×
You will be redirected back to your article in seconds

My Family/Mi Familia

Corny but good-hearted, "My Family/Mi Familia" is a sweeping portrait of the growth of the Latino community in L.A. as represented by the large Sanchez clan. Colorfully melodramatic and shamelessly predictable, Gregory Nava's ambitious historical saga will please critics and arthouse viewers, who likely will be drawn in by the multitude of soap opera-ish calamities, emotional farewells and life-affirming philosophy.

With:
Jimmy Sanchez - Jimmy Smits
Chucho - Esai Morales
Jose Sanchez - Eduardo Lopez Rojas
Maria Sanchez - Jenny Gago
Isabel Magana - Elpidia Carrillo
Irene Sanchez - Lupe Ontiveros
Young Jose Sanchez - Jacob Vargas
Young Maria - Jennifer Lopez
Young Irene Sanchez - Maria Canals
El Californio - Leon Singer
Butch Mejia - Michael De Lorenzo
Young Jimmy - Jonathan Hernandez
Toni Sanchez - Constance Marie
Paco - Edward James Olmos
Memo Sanchez - Enrique Castillo
David Ronconi - Scott Bakula
(English and Spanish dialogue)

Corny but good-hearted, “My Family/Mi Familia” is a sweeping picture-book portrait of the growth of the Latino community in L.A. as represented by the large Sanchez clan. Colorfully melodramatic, shamelessly predictable and generous inspirit, Gregory Nava’s ambitious historical saga will please critics and arthouse viewers less than more general audiences, who likely will be drawn in by the multitude of soap opera-ish calamities, family gatherings, fateful decisions, emotional farewells and reunions and life-affirming philosophy. Latino viewers should turn out in substantial numbers and crossover potential looks good for this New Line release.

A fine cast ably embodies two significant generations of the Sanchez family, which is presented as typically representing a cross-section of people who came from Mexico to Southern California decades ago in search of greater opportunity and have found the experience a mixed but ultimately rewarding process.

Narrated fulsomely by Edward James Olmos as a writer living in present-day Los Angeles, tale begins in Mexico during revolutionary times. Jose Sanchez (played first by Jacob Vargas, later by Eduardo Lopez Rojas) decides the grass looks greener to the north and takes a year making his way to East L.A.

In short order, Jose marries the lovely Maria (Jennifer Lopez, Jenny Gago) and they have two daughters. Then, during the depths of the Depression, INS authorities sweep through the Latino community rounding up illegals and citizens alike and send them back to Mexico. Unfortunately, the pregnant Maria is caught up in this net, which spurs a major sequence straight out of a silent melodrama.

Maria, babe in arms, courageously marches back toward the United States. She takes a rickety raft across a turbulent river and is swept away by the current. Maria and the infant look like goners, but providence is looking out for them, occasioning their miraculous survival and a gushing family reunion in L.A.

Little Chucho, however, grows into one “bad pachuco,” the troublemaker of the family. At the 25-minute point, pic jumps ahead to the late ’50s.

After this 35-minute chapter, film leaps ahead another 20 years. Jimmy (Jimmy Smits) is now an angry young man just released from prison, while nun Toni (Constance Marie) returns from Central America to shock her parents with the news that she has left her order and has married a former priest (Scott Bakula), who also happens to be a gringo.

Through it all, Jose and Maria, with their heritage grounded in the old country, remain conscious of their roots, while the kids run off in all directions.

Tale is recounted in broad strokes, bright colors and with a great heart, which puts it over.

Nava, lenser Edward Lachman, production designer Barry Robison and costume designer Tracy Tynan have collaborated to give the film an exceedingly rich, tapestrylike look.

Performances are fine and writ large.

My Family/Mi Familia

Production: A New Line Cinema release of a Francis Ford Coppola presentation in association with Majestic Films and American Playhouse Theatrical Films of an American Zoetrope-Anna Thomas-Newcomm production. Produced by Anna Thomas. Executive producers, Coppola, Guy East, Tom Luddy. Directed by Gregory Nava. Screenplay, Nava, Thomas, based on a story by Nava.

Crew: Camera (color), Edward Lachman; editor, Nancy Richardson; folkloric music score, Pepe Avila; orchestral music score, Mark McKenzie; production design, Barry Robison; costume design, Tracy Tynan; line producer, Laura Greenlee; associate producer, Nancy De Los Santos; casting, Janet Hirschenson, Jane Jenkins, Roger Mussenden. Reviewed at Sundance Film Festival, Jan. 27, 1995. Running time: 125 min.

With: Jimmy Sanchez - Jimmy Smits
Chucho - Esai Morales
Jose Sanchez - Eduardo Lopez Rojas
Maria Sanchez - Jenny Gago
Isabel Magana - Elpidia Carrillo
Irene Sanchez - Lupe Ontiveros
Young Jose Sanchez - Jacob Vargas
Young Maria - Jennifer Lopez
Young Irene Sanchez - Maria Canals
El Californio - Leon Singer
Butch Mejia - Michael De Lorenzo
Young Jimmy - Jonathan Hernandez
Toni Sanchez - Constance Marie
Paco - Edward James Olmos
Memo Sanchez - Enrique Castillo
David Ronconi - Scott Bakula
(English and Spanish dialogue)

More Film

  • Glass Movie

    Box Office: 'Glass' Shines Overseas With $48.5 Million Weekend

    After autobots and aquatic kings have dominated foreign markets over the past few weeks, a different kind of hero has risen to the top of box office charts. M. Night Shyamalan’s “Glass” is the new champ overseas, pulling in $48.5 million from international territories. The supernatural thriller, a sequel to 2000’s “Unbreakable” and 2016’s “Split,” debuted [...]

  • Yalitza Aparicio as Cleo, Marco Graf

    'Roma' and 'The Favourite' Lead London Critics' Circle Winners

    After ruling the U.S. critics’ award circuit, “Roma” continued its dominance on the other side of the pond, as the London Film Critics’ Circle announced its winners tonight. A week after landing seven BAFTA nominations, Alfonso Cuarón’s Mexico City memory piece landed film of the year and director of the year honors from the group [...]

  • M. Night Shyamalan Should Stop Writing

    The Big Twist M. Night Shyamalan Needs: He Should Stop Writing His Own Scripts (Column)

    Quick, name the greatest film by each of the following directors: Alfred Hitchcock, Steven Spielberg, David Lean, Robert Altman, Roman Polanski, Kathryn Bigelow, Jonathan Demme. Answers will vary (mine would be: “Psycho,” “Saving Private Ryan,” “Lawrence of Arabia,” “Nashville,” “Chinatown,” “The Hurt Locker,” “The Silence of the Lambs”), but whatever your taste, odds are that [...]

  • Andy Vajna Dead: 'Rambo' Producer and

    Andy Vajna, 'Rambo' Producer, Dies at 74

    Andy Vajna, executive producer of several “Rambo” films as well as “Total Recall” and several “Terminator” movies, died Sunday in Budapest after a long illness. He was 74. The Hungarian National Film Fund confirmed his death, calling him a “dominant figure in the Hungarian and international film industry” who was responsible for the development of [...]

  • Glass trailer

    Box Office: 'Glass' Dominates MLK Weekend With $47 Million

    M. Night Shyamalan’s “Glass” topped box office charts during the Martin Luther King Jr. holiday, collecting $40 million over the weekend for a four-day sum of $47 million. If estimates hold, “Glass” will come in behind “American Sniper” ($107 million) and “Ride Along” ($48 million) as the third-best showing for both January and MLK holiday [...]

  • FICG Names Estrella Araiza As New

    Estrella Araiza To Head Up Guadalajara Intl Film Festival

    The Guadalajara Intl. Film Festival (FICG) has announced that Estrella Araiza, until now the festival’s head of industry and markets and director of the Guadalajara IntL. Film Festival in Los Angeles, has been promoted to the position of general director of the prominent Mexican festival. She replaces Ivan Trujillo, appointed director of TV UNAM. Araiza [...]

  • 'St. Bernard Syndicate' Review: A Quietly

    Film Review: 'St. Bernard Syndicate'

    John C. Reilly and Steve Coogan may have received major award nominations this season for their fine work in “Stan & Ollie,” but there’s arguably a superior Laurel & Hardy tribute act to be found in the droll Danish comedy “St. Bernard Syndicate.” As a pair of bumbling losers who turn an already dubious business [...]

More From Our Brands

Access exclusive content