You will be redirected back to your article in seconds

First Light of Dawn

Commercial prospects are dim for Lucio Gaudino's "First Light of Dawn," a fitfully involving but tediously protracted drama about the reunion of two long-estranged brothers after their parents are killed for defying Mafia extortionists. Playing against expectations raised by the high-concept premise, Gaudino and scripter Nicola Molino mine the setup for subtle revelations of character, not bloody gestures of revenge.

With:
With: Gianmarco Tognazzi, Francesco Giuffrida, Laura Morante, Roberto Nobile.

Commercial prospects are dim for Lucio Gaudino’s “First Light of Dawn,” a fitfully involving but tediously protracted drama about the reunion of two long-estranged brothers after their parents are killed for defying Mafia extortionists. Playing against expectations raised by the high-concept premise, Gaudino and scripter Nicola Molino mine the setup for subtle revelations of character, not bloody gestures of revenge. But despite the persuasive lead performances, “Dawn” fails to sustain any narrative momentum, and refuses to provide a satisfying payoff. Instead of ending, pic simply stops.

Belatedly learning of his parents’ deaths, Edo (Gianmarco Tognazzi), a successful engineer in northern Italy, makes a rare visit to the family’s hometown in Sicily. He seeks a reconciliation with Saro (Francesco Giuffrida), his younger, wheelchair-bound brother, who resents Edo for staying away so long. Early on, it’s made clear that, although Saro knows who pulled the trigger, neither brother is likely to seek retribution. Instead, siblings spend a great deal of time talking — sometimes nostalgically, sometimes argumentatively — about the pros and cons of living in a beautiful little hamlet where, unfortunately, Mafia killings are commonplace.

First Light of Dawn

Italy

Production: A Caviar Produzioni production. (International sales: Intra Films.) Produced by Andrea De Liberato, Antonio Fusco. Directed by Lucio Gaudino. Screenplay, Nicola Molino.

Crew: Camera (color), Felice de Maria; editor, Patrizio Marone; music, Andrea Guerra; art director, Alfonso Rastelli; costume designer, Nicoletta Taranta. Reviewed at Berlin Film Festival (competing), Feb. 17, 2000. (Also in Cannes Film Festival — market.) Original title: Prime Luci Del'Alba. Running time: 86 MIN.

With: With: Gianmarco Tognazzi, Francesco Giuffrida, Laura Morante, Roberto Nobile.

More Film

  • avengers infinity war

    Germany Expands Rebate System for VFX Sector

    Commercial prospects are dim for Lucio Gaudino’s “First Light of Dawn,” a fitfully involving but tediously protracted drama about the reunion of two long-estranged brothers after their parents are killed for defying Mafia extortionists. Playing against expectations raised by the high-concept premise, Gaudino and scripter Nicola Molino mine the setup for subtle revelations of character, […]

  • Jamie Lee Curtis'Halloween' film premiere, Los

    Jamie Lee Curtis on the Power of 'Halloween's' #MeToo Context: It Relieves 'A Little Bit of That Trauma'

    Commercial prospects are dim for Lucio Gaudino’s “First Light of Dawn,” a fitfully involving but tediously protracted drama about the reunion of two long-estranged brothers after their parents are killed for defying Mafia extortionists. Playing against expectations raised by the high-concept premise, Gaudino and scripter Nicola Molino mine the setup for subtle revelations of character, […]

  • Nigerian Prince

    Film Review: 'Nigerian Prince'

    Commercial prospects are dim for Lucio Gaudino’s “First Light of Dawn,” a fitfully involving but tediously protracted drama about the reunion of two long-estranged brothers after their parents are killed for defying Mafia extortionists. Playing against expectations raised by the high-concept premise, Gaudino and scripter Nicola Molino mine the setup for subtle revelations of character, […]

  • Jason Blum'Halloween' film premiere, Los Angeles,

    Jason Blum Says He's Meeting With Women Directors After Claiming 'There Aren't A Lot' (Watch)

    Commercial prospects are dim for Lucio Gaudino’s “First Light of Dawn,” a fitfully involving but tediously protracted drama about the reunion of two long-estranged brothers after their parents are killed for defying Mafia extortionists. Playing against expectations raised by the high-concept premise, Gaudino and scripter Nicola Molino mine the setup for subtle revelations of character, […]

  • Director Mamoru Hosoda'Wolf Children' Press Conference,

    'Mirai' Filmmaker Mamoru Hosoda on Family, Imagination and Academy Invite

    Commercial prospects are dim for Lucio Gaudino’s “First Light of Dawn,” a fitfully involving but tediously protracted drama about the reunion of two long-estranged brothers after their parents are killed for defying Mafia extortionists. Playing against expectations raised by the high-concept premise, Gaudino and scripter Nicola Molino mine the setup for subtle revelations of character, […]

  • High Voltage

    Film Review: 'High Voltage'

    Commercial prospects are dim for Lucio Gaudino’s “First Light of Dawn,” a fitfully involving but tediously protracted drama about the reunion of two long-estranged brothers after their parents are killed for defying Mafia extortionists. Playing against expectations raised by the high-concept premise, Gaudino and scripter Nicola Molino mine the setup for subtle revelations of character, […]

  • Restoring Tomorrow

    Film Review: 'Restoring Tomorrow'

    Commercial prospects are dim for Lucio Gaudino’s “First Light of Dawn,” a fitfully involving but tediously protracted drama about the reunion of two long-estranged brothers after their parents are killed for defying Mafia extortionists. Playing against expectations raised by the high-concept premise, Gaudino and scripter Nicola Molino mine the setup for subtle revelations of character, […]

More From Our Brands

Access exclusive content