×
You will be redirected back to your article in seconds

Sydney

Four excellent lead performances, vividly evoked ambience and a masterfully sustained mood of quiet desperation mark pic as an impressive piece of work. Despite a couple of plot twists that strain credibility, debut feature by writer-director Paul Thomas Anderson has definite sleeper potential, but will need careful handling.

With:
Sydney ...Philip Baker Hall John ... John C. Reilly Clementine ... Gwyneth Paltrow Jimmy ... Samuel L. Jackson

Four excellent lead performances, vividly evoked ambience and a masterfully sustained mood of quiet desperation mark “Sydney” as an impressive piece of work. Despite a couple of plot twists that strain credibility, debut feature by writer-director Paul Thomas Anderson likely will generate favorable critical response. Pic has definite sleeper potential, but will need careful handling.

Drama begins with John (John C. Reilly), tapped out after an unlucky run at the Reno gambling tables, broke and shivering outside a roadside diner. A courtly stranger, Sydney (Philip Baker Hall), happens by, brings the poor wretch to his feet and takes him inside for a cup of coffee.

Sydney slowly gains the younger man’s confidence and offers to take him on as a protege. Despite his initial wariness, John is in no position to refuse the offer. They return to Reno, where Sydney, sounding at once paternal and cryptic, teaches John how to look and behave like a high roller. The lessons have an immediate payoff: John is offered a free hotel room by the casino management.

Two years pass, and John has proven to be an attentive student. The two men have developed a kind of father-son relationship, with the older man occasionally checking his protege’s excesses. Sydney disapproves of John’s friendship with Jimmy (Samuel L. Jackson), a vulgar and boisterous Reno regular. But he is sympathetically supportive of John’s infatuation with Clementine (Gwyneth Paltrow), a cocktail waitress with a serious self-esteem problem. When Sydney learns the woman moonlights as a hooker, he promises her that he won’t tell John.

Unfortunately, just a few hours after she and John are joined in a quickie marriage, Clementine picks up a customer in a casino bar, which leads to complications involving all four main characters.

Anderson makes the most of an obviously limited budget, and does a skillful job of conveying the tawdry, open-all-hours atmosphere of Reno’s casinos and restaurants. In this, he gets great help from the fluid cinematography of Robert Elswit, who manages a few quietly dazzling and dramatically effective tracking shots.

Despite the busy Reno backdrop, however, “Sydney” is basically a chamber drama, an anxiously claustrophobic four-hander that focuses almost exclusively on Hall, Reilly, Paltrow and Jackson. There is a hint of David Mamet in some of the edgy dialogue, especially in the confrontations between Sydney and Jimmy.

Anderson does his film a disservice two-thirds of the way through by introducing an “explanation” for Sydney’s paternal interest in John. Less damaging, but equally contrived, is a final scene that is too self-consciously ironic.

Hall, heretofore best known as the Nixon of Robert Altman’s “Secret Honor,” plays the title role with grave dignity and sad-eyed melancholy. His performance is nothing short of mesmerizing. Better still, Hall projects just enough authority and strength to make Sydney’s behavior in pic’s final third believable.

As John, a dim bulb who nonetheless is a basically decent fellow, Reilly is affecting and sympathetic. Paltrow deftly maneuvers through Clementine’s sudden mood swings, and is heartbreaking as she conveys the woman’s chronic self-destructiveness. Jackson steals every scene that isn’t nailed down with a performance that occasionally recalls the flamboyant menace of his “Pulp Fiction” portrayal.

Given its setting in a gambling mecca, “Sydney” doubtless will face many comparisons to “Leaving Las Vegas.” Taken on its own terms, though, this is an engrossing drama that, despite some narrative flaws, should satisfy venturesome audiences with a taste for indie fare.

Popular on Variety

Sydney

Production: A Samuel Goldwyn Co. release. Produced by Robert Jones, John Lyons. Executive producers, Hans Brockman, Francois Duplat. Co-producer, Daniel Lupi. Directed, written by Paul Thomas Anderson.

Crew: Camera (color), Robert Elswit; editor, Barbara Tulliver; production design, Nancy Deren; costumes, Mark Bridges; casting, Christine Sheaks. Reviewed at Sundance Film Festival (American Spectrum), Jan. 20, 1996. Running time: 96 MIN.

With: Sydney ...Philip Baker Hall John ... John C. Reilly Clementine ... Gwyneth Paltrow Jimmy ... Samuel L. Jackson

More Film

  • "Jade Dynasty" in front at the

    China Box Office: 'Jade Dynasty' in Front Ahead of Mixed Competition

    With “Jade Dynasty” out front, Chinese action and Asian animation films led the way at the China box office over the past weekend, while the few American titles in play have failed to attract many moviegoers. Chinese action fantasy “Jade Dynasty” led the weekend box office in its debut with $38.1 million, figures from consultancy [...]

  • The Painted Bird

    Venice Competition Film 'The Painted Bird' Is Czech Entry in Oscar Race

    Václav Marhoul’s “The Painted Bird,” which world premiered at the Venice Film Festival in the main competition and also played at the Toronto Film Festival in Special Presentations, has been selected as the Czech Republic’s entry for the 92nd Academy Awards in the international feature film category. The pic follows the journey of an unnamed [...]

  • Pakistan Picks Freshman Effort 'Laal Kabootar'

    Pakistan Picks Freshman Effort 'Laal Kabootar' as Its Oscar Entry

    Pakistan’s Academy Selection Committee has chosen “Laal Kabootar” as its candidate for the Oscars’ international feature film category. Directed by first-time helmer Kamal Khan, the gangland thriller set in Karachi’s underbelly follows the events that transpire when a woman in search of her husband’s killer is thrown together with a cab driver and petty criminal [...]

  • Atlantis

    Toronto Film Review: 'Atlantis'

    “It took you 10 years to cleanse this region of Soviet propaganda and myths,” says one character to another in “Atlantis,” going on to suggest that the devastation now left behind may never be “cleansed” at all. A strikingly bleak vision of a near future in which Ukraine has won its war with Russia but [...]

  • Beyonce Knowles'The Lion King' film premiere,

    ABC Announces Behind-the-Scenes Special for Beyoncé's 'Lion King' LP

    ABC has announced a new behind-the-scenes look into the making of Beyoncé’s “The Lion King: The Gift” LP, which is set to air September 16 on ABC at 10 p.m. EST. Titled “Beyoncé Presents: Making the Gift,” the new hour-long special will allow viewers to “experience the process” behind the “Lion King” companion album, according [...]

  • Jason Lei Howden, Samara Weaving and

    Daniel Radcliffe On Acting With Weapons Nailed To Your Hands

    How did “Guns Akimbo” director and writer Jason Lei Howden convince Daniel Radcliffe to play a character with guns nailed to his hands? Easy, he sent him the script. Radcliffe joined Howden and “Ready or Not’s” breakout star Samara Weaving in the Variety’s Toronto Film Festival studio, presented by AT&T to talk the limits of [...]

  • Box Office: It Chapter Two Maintains

    Box Office: 'It: Chapter Two' Continues International Reign With $47 Million

    Pennywise’s reign of terror hasn’t wavered: Warner Bros.’ “It Chapter Two” maintained first place on box office charts, led by another strong showing overseas. The sequel, based on Stephen King’s horror novel, generated another $47 million at the international box office for a foreign tally of $169 million. After two weeks of release, “It Chapter [...]

More From Our Brands

Access exclusive content