Orphan

An odd piece about the spiritual redemption of a hit man without the slightest suggestion of a religious context, "Orphan" possesses some moral seriousness and integrity at its core, but loses its way dramatically through too many narrative zigzags and far-fetched developments.

With:
Jake McCrory - Marty Maguire Anna - Charis Michaelson Timmy Cummings - Robert Wahlberg Janie - Karen MacDonald Young Anna - Alisa Besher Michael Murphy - Charlie Broderick Kelly - Sandi Carroll Agent Cullen - Lonnie Farmer Edward - David Prete Uncle Bill - Brian Goodman Aunt Frannie - Stephanie Clayman Lenny - Michael J. Zammito Joey - Christopher Gracia

An odd piece about the spiritual redemption of a hit man without the slightest suggestion of a religious context, “Orphan” possesses some moral seriousness and integrity at its core, but loses its way dramatically through too many narrative zigzags and far-fetched developments. The good intentions of this Boston-made indie won’t be enough to carry it into significant theatrical release, but pic should serve as a good calling card for Northern Irish lead actor Marty Maguire, whose rugged looks and solid thesping suggest that he could soon be filling roles that Russell Crowe turns down.

The unanticipated turns in Thomas Murtaugh’s original screenplay don’t serve to build suspense as much as to create an ongoing question as to where “Orphan” is heading and what it might really be about. After an intriguing opening reel devoted to the solitary Jake McCrory (Maguire) listening to a perceptive phone psychic tell him all sorts of accurate things about himself, it comes as a surprise to see Jake approach a house in the guise of a door-to-door salesman and calmly gun down the inhabitant in front of the latter’s pre-teen daughter.

Jake is himself soon shot in retaliation and, in a sort of between-life-and-death limbo, is instructed by his victim to look after his daughter, the girl Jake has made an orphan. Jake’s first task as a new guardian angel is to insist that young Anna’s bullying uncle treat her right.

A decade’s jump finds Anna (Charis Michaelson) in her early 20s and Jake still shadowing her, when she visits her father’s grave, for instance, or at night, much to the consternation of Jake’s wife (Sandi Carroll).

Determined to avenge her dad’s murder, Anna cozies up to Timmy (Robert Wahlberg), the hit man who just missed killing Jake years back. Jake manages to insinuate himself into Anna’s life, but it takes a while for him to finally admit who he is and what he did, a revelation that assumes the form of a self-sacrificial confession and gives the film its spiritual dimension.

But it’s a sometimes torturous path getting to this point, one filled with plot holes that make the film less convincing by stages and motivation that is conspicuous by its absence. The crucial reasons for Jake needing to tell all to Anna are never clear, especially when he will be leaving his own daughter fatherless in the process. Nor is it credible that, after all these years, Jake wouldn’t have created a plausible excuse for his wife as to why he had to spend so many of his nights out.

Given these lapses, it’s impressive that Maguire is able to build as sturdy a performance as he does. Capable of rough insolence as well as earnest sensitivity, the young actor has an athletic mien and tightly coiled manner that can erupt either into lighthearted exuberance or determined action, indicating real screen potential. Other perfs are OK.

Debuting feature helmer Richard Moos relies too much on trendy visual tropes such as jumpy camerawork, skip framing and jump cutting, while Henry Beckett’s synth score is much to present and noticeable. Blow-up from Super 16 to 35mm results in a rather fuzzy look.

Orphan

Production: A Ca.thar.tic FilmWorks production. (International sales: Ca.thar.tic FilmWorks, Boston.) Produced by Richard Moos, Thomas Murtaugh, Shawna Moos, Robert T. Morgan, Gerald J. Frasco. Executive producers, Richard Moos, Shawna Moos, Murtaugh. Directed, edited by Richard Moos. Screenplay, Thomas Murtaugh.

Crew: Camera (Medallion/PFA color, Super 16-to-35mm), T.W. Li; music, Henry Beckett; music supervisor, Jay Sweet; production designer, Jan Collins; art director, Melissa Cooperman; costume designer, Scott Findley; sound, Lyle Bibler, Chris Fadale; sound designer, Bruce MacFarlane; associate producer, Jason Mullis; assistant director, Jay Frasco; casting, Samantha Eden (L.A.), Carolyn Pickman, Esra Gaffin (Boston/N.Y.). Reviewed at Santa Barbara Film Festival, March 9, 2001. Running time: 99 MIN.

With: Jake McCrory - Marty Maguire Anna - Charis Michaelson Timmy Cummings - Robert Wahlberg Janie - Karen MacDonald Young Anna - Alisa Besher Michael Murphy - Charlie Broderick Kelly - Sandi Carroll Agent Cullen - Lonnie Farmer Edward - David Prete Uncle Bill - Brian Goodman Aunt Frannie - Stephanie Clayman Lenny - Michael J. Zammito Joey - Christopher Gracia

More Film

  • Asia Argento arrives for the screening

    Media Reacts to Asia Argento Payout: 'Two Things Can Be True at Once'

    An odd piece about the spiritual redemption of a hit man without the slightest suggestion of a religious context, “Orphan” possesses some moral seriousness and integrity at its core, but loses its way dramatically through too many narrative zigzags and far-fetched developments. The good intentions of this Boston-made indie won’t be enough to carry it […]

  • China Box Office: 'Island' Wins From

    China Box Office: 'The Island' Earns $39 Million to Beat Still Hungry 'Meg'

    An odd piece about the spiritual redemption of a hit man without the slightest suggestion of a religious context, “Orphan” possesses some moral seriousness and integrity at its core, but loses its way dramatically through too many narrative zigzags and far-fetched developments. The good intentions of this Boston-made indie won’t be enough to carry it […]

  • Ken Jeong Calls Out Hollywood's 'Cultural

    Ken Jeong Calls Out Hollywood's 'Cultural Insensitivity'

    An odd piece about the spiritual redemption of a hit man without the slightest suggestion of a religious context, “Orphan” possesses some moral seriousness and integrity at its core, but loses its way dramatically through too many narrative zigzags and far-fetched developments. The good intentions of this Boston-made indie won’t be enough to carry it […]

  • The Summer's Vital Movie Trend: People

    The Summer's Most Important Movie Trend: People Still Love Going to the Movies!

    An odd piece about the spiritual redemption of a hit man without the slightest suggestion of a religious context, “Orphan” possesses some moral seriousness and integrity at its core, but loses its way dramatically through too many narrative zigzags and far-fetched developments. The good intentions of this Boston-made indie won’t be enough to carry it […]

  • Crazy Rich Asians

    'Crazy Rich Asians' Doesn’t Represent All Asians Everywhere, And That’s Fine (Column)

    An odd piece about the spiritual redemption of a hit man without the slightest suggestion of a religious context, “Orphan” possesses some moral seriousness and integrity at its core, but loses its way dramatically through too many narrative zigzags and far-fetched developments. The good intentions of this Boston-made indie won’t be enough to carry it […]

  • The Meg

    'The Meg' Remains No. 1 at International Box Office, Tops $300 Million Worldwide

    An odd piece about the spiritual redemption of a hit man without the slightest suggestion of a religious context, “Orphan” possesses some moral seriousness and integrity at its core, but loses its way dramatically through too many narrative zigzags and far-fetched developments. The good intentions of this Boston-made indie won’t be enough to carry it […]

  • Crazy Rich Asians

    Box Office: 'Crazy Rich Asians' Dazzles With $34 Million Five-Day Opening

    An odd piece about the spiritual redemption of a hit man without the slightest suggestion of a religious context, “Orphan” possesses some moral seriousness and integrity at its core, but loses its way dramatically through too many narrative zigzags and far-fetched developments. The good intentions of this Boston-made indie won’t be enough to carry it […]

More From Our Brands

Access exclusive content