×
You will be redirected back to your article in seconds

Sound editors shout Golden Reel noms

Awards on sked for March 20

Motion Picture Sound Editors has announced the final nominees for its 46th anniversary Golden Reel Awards, which recognize excellence in sound editing in 16 motion picture, television, video and student film categories.

The winners will be announced at the MPSE Golden Reel Awards Banquet on March 20 at the Century Plaza Hotel.

The nominees are:

Best sound editing in episodic television, effects and foley: “ER,” “Fantasy Island,” “Hercules — The Legendary Journeys,” “Honey, I Shrunk the Kids,” “JAG,” “Millennium,” “The Pretender,” “Profiler,” “Soldier of Fortune, Inc.” and “Xena — Warrior Princess.”

Sound editing in episodic television, dialogue and ADR: “Buffy the Vampire Slayer,” “ER,” “Gene Roddenberry’s Earth — Final Conflict,” “Hercules — The Legendary Journeys,” “Nash Bridges,” “Xena — Warrior Princess” and “The X-Files.”

Music editing in episodic television: “Ally McBeal,” “Brimstone,” “Buffy the Vampire Slayer,” “The Drew Carey Show,” “Fame LA,” “Hercules — The Legendary Journeys,” “Xena — Warrior Princess” and “The X-Files.”

Sound editing in television movie of the week, effects and foley: “American Tempest,” “Blade Squad,” “Glory and Honor,” “Houdini,” “The Informant,” “My Own Country,” “The Planet of Junior Brown,” “Thanks of a Grateful Nation” and “When Trumpets Fade.”

Sound editing in television movie of the week, dialogue and ADR: “Always Outnumbered,” “Escape — Human Cargo,” “The Fixer,” “Max Q — Emergency Landing,” “My Own Country,” “The Planet of Junior Brown,” “A Soldier’s Sweetheart” and “When Trumpets Fade.”

Music editing in a television movie of the week: “The Christmas Week,” “The Informant,” “My Own Country,” “The Planet of Junior Brown,” “The Rat Pack,” “Saint Maybe,” “Thanks of a Grateful Nation” and “The Wall.”

Sound editing in a television mini-series, effects and foley: “From the Earth to the Moon,” “Hornblower,” “Peter Benchley’s Creature” and “The Temptations.”

Sound editing in a television mini-series, dialogue and ADR: “From the Earth to the Moon,” “Mama Flora’s Family,” “Peter Benchley’s Creature,” “The Temptations” and “A Will of Their Own.”

Music editing in a television miniseries: “Mama Flora’s Family,” “The Temptations,” “20,000 Leagues Under the Sea” and “A Will of Their Own.”

Sound editing, television animation: “Cow and Chicken,” “Invasion America,” “Men in Black,” “Oh Yeah ‘Fat Head,’ ” “Oh Yeah ‘F Tales,’ ” “Robocop,” “Spawn” and “Voltron — The Third Dimension.”

Music editing, television animation: “Action League Now/Kablam,” “Cow and Chicken,” “Hercules ‘Twilight of the Gods,’ ” “Hey Arnold,” “Invasion America,” “The Simpsons,” “Toonsylvania ‘Doom With a View’ ” and “Toonsylvania ‘My Fair Monster.’ ”

Sound editing, direct to video: “Adventures in Odyssey — A Stranger Among Us,” “Batman — Sub Zero,” “Belle’s Magical World,” “Brave Little Toaster Goes to Mars,” “Dennis the Menace Strikes Again,” “Scooby Doo on Zombie Island” and “Young Hercules.”

Music editing in a feature film: “American History X,” “Armageddon,” “Bulworth,” “The Butcher Boy,” “The Horse Whisperer,” “Saving Private Ryan,” “The Thin Red Line” and “Waking Ned Divine.”

Music editing in a musical feature film: “Blues Brothers 2000,” “Dance With Me,” “Hilary and Jackie,” “Little Voice,” “Still Crazy,” “Tango,” “Velvet Goldmine” and “The Wedding Singer.”

Music editing in an animated feature film: “Antz,” “A Bug’s Life,” “Mulan” and “Prince of Egypt.”

Verna Fields Award for best sound editing in a student film: “The Church of High Weirdness” (National Film and Television School, Great Britain); “Preoccupied” (Australian Film, TV and Radio School); “Sway” (USC); and “Who Killed Roland Mosh?” (Australian Film, TV and Radio School).

More Film

  • Aquaman 2018

    'Aquaman' Crosses $250 Million at Foreign Box Office

    Things are going swimmingly at the box office for “Aquaman” as the Warner Bros.’ superhero flick hits another major milestone overseas. James Wan’s take on the ruler of the seven seas just passed $250 million internationally, and a weekend haul of $126.4 million from 43 territories brings its foreign tally to $261.3 million. “Aquaman” — [...]

  • Mortal Engines

    'Mortal Engines' to Lose More Than $100 Million at Box Office

    “Mortal Engines,” a steampunk fantasy adventure, is also an epic flop. With a budget of just over $100 million and tens of millions in global marketing costs, executives at rival studios estimate that the movie will lose upwards of $100 million. Some even project that number could float to more than $125 million. “Mortal Engines” [...]

  • Thierry Frémaux, José Luis Rebordinos Honored

    Thierry Frémaux, José Luis Rebordinos Named Honorary Argentine Academy Members

    BUENOS AIRES — In a ceremony just before Friday’s prize announcements at Ventana Sur, Cannes chief Thierry Frémaux and José Luis Rebordinos, director of the San Sebastian Festival, were named honorary members of Argentina’s Academy of Motion Picture Arts and Sciences, in a new move for the Academy, out through by its new president, Bernardo [...]

  • Nona

    Film Review: 'Nona'

    Twenty years and 12 features down the line, it’s still hard to peg the directorial sensibility of Michael Polish, with or without the presence of brother Mark as frequent co-writer and actor. His output has been all over the place, from early Lynchian quirkfests to the very middle-of-the-road inspirational dramedy “The Astronaut Farmer,” not to [...]

  • Pawel Pawlikowski "Cold War"

    Pawel Pawlikowski's 'Cold War' Wins for Best Film, Director at European Film Awards

    “Cold War,” Pawel Pawlikowski’s black-and-white romance set in the 1950s, scooped the prizes for best film, director and screenplay at the 31st edition of the European Film Awards on Saturday. “Cold War” star Joanna Kulig also won the award for best actress. Marcello Fonte, the star of Matteo Garrone’s “Dogman,” won for best actor. Armando Iannucci’s [...]

  • The Favourite Bohemian Rapsody Star is

    The Best Movie Scenes of 2018

    When we think back on a movie that transported us, we often focus on a great scene — or maybe the greatest scene — in it. It’s natural. Those scenes are more than just defining. They can be the moment that lifts a movie into the stratosphere, that takes it to the higher reaches of [...]

More From Our Brands

Access exclusive content