film in tried-and-tested [...]

  • ally billboard a star is born

    Oscar Campaign Spending Reaches New Heights in Competitive Season

    The escalating cost of awards campaigning may reach an all-time high this season as heavyweights such as “Roma” and “A Star Is Born” battle for Oscar gold. The quest for an Academy Award has always been expensive, but Netflix’s hunger to nab its first best picture win, coupled with the presence of legitimate studio contenders [...]

  • The Wizard of Oz

    'The Wizard of Oz' to Return to Theaters for 80th Anniversary

    “The Wizard of Oz” is returning to theaters this weekend for a special limited engagement marking the 80th anniversary of the film’s Hollywood premiere. Fathom Events, TCM, and Warner Bros. are re-releasing the beloved family film in select theaters across the country beginning on Sunday, Jan. 27, with additional dates on Tuesday, Jan. 29, and Wednesday [...]

More From Our Brands

Access exclusive content