Le Confessional

The Confessional, the feature debut from Quebec theater whiz Robert Lepage, is exactly the sort of stunning, eye-popping visual and sonic treat that one would expect from this innovative stage helmer.

With:
Lothaire Bluteau Patrick Goyette Jean-Louis Millette Kristin Scott Thomas Ron Burrage Richard Frechette

The Confessional, the feature debut from Quebec theater whiz Robert Lepage, is exactly the sort of stunning, eye-popping visual and sonic treat that one would expect from this innovative stage helmer.

Where this engrossing French-lingo pic falters is at the script level: plot lacks full dramatic development and, in the end, falls short of delivering the emotional depth necessary to move audiences. Still, there is no shortage of stylish highs along the way.

Lepage starts with the intriguing idea of setting story partly in Quebec City in 1952, when Alfred Hitchcock was lensing I Confess there. Pic opens with the sleepy, old-fashioned, picturesque city slowly moving into the modern era, thanks to the introduction of television and its first encounter with Hollywood via the Hitchcock production.

Hitchcock (portrayed by Brit look-alike Ron Burrage) is shown at the local preem of I Confess, and Lepage’s film, which is loosely inspired by the Montgomery Clift starrer, contains several scenes from the Hitchcock original.

Throughout, Lepage keeps viewers on their toes by cutting between events in the early ’50s and 1989, when lead character Pierre Lamontagne (Lothaire Bluteau) returns from China to his native Quebec City for his father’s funeral. At first, Pierre cannot find his adopted brother, Marc (Patrick Goyette). They finally meet in a beautifully shot, dreamy sequence in a gay sauna.

Pic keeps coming back to the making of I Confess as Hitchcock’s assistant (Kristin Scott Thomas) negotiates with local church authorities, arranges auditions for the director and generally fails to communicate adequately with the French-speaking locals.

If there’s a problem with lack of emotional punch, it’s at least partly due to Bluteau, who once again delivers a sullen, doe-eyed performance.

Le Confessional

Canada - UK - France

Production: Cinemaginaire/Enigma/Cinea. Director Robert Lepage; Producer Denise Robert, David Puttnam; Screenplay Robert Lepage; Camera Alain Dostie; Editor Emmanuelle Castro; Music Sacha Puttnam;; Art Director Francois Laplante

Crew: (Color) Available on VHS. Extract of a review from 1995. Running time: 100 MIN.

With: Lothaire Bluteau Patrick Goyette Jean-Louis Millette Kristin Scott Thomas Ron Burrage Richard Frechette

More Film

  • King Cohen review

    Film Review: 'King Cohen'

    The Confessional, the feature debut from Quebec theater whiz Robert Lepage, is exactly the sort of stunning, eye-popping visual and sonic treat that one would expect from this innovative stage helmer. Where this engrossing French-lingo pic falters is at the script level: plot lacks full dramatic development and, in the end, falls short of delivering […]

  • 'The Equalizer 2' Review

    Film Review: Denzel Washington in 'The Equalizer 2'

    The Confessional, the feature debut from Quebec theater whiz Robert Lepage, is exactly the sort of stunning, eye-popping visual and sonic treat that one would expect from this innovative stage helmer. Where this engrossing French-lingo pic falters is at the script level: plot lacks full dramatic development and, in the end, falls short of delivering […]

  • Stan Dragoti 'The Last Boyscout' PremiereDecember

    Stan Dragoti, Director of 'Mr. Mom,' 'Love at First Bite,' Dies at 85

    The Confessional, the feature debut from Quebec theater whiz Robert Lepage, is exactly the sort of stunning, eye-popping visual and sonic treat that one would expect from this innovative stage helmer. Where this engrossing French-lingo pic falters is at the script level: plot lacks full dramatic development and, in the end, falls short of delivering […]

  • Jagged Edge

    Film News Roundup: Halle Berry's 'Jagged Edge' Remake Finds Writer

    The Confessional, the feature debut from Quebec theater whiz Robert Lepage, is exactly the sort of stunning, eye-popping visual and sonic treat that one would expect from this innovative stage helmer. Where this engrossing French-lingo pic falters is at the script level: plot lacks full dramatic development and, in the end, falls short of delivering […]

  • Kate Winslet Diane Keaton Mia Wasikowska

    Kate Winslet, Diane Keaton, Mia Wasikowska to Star in 'Silent Heart' Remake

    The Confessional, the feature debut from Quebec theater whiz Robert Lepage, is exactly the sort of stunning, eye-popping visual and sonic treat that one would expect from this innovative stage helmer. Where this engrossing French-lingo pic falters is at the script level: plot lacks full dramatic development and, in the end, falls short of delivering […]

  • (L to R) Young Tanya (JESSICA

    'Mamma Mia! Here We Go Again' Reviews: What the Critics Are Saying

    The Confessional, the feature debut from Quebec theater whiz Robert Lepage, is exactly the sort of stunning, eye-popping visual and sonic treat that one would expect from this innovative stage helmer. Where this engrossing French-lingo pic falters is at the script level: plot lacks full dramatic development and, in the end, falls short of delivering […]

  • Sisterhood of the Traveling Pants

    'Sisterhood of the Traveling Pants' Stage Musical in the Works

    The Confessional, the feature debut from Quebec theater whiz Robert Lepage, is exactly the sort of stunning, eye-popping visual and sonic treat that one would expect from this innovative stage helmer. Where this engrossing French-lingo pic falters is at the script level: plot lacks full dramatic development and, in the end, falls short of delivering […]

More From Our Brands

Access exclusive content