You will be redirected back to your article in seconds

The Sculptress

Attempting to etch an atmospheric tale of possession in the big city, writer-helmer Ian Merrick makes the usual would-be-thriller missteps in "The Sculptress." Overlong San Francisco-set indie, while good to look at, is devoid of psychological depth or credibility, and further marred by weak, often risible performances. Opening today in limited release, pic won't carve out much of a theatrical profile but may scare up some receipts on video.

With:
Matthew Dobie - Jeff Fahey Professor Giraud - Patrick Bauchau Sarah - Katie Wright Sylvie - Emmanuelle Vaugier Chris - Allen Cutler Madame Cleo - Vivis Colombetti

Attempting to etch an atmospheric tale of possession in the big city, writer-helmer Ian Merrick makes the usual would-be-thriller missteps in “The Sculptress.” Overlong San Francisco-set indie, while good to look at, is devoid of psychological depth or credibility, and further marred by weak, often risible performances. Opening today in limited release, pic won’t carve out much of a theatrical profile but may scare up some receipts on video.

Katie Wright stars as Sarah, virginal English student at an S.F. art institute. While Sarah navigates a reluctant first date with a fellow student (Allen Cutler) in romantic Sausalito, her psychotic next-door neighbor, Dobie (Jeff Fahey, in overdrive), trawls the Tenderloin in one of his many disguises. A failed actor, Dobie is obsessed with stripper Sylvie (Emmanuelle Vaugier), who supplements her Lusty Lady earnings by modeling for classes at the institute.

Between much expository dialogue, studded with pronouncements about Art by Sarah’s beret-wearing sculpture instructor (Patrick Bauchau), Dobie cuts a bloody swath through the metropolis and our heroine loses control over her sculpting. She’s increasingly haunted by gargoyles and phallic forms, and when she creates a bust of Sylvie, whom she’s never met, the stripper winds up dead. As the plot tries to thicken, Professor Giraud becomes Sarah’s confidant and love interest, and conducts laughably elementary “research” into evil doings.

From candlelit churches to tarot-reading psychics, wind-blown curtains, stormy nights and bloody daggers, thriller cliches abound, to little emotional effect. Whether he’s pretending to be a demented peep-show patron, a German baron or a priest preoccupied with fellatio, Fahey’s Dobie is ridiculous rather than chilling. None of the characters rings true: The wide range of indeterminate accents come and go; perfs, whether too mild (Wright, Cutler, Bauchau) or over the top (Fahey, Vaugier, Vivis Colombetti), fall flat.

Story’s situations don’t invite viewer involvement, either. After the hysterical post-trance warning of storefront fortuneteller Madame Cleo (Colombetti) to Sarah — “Leave San Francisco before you get killed!” — the fleeing protag finds time for that age-old victim’s mistake and does a little sleuthing in the villain’s apartment. By then, auds probably won’t care whether she gets out alive.

Merrick and d.p. David Scardina do, however, offer some nice visuals in the picturesque S.F. locations, particularly during the silly climactic sequence by the Golden Gate Bridge. Musical soundtrack is intermittently effective.

The Sculptress

Production: A Phaedra Cinema release of a Plus Entertainment presentation of a D&S Screen Prods. production. Produced by Tony DiDio. Executive producer, Denis Shusterman. Directed, written by Ian Merrick.

Crew: Camera (color), David Scardina; editor, Jeffery Stephens; music, Tim Jones; music supervisor, Andrew Rosenthal; production designer, Don Day; art director, Doug Freeman; set decorator, Dee Jour; costume designer, Marianna Astrom de Fina; sound, David Silberberg; supervising sound editors, Roy Braverman, Timothy J. Borquez; lead sculptor, Sean House; special effects makeup, Jeff Farley; assistant director, Curran Engel; casting, Erica Arvold, Mia Levinson. Reviewed on videocassette, L.A., Oct. 25, 2000. MPAA Rating: R. Running time: 101 MIN.

With: Matthew Dobie - Jeff Fahey Professor Giraud - Patrick Bauchau Sarah - Katie Wright Sylvie - Emmanuelle Vaugier Chris - Allen Cutler Madame Cleo - Vivis ColombettiWith: Miriam Babin, Katriona Browne, Johanna Falls, Bridget Nelson, Stone Man.

More Film

  • Under The Silverlake

    MUBI Acquires ‘Under the Silver Lake’ for the U.K.

    Attempting to etch an atmospheric tale of possession in the big city, writer-helmer Ian Merrick makes the usual would-be-thriller missteps in “The Sculptress.” Overlong San Francisco-set indie, while good to look at, is devoid of psychological depth or credibility, and further marred by weak, often risible performances. Opening today in limited release, pic won’t carve […]

  • Jon M. Chu, Director, Constance Wu,

    Jon M. Chu on Directing 'Crazy Rich Asians' Sequel: 'We Still Have to Close My Deal on It'

    Attempting to etch an atmospheric tale of possession in the big city, writer-helmer Ian Merrick makes the usual would-be-thriller missteps in “The Sculptress.” Overlong San Francisco-set indie, while good to look at, is devoid of psychological depth or credibility, and further marred by weak, often risible performances. Opening today in limited release, pic won’t carve […]

  • 'Midnight Runner' Review: A Topical, Unnerving

    San Sebastián Film Review: 'Midnight Runner'

    Attempting to etch an atmospheric tale of possession in the big city, writer-helmer Ian Merrick makes the usual would-be-thriller missteps in “The Sculptress.” Overlong San Francisco-set indie, while good to look at, is devoid of psychological depth or credibility, and further marred by weak, often risible performances. Opening today in limited release, pic won’t carve […]

  • 'Operation Red Sea' Floated as Hong

    'Operation Red Sea' Floated as Hong Kong's Oscar Contender

    Attempting to etch an atmospheric tale of possession in the big city, writer-helmer Ian Merrick makes the usual would-be-thriller missteps in “The Sculptress.” Overlong San Francisco-set indie, while good to look at, is devoid of psychological depth or credibility, and further marred by weak, often risible performances. Opening today in limited release, pic won’t carve […]

  • Parity pledge 2018

    San Sebastian Festival Signs Gender Parity Pledge

    Attempting to etch an atmospheric tale of possession in the big city, writer-helmer Ian Merrick makes the usual would-be-thriller missteps in “The Sculptress.” Overlong San Francisco-set indie, while good to look at, is devoid of psychological depth or credibility, and further marred by weak, often risible performances. Opening today in limited release, pic won’t carve […]

  • Danny DeVito'Donostia Award' photocall, 66th San

    Danny DeVito Receives San Sebastian Donostia Award

    Attempting to etch an atmospheric tale of possession in the big city, writer-helmer Ian Merrick makes the usual would-be-thriller missteps in “The Sculptress.” Overlong San Francisco-set indie, while good to look at, is devoid of psychological depth or credibility, and further marred by weak, often risible performances. Opening today in limited release, pic won’t carve […]

  • M-appeal Closes Sales On Pair of

    M-appeal Closes Sales on Pair of San Sebastian Titles (EXCLUSIVE)

    Attempting to etch an atmospheric tale of possession in the big city, writer-helmer Ian Merrick makes the usual would-be-thriller missteps in “The Sculptress.” Overlong San Francisco-set indie, while good to look at, is devoid of psychological depth or credibility, and further marred by weak, often risible performances. Opening today in limited release, pic won’t carve […]

More From Our Brands

Access exclusive content