Harlem Duet

An ambitiously complex and satisfying work about interracial marriage, ghettos and the whitening of black history and culture, Djanet Sears' "Harlem Duet" is a mature work mining for old answers in a new quarry. No polemic or political lecture, the play uses the greatest of literary giants to crack open fresh revelations: On its simplest level, "Duet" tells the deeply disturbing and moving story of Othello's first wife, Billie, the woman (as told by Sears) whom Shakespeare's warrior left behind as his star ascended. Recently workshopped Off Broadway at the Joseph Papp Public Theater and then brought to Toronto's Nightwood Theater for its premiere, "Harlem Duet" is an audacious idea, blending fictions as backdrop to an examination of slavery, racism and segregation. Othello and Billie play out their tragedy in scenes throughout history, first as the unwritten subtext to Shakespeare's play, then in the cotton fields of the Old South, in 1920s Harlem and, finally, in the present. The cycle of action and reaction remains the same, as Othello gropes toward assimilation, in the process violating everything Billie holds dear.

With:
Cast: Barbara Barnes Hopkins (Magi), Jeff Jones (Canada), Dawn Roach (Amah), Alison Sealy Smith (Billie), Nigel Shawn Williams (Othello).

Sears (who also directs) has written a story unique to the black experience, but with a universality in the agonizing questions asked by all marginalized cultures. On a platform set surrounded by cottonfields, Sears’ intimate drama of two ordinary lives takes on symbolic value, with scenes connected by recorded speeches highlighting the conflicting philosophies of Martin Luther King and Malcolm X. There are many threads woven into the harsh cloth of “Harlem Duet.”

Harlem Duet

TORONTO

Production: A Nightwood Theater presentation of a play in two acts, written and directed by Djanet Sears. Sets and costumes, Teresa Przybylski

Creative: Lighting, Lesley Wilkinson; music composition and arrangement, Lionel Williams; sound, Allen Booth. Opened April 24, 1997, at Tarragon Extra Space. Reviewed April 25; 95 seats; C$16 ($11) top. Running time: 2 HOURS, 30 MIN.

Cast: Cast: Barbara Barnes Hopkins (Magi), Jeff Jones (Canada), Dawn Roach (Amah), Alison Sealy Smith (Billie), Nigel Shawn Williams (Othello).

More Legit

  • Allelujah! review

    London Theater Review: 'Allelujah!' by Alan Bennett

    Sears (who also directs) has written a story unique to the black experience, but with a universality in the agonizing questions asked by all marginalized cultures. On a platform set surrounded by cottonfields, Sears’ intimate drama of two ordinary lives takes on symbolic value, with scenes connected by recorded speeches highlighting the conflicting philosophies of […]

  • A Monster Calls review

    London Theater Review: 'A Monster Calls'

    Sears (who also directs) has written a story unique to the black experience, but with a universality in the agonizing questions asked by all marginalized cultures. On a platform set surrounded by cottonfields, Sears’ intimate drama of two ordinary lives takes on symbolic value, with scenes connected by recorded speeches highlighting the conflicting philosophies of […]

  • Sisterhood of the Traveling Pants

    'Sisterhood of the Traveling Pants' Stage Musical in the Works

    Sears (who also directs) has written a story unique to the black experience, but with a universality in the agonizing questions asked by all marginalized cultures. On a platform set surrounded by cottonfields, Sears’ intimate drama of two ordinary lives takes on symbolic value, with scenes connected by recorded speeches highlighting the conflicting philosophies of […]

  • Joe Morton

    Joe Morton, Daphne Rubin-Vega Among Rebel Verses Guest Performers (EXCLUSIVE)

    Sears (who also directs) has written a story unique to the black experience, but with a universality in the agonizing questions asked by all marginalized cultures. On a platform set surrounded by cottonfields, Sears’ intimate drama of two ordinary lives takes on symbolic value, with scenes connected by recorded speeches highlighting the conflicting philosophies of […]

  • The Lehman Trilogy review

    London Theater Review: 'The Lehman Trilogy,' Directed by Sam Mendes

    Sears (who also directs) has written a story unique to the black experience, but with a universality in the agonizing questions asked by all marginalized cultures. On a platform set surrounded by cottonfields, Sears’ intimate drama of two ordinary lives takes on symbolic value, with scenes connected by recorded speeches highlighting the conflicting philosophies of […]

  • elizabeth perkins First Time in Variety

    Elizabeth Perkins on Her Early Film, Stage Roles

    Sears (who also directs) has written a story unique to the black experience, but with a universality in the agonizing questions asked by all marginalized cultures. On a platform set surrounded by cottonfields, Sears’ intimate drama of two ordinary lives takes on symbolic value, with scenes connected by recorded speeches highlighting the conflicting philosophies of […]

  • 'Mary Page Marlowe' Review: Tatiana Maslany

    Off Broadway Review: 'Mary Page Marlowe'

    Sears (who also directs) has written a story unique to the black experience, but with a universality in the agonizing questions asked by all marginalized cultures. On a platform set surrounded by cottonfields, Sears’ intimate drama of two ordinary lives takes on symbolic value, with scenes connected by recorded speeches highlighting the conflicting philosophies of […]

More From Our Brands

Access exclusive content