×

TV Academy names costume design noms

'Cher, ' 'Annie,' 'Sex' in trophy hunt

This article was updated on August 14, 2000.

The Academy of Television Arts and Sciences Monday announced individual nominations for the 52nd Annual Primetime Emmy Awards’ three costume categories. The winners in the costume categories for the 52nd Annual Emmy Awards will be announced at the Creative Arts Awards on Aug. 26. Information was incomplete in Wednesday’s paper. ABC will air the kudoscast Sept. 10.

COSTUMES FOR A SERIES

“Any Day Now” (It’s Not About the Butter) (Part 1 and Part 2), Lifetime, Spelling Entertainment Group — Elizabeth Palmer, costume designer; Mary Anne Aston, costume supervisor.

“Providence” (Syd in Wonderland) NBC, John Masius Prods. in association with NBC Studios — Giovanna Ottobre Melton, costume designer; Sandy Kenyon, costume supervisor.

“Sex and the City” (La Douleur Exquise!) HBO, Darren Star Prods. in association with HBO Original Programming — Patricia Field, costume designer; Rebecca Wineberg, costume designer; Molly Rogers, costume supervisor.

“The Sopranos” (Commendatori) HBO, Chase Films/Brad Grey Television in association with HBO Original Programming — Juliet Polsca, costume designer; Lauren Press, Kim Wilcox, assistant costume designers; Gail Fitzgibbons, Kevin Faherty, costume supervisors.

“Star Trek: Voyager” (Muse) UPN, Paramount Pictures — Robert Blackman, costume designer; Carol Kunz, costume supervisor.

“The West Wing” (The State Dinner) NBC, John Wells Prods. in association with Warner Bros. Television — Lyn Elizabeth Paolo, costume designer; Alice Daniels, costume supervisor.

COSTUMES FOR A MINISERIES, MOVIE OR A SPECIAL

“Annie” ABC, Storyline Entertainment, Chris Montan Prods., Columbia TriStar Television and Walt Disney Television — Shey Cunliffe, costume designer; Patricia McLaughlin, costume supervisor.

“Arabian Nights” (Part 2) ABC, produced for Babelsberg Intl. Film Produktion by Hallmark Ent. — Maurizio Millenotti, costume designer; Gianni Casalnuovo, assistant costume designer.

“Don Quixote” TNT, Hallmark Entertainment — Charles Knode, costume designer; Robert Worley, assistant costume designer; Graham Churchyard, costume supervisor.

“Geppetto” ABC, Karz Entertainment and Jim Pentecost Prods. in association with Walt Disney Television — Hope Hanafin, costume designer; Marcy Froehlich, assistant costume designer.

“Introducing Dorothy Dandridge” HBO, an Esparza/Katz production in association with Berry/Cirrincione — Shelly Komarov, costume designer; Lucinda Campbell, costume supervisor.

COSTUMES FOR A VARIETY OR MUSIC PROGRAM

“Cher: Live in Concert — From the MGM Grand in Las Vegas” HBO, HBO — David Cordona, Bob Mackie, costume designers; Helen Hiatt, costume supervisor.

“The Hollywood Fashion Machine” (Elizabeth Taylor: A Fashion Biography) AMC, World of Wonder Prods. in association with AMC — Bruce Anthony Marshall, key costumer.

“MadTV” (“MadTV’s” Movie Show) Fox, Girl Group Co. — Wendy Benbrook, costume designer; Frances Hayes, costume supervisor.

“Saturday Night Live” (Host: Christopher Walken) NBC, Broadway Video in association with SNL Studios — Tom Broecker, costume designer; Eric Justian, assistant costume designer.

“Target Stars on Ice” CBS, Trans World Intl. — Jef Billings, costume designer.

More TV

  • 13 REASONS WHY

    Netflix Revises Controversial '13 Reasons Why' Suicide Scene

    Netflix has edited the controversial suicide scene from “Thirteen Reasons Why” two years after the show originally premiered. “We’ve heard from many young people that ’13 Reasons Why’ encouraged them to start conversations about difficult issues like depression and suicide and get help—often for the first time,” Netflix said in a statement Monday. “As we [...]

  • Russell Tovey on His 'Arrogant and

    Russell Tovey on His 'Arrogant and Heroic' 'Years and Years' Character

    SPOILER ALERT: Do not read if you have not yet watched the fourth episode of “Years and Years.” Russell T. Davies’ limited series “Years and Years” began with a birth, but it did not wait until the finale to book-end the story with a death. In the fourth episode of the multi-year spanning family drama, [...]

  • Hugh GRant photographed by Shayan Asgharnia

    Listen: Hugh Grant on Why He Would Kill Social Media if He Could

    Hugh Grant has been very active in U.K. press reform initiatives, but he knows the problem is even bigger than the media moguls who control the world’s major news outlets. That’s why Hacked Off, the campaign he’s involved with, is also expanding its scope to include the impact of online propaganda. “It’s particularly terrifying, the [...]

  • Veronica Mars -- "Heads You Lose"

    TV Review: 'Veronica Mars' Season 4

    “Veronica Mars” was a slap to the face of high school dramas when it premiered on UPN in 2004. Creator Rob Thomas took the well-worn “who killed the pretty teenager?” whodunnit and hard-boiled it, following a traumatized girl desperately trying to harden herself to the world’s harsh realities as she tried to solve the case. [...]

  • Norah O'Donnell Invokes Edward R. Murrow

    Norah O'Donnell Invokes Edward R. Murrow to Launch New Era at 'CBS Evening News'

    Though Norah O’Donnell had her first turn as anchor of “CBS Evening News” Monday night, she didn’t rely on any attention-grabbing tricks to carry the day. There was no flashy drawing board, no rattling off of unsettling, urgent headlines and no wrap-up of the day with a mawkish end segment calling up some element of [...]

  • Alton Brown

    TV News Roundup: Food Network Announces Premiere Date of 'Good Eats: The Return'

    In today’s roundup, Showtime releases a full-length trailer for “On Becoming a God in Central Florida” and Food Network announces the return of Alton Brown’s “Good Eats.”  DATES After taking a break from the series, Alton Brown will bring “Good Eats” back to Food Network’s primetime lineup with “Good Eats: The Return.”  In its first [...]

  • 9-1-1: Angela Bassett in the series

    Fox Sees Primetime, Sports Ad Gains As TV Upfront Wraps

    Fox Corporation is the latest to benefit from stronger-than-expected trends in TV ad spending, as the company notched strong gains in advertising commitments for its next cycle of programming – its first since selling off a large chunk of its media assets to Walt Disney. Ad demand was stronger than many executives anticipated, according to [...]

More From Our Brands

Access exclusive content