Gostanza da Libbiano

Venice and Locarno fest favorite Paolo Benvenuti returns with another slab of rigorous historical documentation in "Gostanza da Libbiano," shot in black and white and based on the original trial records of the eponymous, 60-year-old Tuscan nun accused of witchcraft in 1594. A total yawner for the unconverted, film makes no cinematic virtue of its stylistic rigor and makes Benvenuti's previous effort, "Tiburzi" (about hunted bandits), look almost mainstream.

Venice and Locarno fest favorite Paolo Benvenuti returns with another slab of rigorous historical documentation in “Gostanza da Libbiano,” shot in black and white and based on the original trial records of the eponymous, 60-year-old Tuscan nun accused of witchcraft in 1594. A total yawner for the unconverted, film makes no cinematic virtue of its stylistic rigor and makes Benvenuti’s previous effort, “Tiburzi” (about hunted bandits), look almost mainstream.

Pic completes a “trilogy of identity” begun with “The Kiss of Judas” (1988) and continued with “Confortorio” (1992). Gostanza (played with equanimity by Lucia Poli) is confronted, strung up, imprisoned and interrogated by church representatives of varying callousness — all shot with a cool distance and deliberate objectivity. “Adopting a feminine quality — that of welcoming rather than penetrating — I allowed myself to be carried, with complete trust, by my sensibility,” says Benvenuti in pic’s press material. Ecco.

Gostanza da Libbiano

Italy

Production: An Arsenali Medicei production. (International sales: Arsenali Medicei, Pisa.) Produced by Giovanni Carratori.

Crew: Directed by Paolo Benvenuti. Screenplay, Stefano Bacci, Benvenuti, Mario Cereghino. Camera (B&W), Aldo Di Marcantonio; editor, Cesar Meneghetti; art director, Paolo Barbi; costume designer, Marta Scarlatti. Reviewed at Locarno Film Festival (competing), Aug. 5, 2000. Running time: 93 MIN.

With: With: Lucia Poli, Valentino Davanzati, Renzo Cerrato, Paolo Spaziani, Lele Biagi, Nadia Capocchini, Teresa Soldaini.

More Film

  • Leung Chiu-wai

    Tony Leung Breaks With Wong Kar-wai’s Jettone (Reports)

    Venice and Locarno fest favorite Paolo Benvenuti returns with another slab of rigorous historical documentation in “Gostanza da Libbiano,” shot in black and white and based on the original trial records of the eponymous, 60-year-old Tuscan nun accused of witchcraft in 1594. A total yawner for the unconverted, film makes no cinematic virtue of its […]

  • No Merchandising. Editorial Use Only. No

    ‘Jurassic World’ Holds off ‘Incredibles 2’ in China

    Venice and Locarno fest favorite Paolo Benvenuti returns with another slab of rigorous historical documentation in “Gostanza da Libbiano,” shot in black and white and based on the original trial records of the eponymous, 60-year-old Tuscan nun accused of witchcraft in 1594. A total yawner for the unconverted, film makes no cinematic virtue of its […]

  • shanghai skyline China Placeholder

    Regulators Keep Chinese Film Industry in Suspense

    Venice and Locarno fest favorite Paolo Benvenuti returns with another slab of rigorous historical documentation in “Gostanza da Libbiano,” shot in black and white and based on the original trial records of the eponymous, 60-year-old Tuscan nun accused of witchcraft in 1594. A total yawner for the unconverted, film makes no cinematic virtue of its […]

  • Matt Damon Boston Marathon documentary

    Matt Damon-Christian Bale's Ford vs. Ferrari Movie Set for Summer 2019

    Venice and Locarno fest favorite Paolo Benvenuti returns with another slab of rigorous historical documentation in “Gostanza da Libbiano,” shot in black and white and based on the original trial records of the eponymous, 60-year-old Tuscan nun accused of witchcraft in 1594. A total yawner for the unconverted, film makes no cinematic virtue of its […]

  • Shia LaBeouf Toronto Film Festival

    Film News Roundup: Shia LaBeouf to Star in David Ayer's Thriller 'Tax Collector'

    Venice and Locarno fest favorite Paolo Benvenuti returns with another slab of rigorous historical documentation in “Gostanza da Libbiano,” shot in black and white and based on the original trial records of the eponymous, 60-year-old Tuscan nun accused of witchcraft in 1594. A total yawner for the unconverted, film makes no cinematic virtue of its […]

  • Benicio Del Toro Sicario 2

    'Sicario: Day of the Soldado' Reviews: What the Critics Are Saying

    Venice and Locarno fest favorite Paolo Benvenuti returns with another slab of rigorous historical documentation in “Gostanza da Libbiano,” shot in black and white and based on the original trial records of the eponymous, 60-year-old Tuscan nun accused of witchcraft in 1594. A total yawner for the unconverted, film makes no cinematic virtue of its […]

  • Silk movie

    Spider-Man's 'Silk,' a Korean-American Superhero, Gets Her Own Movie

    Venice and Locarno fest favorite Paolo Benvenuti returns with another slab of rigorous historical documentation in “Gostanza da Libbiano,” shot in black and white and based on the original trial records of the eponymous, 60-year-old Tuscan nun accused of witchcraft in 1594. A total yawner for the unconverted, film makes no cinematic virtue of its […]

More From Our Brands

Access exclusive content