Wild Innocence

Philippe Garrel's latest, "Wild Innocence," is a handsome but dull affair about a director making an anti-drug film, whose heroine predictably succumbs to heroin. As evidenced by the Fipresci international critics prize won by Garrel in Venice, this kind of cliched nouvelle vague aesthetic still has its disciples, but not enough to push it far commercially.

With:
Lucie - Julia Faure
Francois Mauge - Mehdi Belhaj Kacem
Chas - Michel Subor
Augustin - Jerome Huguet
ZsaZsa - Zsuzsanna Varkonyi

There’s a world of French auteur cinema in which the women are all gorgeous babes in trenchcoats and knee boots and the men are unshaven neo-Bohemians in ill-fitting jackets. They all talk incessantly with the utmost seriousness while relentlessly chugging on Gauloises, preferably in noir et blanc and in scenes that run on and on. Almost no filmmaker inhabits this world with less self-irony than eternal maverick Philippe Garrel. His latest drama, “Wild Innocence,” is a handsome but dull affair about a director making an anti-drug film, whose heroine predictably succumbs to heroin. As evidenced by the Fipresci international critics prize won by Garrel in Venice, this kind of cliched nouvelle vague aesthetic still has its disciples — but not enough to push it far commercially.

Inevitably recalling Garrel’s relationship with ’60s pop icon and drug casualty Nico (already evoked in his 1991 feature “J’entends plus la guitare”), the story centers on Francois Mauge (Mehdi Behaj Kacem), a director of well-regarded but uncommercial films whose celebrated model wife died recently from a drug overdose.

While preparing to exorcise his grief by making a feature (also called “Wild Innocence”) inspired by his personal experience, Francois meets young actress Lucie (Julia Faure), who slips straight into his bed and his leading role.

To finance the project, he turns to Chas (Michel Subor), a dubious businessman who knew his wife. In exchange for backing, Chas insists that he smuggle two suitcases full of heroin into France.

All this could be serviceably recounted in one or two reels, but Garrel spends a full hour wading through it, accompanied by endless talk and an equally plodding, minor-key piano score. The only scenes with any real spark or subtle humor involve his initial attempts to secure funding through a producer who feels Francois’ work never quite delivers but who amusingly strings him along without ever handing over a check.

A little more fiber is woven into the material when the shoot finally gets under way in Amsterdam, with the film-within-a-film scenes at least displaying some dramatic muscle. The strain of playing a doomed addict, a character so patently inspired by Francois’ late wife, while at the same time trying to maintain her relationship with him takes its toll on Lucie. She starts first snorting then shooting up heroin. But Francois is so caught up in auteur angst that he fails to notice the tragic cycle of events about to repeat themselves.

Intense and earnest as it is, and despite a generally capable cast, the drama is too cold to function on an emotional level, its themes of cynicism, obsession and self-service in art explored in too facile a vehicle to invite reflection. This leaves Raoul Coutard’s refined B&W widescreen lensing and coolly composed images to stand out as the film’s most expressive component and principal reward.

Wild Innocence

France-Netherlands

Production: A Mars Films release of a Why Not Prods., Les Films Alain Sarde (France)/Kasander Film Co. (Netherlands) production with participation of Canal Plus, Centre National de la Cinematographie. (International sales: Wild Bunch, Paris.) Produced by Pascal Caucheteux. Directed by Philippe Garrel. Screenplay, Garrel, Arlette Langmann, Marc Cholodenko.

Crew: Camera (B&W, widescreen), Raoul Coutard; editor, Francoise Collin; music, Jean-Claude Vannier; costume designer, Justine Pearce; sound (Dolby SR), Alexandre Abrard; assistant directors, Marianne Fricheau, Aude Cathelin. Reviewed at Venice Film Festival (competing), Sept. 5, 2001. Running time: 123 MIN.

With: Lucie - Julia Faure
Francois Mauge - Mehdi Belhaj Kacem
Chas - Michel Subor
Augustin - Jerome Huguet
ZsaZsa - Zsuzsanna VarkonyiWith: Maurice Garrel, Huguette Maillard, Francine Berge.

More Film

  • Mandatory Credit: Photo by Invision/AP/REX/Shutterstock (9243328q)From

    Jonathan Gold, Pulitzer Prize-Winning Restaurant Critic, Dies at 57

    There’s a world of French auteur cinema in which the women are all gorgeous babes in trenchcoats and knee boots and the men are unshaven neo-Bohemians in ill-fitting jackets. They all talk incessantly with the utmost seriousness while relentlessly chugging on Gauloises, preferably in noir et blanc and in scenes that run on and on. […]

  • Johnny Depp Amber Heard

    Johnny Depp, Amber Heard Appear Moments Apart at WB's Comic-Con Panel

    There’s a world of French auteur cinema in which the women are all gorgeous babes in trenchcoats and knee boots and the men are unshaven neo-Bohemians in ill-fitting jackets. They all talk incessantly with the utmost seriousness while relentlessly chugging on Gauloises, preferably in noir et blanc and in scenes that run on and on. […]

  • Patty Jenkins, Chris Pine and Gal

    'Wonder Woman 1984' Team Talks '80s Setting, Chris Pine's Resurrection

    There’s a world of French auteur cinema in which the women are all gorgeous babes in trenchcoats and knee boots and the men are unshaven neo-Bohemians in ill-fitting jackets. They all talk incessantly with the utmost seriousness while relentlessly chugging on Gauloises, preferably in noir et blanc and in scenes that run on and on. […]

  • Aquaman

    First 'Aquaman' Trailer Makes a Splash at Comic-Con

    There’s a world of French auteur cinema in which the women are all gorgeous babes in trenchcoats and knee boots and the men are unshaven neo-Bohemians in ill-fitting jackets. They all talk incessantly with the utmost seriousness while relentlessly chugging on Gauloises, preferably in noir et blanc and in scenes that run on and on. […]

  • 'Shazam!' Trailer Debuts At SDCC

    'Shazam!' Trailer Debuts At Comic-Con (Watch)

    There’s a world of French auteur cinema in which the women are all gorgeous babes in trenchcoats and knee boots and the men are unshaven neo-Bohemians in ill-fitting jackets. They all talk incessantly with the utmost seriousness while relentlessly chugging on Gauloises, preferably in noir et blanc and in scenes that run on and on. […]

  • Godzilla King of the Monsters

    'Godzilla: King of the Monsters' First Trailer Stomps Into Comic-Con

    There’s a world of French auteur cinema in which the women are all gorgeous babes in trenchcoats and knee boots and the men are unshaven neo-Bohemians in ill-fitting jackets. They all talk incessantly with the utmost seriousness while relentlessly chugging on Gauloises, preferably in noir et blanc and in scenes that run on and on. […]

  • 'Fantastic Beasts: The Crimes of Grindelwald'

    'Fantastic Beasts 2' Comic-Con Trailer Introduces Nicolas Flamel

    There’s a world of French auteur cinema in which the women are all gorgeous babes in trenchcoats and knee boots and the men are unshaven neo-Bohemians in ill-fitting jackets. They all talk incessantly with the utmost seriousness while relentlessly chugging on Gauloises, preferably in noir et blanc and in scenes that run on and on. […]

More From Our Brands

Access exclusive content