×
You will be redirected back to your article in seconds

Auggie Rose

Jeff Goldblum's peculiarly rattled appeal finds a rare dramatic lead fit in "Auggie Rose," writer-director Matthew Tabak's intriguing mystery-cum-character study of a man obsessed after he witnesses a stranger's premature death. Favorable reviews and word-of-mouth could earn this pic modest legs as a rep house and rental sleeper.

With:
John C. Nolan - Jeff Goldblum Lucy Brown - Anne Heche Roy Mason - Timothy Olyphant Carol - Nancy Travis Officer Decker - Richard T. Jones Emanuel - Joe Santos Auggie Rose - Kim Coates

Jeff Goldblum’s peculiarly rattled appeal finds a rare dramatic lead fit in “Auggie Rose,” writer-director Matthew Tabak’s intriguing mystery-cum-character study of a man obsessed after he witnesses a stranger’s premature death. Broadcast in April on Cinemax (under the generic/irrelevant title “Beyond Suspicion”), unspectacular but quietly absorbing feature from Franchise Pictures opens on two Los Angeles screens on June 15 after a one-week San Francisco run. Favorable reviews and word-of-mouth for this Roxie Releasing pickup could earn it modest legs as a rep house and rental sleeper.

Goldblum plays John Nolan, an L.A. life insurance sales exec whose comfortable routine is shattered one day when he stops by a neighborhood deli to pick up a specialty wine order. Sending a slightly surly new clerk (Kim Coates) back to the stockroom for a second bottle, John and the owner are suddenly held up at gunpoint by a hopped-up assailant. When the oblivious clerk re-emerges, the panicked robber shoots him. Soon after, John finds himself cradling the fast-fading man, then accompanying him via ambulance to an emergency ward. By morning, Auggie Rose has expired.

Understandably shaken, Nolan first ponders his own there-but-for-the-grace-of brush with death. Once immediate trauma subsides, however, he remains curiously fixated on the man whose last conscious moments he’d shared — more than ever upon learning Auggie was a recently paroled con with no relatives or intimates willing to claim his body.

Unable to accept this anonymous, pauper’s grave end to a life that had just (potentially, at least) gotten back on track, John begins to irk both investigating police and live-in girlfriend Carol (Nancy Travis) with his persistent curiosity about the deceased. They can’t figure out his motives; neither can he, exactly, beyond sensing something of personal importance in this quest.

A casual misunderstanding finds him taken for Auggie by residents in the dead man’s dingy apartment building. On the sly, John begins spending considerable time there, probing Auggie’s sparse belongings for clues — to the detriment of his own white collar job and home life.

This toying with another’s identity enters a risky new phase when John discovers Auggie had been corresponding with a young rural woman, who even now is en route from Texas to meet her pen pal. Intending to break bad news gently, John greets Lucy (Anne Heche) at the bus station — but in a moment’s hesitation, once again lets himself be taken for the dead man instead.

“Auggie Rose” doesn’t bear deep scrutiny: Just why John considers chucking his privileged life for a minimum wage “fresh start” is murky at best, a plot conceit more convenient than credible. Still, feature debutante Tabak avoids blatant illogic by tuning both script and direction toward low-key, character-based detail.

At first, pic suggests it’s headed toward “Fearless”-like mid-life crisis mysticism, then noirish suspense. But those signals turn out to be red herrings (despite one menacing subplot involving Timothy Olyphant as a would-be criminal confederate). While story twists aren’t ingenious, they do keep viewer guessing right up until an open-ended yet satisfying fade.

The most entertaining deer-caught-in-the-headlights eyes in showbiz are well deployed here, as Goldblum’s customary air of distracted eccentricity lays bare protag’s simultaneous bewilderment and pleasure at assuming another man’s identity. It’s a lovely, mercurial yet focused perf.

Potential neurotic-tic face-off with Heche (who doesn’t appear until well after midpoint) fails to materialize; she’s effectively restrained as a woman who’s unsophisticated but hardly naive. Travis is OK in a sympathetic but less developed role, while Richard T. Jones leads well-modulated support cast as a concerned police detective.

Prod package is slick but understated, eschewing stylistic flash. At times, original score by Don Harper and Mark Mancina pushes emotional buttons a tad more conventionally than pic’s ambivalent tone deserves.

Auggie Rose

Production: A Roxie Releasing release of a Franchise Pictures presentation of a Persistent Pictures production. Produced by Andrew Stevens, Matthew Rhodes, Dan Stone. Executive producers, Elie Samaha, Jeremiah Samuels. Co-producers, Mark McGarry, Richard Pagano, Tracee Stanley. Directed, written by Matthew Tabak.

Crew: Camera (color), Adam Kimmel; editor, Brian Berdan; music, Don Harper, Mark Mancina; production designer, Caroline Hanania; art director, Christopher Tandon; set decorator, Lisa Fischer; costume designer, Wendy Chuck; sound, Felipe Borrero; assistant director, William Paul Clark; casting, Eyde Belasco, Rick Pagano. Reviewed at the Roxie Cinema, San Francisco, May 10, 2001. MPAA Rating: R. Running time: 109 MIN.

With: John C. Nolan - Jeff Goldblum Lucy Brown - Anne Heche Roy Mason - Timothy Olyphant Carol - Nancy Travis Officer Decker - Richard T. Jones Emanuel - Joe Santos Auggie Rose - Kim Coates

More Film

  • Robert Redford

    Robert Redford to Receive Honorary Cesar Award

    Legendary American actor and director Robert Redford is set to receive an honorary Cesar award, France’s equivalent of the Oscars, at the 44th annual César ceremony, which will take place on Feb. 22 in Paris. “An iconic actor, an exceptional director, a passionate producer, founder and president of Sundance, the most revered festival of independent [...]

  • Goteborg: Co-writer Hakan Lindhe on Viaplay’s

    Co-Writer Hakan Lindhe on Politics, Image in Viaplay’s ‘The Inner Circle’

    David Ehrling, Sweden’s Minister for Enterprise, who is tipped to be its next Prime Minister, spends a lot of the time in Sweden’s “The Inner Circle” not preparing his speeches, or in impassioned discussion of key political issues, but staring into the mirror, rain checking on his strong-jawed image. He spends much of his enterprise, [...]

  • 'Invisibles' Director Louis-Julien Petit On His

    'Invisibles' Director Louis-Julien Petit on his Socially-Minded Smash

    PARIS —  Far from a dumping ground, the months of January and February have become synonymous in France with the kinds of highly polished crowd-pleasing comedies that dominate the annual box-office. This year is no exception, only nestled among the likely blockbusters “Serial Bad Weddings 2” and “City Hunter” is Louis-Julien Petit’s socially minded dramedy [...]

  • "The Continent," directed by Chinese racer

    Alibaba Pictures Buys Into Chinese Director Han Han's Film Studio

    Alibaba Pictures confirmed that it has invested an undisclosed amount in Chinese celebrity blogger-turned-film director Han Han’s Shanghai Tingdong Film. Han’s upcoming “Pegasus” is one of the most anticipated films of the year in China. Alibaba Pictures, part of e-commerce giant Alibaba, is now the second-largest stakeholder in Tingdong. It has a 13.1% stake, according to Chinese [...]

  • Nicolas Philibert Talks Nursing Documentary 'Each

    Nicolas Philibert: 'A Director Driven To Make A Statement Cannot Make Cinema'

    PARIS  — For over two decades, French documentarian Nicolas Philibert has examined his country’s various public institutions with a watchmaker’s calm and anthropologist’s curiosity. In films like “To Be and To Have,” “La Maison de la Radio” and “Louvre City,” he’s taken his camera into schoolhouses, broadcast hubs and the world’s most famous museum. His [...]

  • 'Don't Come Back from the Moon'

    Film Review: 'Don't Come Back from the Moon'

    Cinematographer-turned-director Bruce Thierry Cheung offers an artful and affecting mix of harshly defined specifics and impressionistic storytelling in “Don’t Come Back from the Moon,” a cumulatively poignant drama about absent fathers and abandoned families in an economically devastated desert community. Structured more like a tone poem than a conventional narrative, it’s an elliptical memory play [...]

  • Carlos Almaraz Playing With Fire review

    Palm Springs Review: 'Carlos Almaraz: Playing With Fire'

    Though he passed away three decades ago, Carlos Almaraz’s reputation as a major American painter — which was just getting started when he died of AIDS in 1989 — promises to continue to gain traction with the years. Documentary tribute “Playing With Fire” by his fellow-artist widow Elsa Flores and Richard Montoya mostly transcends standard [...]

More From Our Brands

Access exclusive content