×
You will be redirected back to your article in seconds

Hansel & Gretel

Cheese is about the only food not consumed in the new version of the Brothers Grimm fairy tale "Hansel & Gretel," but cheese is what characterizes this low-budget, lowbrow edition. Pity the children for whom this is their intro to the world of Grimm. Pic is largely stuffed with badly staged slapstick and painful stabs at hip dialogue.

With:
Gretel - Taylor Momsen Hansel - Jacob Smith Stepmother - Delta Burke Sandman - Howie Mandel Father - Gerald McRaney Woman/Witch - Lynn Redgrave Wood Faerie - Alana Austin Dad - Dan Roebuck Andrew - Thomas Curtis Katie - Dakota Fanning Voices: Tom Arnold, Bobcat Goldthwaite, Sinbad.

Cheese is about the only food not consumed in the new version of the Brothers Grimm fairy tale “Hansel & Gretel,” but cheese is what characterizes this low-budget, lowbrow edition. Pity the children for whom this is their intro to the world of Grimm, for while pic stays to basic outline of the original story in opening and closing sections, the large middle is stuffed with badly staged slapstick and painful stabs at hip dialogue in an arch attempt to cater to modern kids. Item is immediately lost in theatrical woods, but will find some rescue in impending homevid release (care of Warners) where feature’s widescreen image will presumably be letterboxed.

Oft-repeated line full of attitude, “I don’t THINK so!” becomes a verbal sign for everything that’s wrong with the movie, from a cast of TV thesps (Delta Burke, Gerald McRaney, Howie Mandel, Tom Arnold) who appear to be trying to revive vaudeville, to a general jokey tone that couldn’t be further from the Grimms’ mood of danger and portentousness. The reason that the pic uses ultra-2002-style lingo in a medieval magic forest seems to be that a contempo single dad (Dan Roebuck) is reading the fairy tale to his kids Katie (Dakota Fanning) and Andrew (Thomas Curtis), presumably inserting his own wisecracks.

However, director and vet creature makeup artist Gary J. Tunnicliffe doesn’t set up this framework sufficiently, and what at first appears to be a perfectly fine, traditional version of the tale inexplicably turns into an extended skit for Burke as the nasty stepmother of Hansel and Gretel (Jacob Smith, Taylor Momsen). Her near-starving family is nothing more than excuse for her non-stop dissing, despite the calmer approach of McRaney as the father, the rare thesp here who does the story straight.

When the stepmom leads the kids into the foggy magic forest to lose them for good, they’re saved by the first of several completely invented, and fairly ridiculous, characters: the Sandman, played with a lisp by Mandel. The children convince the Sandman to help them get food, and though he does find a place for them to sleep in a swamp (sample joke: “It’s all done up by Bed, Bog and Beyond”), he proves otherwise useless until aided by a Wood Faerie (Alana Austin, who seems better suited for the next generation of “Friends” than a fairy tale).

Further hijinks consume the running time before the main event involving the Witch (played with bravado by Lynn Redgrave). These involve a Boogeyman (Arnold’s voice), a man-eating Troll (Bobcat Goldthwaite, loud as ever) and Burke, who ends up turning the tables on Troll. Pint-sized heroes find themselves drawn to a gingerbread house, designed by the Witch to trap them in prep to eat them (further sample joke: the Witch’s current book is “Children: The Other White Meat”). Before she’s expunged in a whiff of smoke, Redgrave unleashes a few minutes of genuine energy and terror, dressed up in terrific, green-tinted makeup and requisite long, hooked nose.

But things conclude on the same, smart-alecky tone as before. Perfs, except for Redgrave and McRaney, conform to the pseudo-hip form, and suffer for it.

Notably, design, effects and makeup elements don’t fulfill the visual possibilities of the Grimms’ dark-forested environs. Dorian Vernacchio and Deborah Raymond, a terrific L.A.-based theater designer team, create a world that would look fine on stage, but appears plastic and fake on screen. Costuming and scoring are amateurish, and lensing is muddy.

Hansel & Gretel

Production: An Innovation Film Group release of a Steve Austin and Jonathan Bogner presentation of a Tag Entertainment production in association with Majestic Film Partners IV. Produced by Steve Austin, Jonathan Bogner. Executive producers, Kent Scott. Co-executive producers, David Borg, Peter King, Robin Bains, Scott Schomer. Co-producer, Gary Depew. Directed by Gary J. Tunnicliffe. Screenplay, Timothy Dolan, Jonathan Bogner, Tunnicliffe, based on a story by the Brothers Grimm.

Crew: Camera (Fotokem color, Arriflex widescreen), Brian Baugh; editor, Andrew Cohen; music, Bob Mothersbaugh, Rusty Andrews; music supervisor, Mark Mothersbaugh; production designers, Dorian Vernacchio, Deborah Raymond; set designer, Jodi Ginnever; set decorator, Greta Grigorian; costume designer, Julia Schklair; sound (Dolby), Jim Ridgley; visual effects, Neo Art & Logic, Digital Dimension, Van Hook Studios; creature effects, Two Hours in the Dark; additional visual effects, Aurum Digital Entertainment; special effects coordinator, David Waine; makeup, Dami Hamilton; puppeteer, Mike Regan; associate producer, Patricia Gillum; assistant director, Robert Leroy Parker; casting, Jane Jenkins, Janet Hirshenson. Reviewed at Landmark Westside Pavilion Cinema, L.A., Oct. 18, 2002. MPAA Rating: PG. Running time: 88 MIN.

With: Gretel - Taylor Momsen Hansel - Jacob Smith Stepmother - Delta Burke Sandman - Howie Mandel Father - Gerald McRaney Woman/Witch - Lynn Redgrave Wood Faerie - Alana Austin Dad - Dan Roebuck Andrew - Thomas Curtis Katie - Dakota Fanning Voices: Tom Arnold, Bobcat Goldthwaite, Sinbad.

More Film

  • How the 'Rich Eisen Show' Mixes

    How the 'Rich Eisen Show' Mixes Sports and Showbiz in an Entertaining Mix

    Walking through the El Segundo studio where veteran sportscaster Rich Eisen tapes his daily “Rich Eisen Show,” the sheer density of sports memorabilia is overwhelming — everything from game balls to jerseys, gear, autographs and uncountable photos are crammed onto every inch of wall and desk space. But step into Eisen’s dressing room, and the [...]

  • Yorgos Lanthimos

    Film News Roundup: 'The Favourite' Director Yorgos Lanthimos Boards Crime Drama

    In today’s film news roundup, Yorgos Lanthimos has set up a crime drama, “Here Lies Daniel Tate” is being adapted, and Donna Langley becomes a member of the USC film school board. DIRECTOR HIRED More Reviews TV Review: 'Whiskey Cavalier' Album Review: Gary Clark Jr.'s 'This Land' “The Favourite” producer-director Yorgos Lanthimos has signed on [...]

  • Brody Stevens Dead

    Comedian Brody Stevens Dies at 48

    Prominent Los Angeles comedian Brody Stevens died Friday in Los Angeles, Variety has confirmed. He was 48. “Brody was an inspiring voice who was a friend to many in the comedy community,” Stevens’ reps said in a statement. “He pushed creative boundaries and his passion for his work and his love of baseball were contagious. [...]

  • Contract Placeholder Business

    Hollywood Agents Blast Writers Guild Over New Proposals

    The war between the Writers Guild of America and Hollywood agents has escalated as the two sides battle over the rules on how writers are represented. The latest volley emerged Friday from Karen Stuart, executive director of the Association of Talent Agents, who accused WGA leaders of misleading its members and asserted that the guild [...]

  • Xavier Legrand Custody

    Cesar Awards: Xavier Legrand’s ‘Custody’ Wins Best Film

    Xavier Legrand’s feature debut “Custody,” a tense portrait of a family torn by domestic violence, won best film, actress (for Lea Drucker), and original screenplay at the 44th Cesar Awards, which took place at the Salle Pleyel in Paris. The awards are France’s highest film honors. “Custody,” which marks Legrand’s follow up to his Oscar-nominated [...]

  • Editorial use only. No book cover

    'Crazy Rich Asians,' 'Late Show With Stephen Colbert' Win Publicity Campaign Awards

    Hollywood publicists have selected “Crazy Rich Asians” as the top movie publicity campaign for 2018 and “The Late Show With Stephen Colbert” as the best television campaign. Warner Bros.’ “Crazy Rich Asians” topped the campaigns for Disney’s “Black Panther,” Fox’s “Bohemian Rhapsody,” Paramount’s “A Quiet Place,” Sony’s “Spider-Man: Into the Spider-Verse,” and Universal’s “Halloween” for [...]

  • Tessa Thompson Nnamdi Asomugha

    Tessa Thompson and Nnamdi Asomugha to Star in 'Sylvie'

    Tessa Thompson and Nnamdi Asomugha are set to star in the feature film “Sylvie.” Eugene Ashe has written the screenplay and will direct with production currently underway. More Reviews TV Review: 'Whiskey Cavalier' Album Review: Gary Clark Jr.'s 'This Land' The film is described as a love story set in the cool jazz era of New [...]

More From Our Brands

Access exclusive content