You will be redirected back to your article in seconds

Fox Night at the Movies Jersey Girl

Jami Gertz tries hard to transform this predictable-at-every-turn telefilm into something more than a "Pretty Woman" clone, but the two-hour histrionic-fest is besieged by Gina Wendkos' insipid dialogue and over-the-top characters that should fail to establish a connection with viewers on any level.

With:
Cast: Jami Gertz, Dylan McDermott, Sheryl Lee, Joe Bologna, Star Jasper, Aida Turturro, Molly Price, Philip Casnoff, Pat Collins, Regina Taylor, Amy Sakasitz, Mary Beth Peil, Jordan Dean, Richard Maldone.

Jami Gertz tries hard to transform this predictable-at-every-turn telefilm into something more than a “Pretty Woman” clone, but the two-hour histrionic-fest is besieged by Gina Wendkos’ insipid dialogue and over-the-top characters that should fail to establish a connection with viewers on any level.

Pic uses time-exhausted cliches about the courtship process in relating the relationship between Toby Mastellone (Gertz), a working-class girl from Jersey who ventures into big-time Manhattan, and Sal (Dylan McDermott), a successful printing salesman who looks like he fell from the cover of the fall fashion issue of GQ.

Toby sets her sights on this savvy social climber, hoping he’ll deliver her from her awful existence as a plumber’s daughter.

Naturally the dynamic of girl-meets-boy-from-across-the-tracks (in this case, the Hudson River) propels the bulk of the story and the relationship hits the expected skids when naysayers start tossing around the “different worlds” phrase — and its variations.

Story brims with implausibilities that rank high on the “they wouldn’t do that” scale (Sal wrecking his superexpensive Mercedes Benz to prove his sincerity), and Wendkos’ characters, despite the efforts of director David Burton Morris, are neither interesting or endearing.

Below-the-line efforts surpass those above, with kudos to director of photography Ron Fortunato and production designer Lester Cohen for deftly grasping the sights and textures that define the feel of the old neighborhood and the chill of the big city.

Fox Night at the Movies Jersey Girl

(Mon. (18), 8-10 p.m., Fox)

Production: Filmed in New Jersey and New York by Electric Pictures in association with Interscope Communications. Executive producers, Ted Field, Robert Cort; producers, David Madden, Nicole Seguin, Staffan Ahrenberg; director, David Burton Morris; writer, Gina Wendkos.

Crew: Camera, Ron Fortunato; editor, Norman Hollyn; production design, Lester Cohen; sound, Patrick M. Griffith; music, Misha Segal, Stephen Bedell.

Cast: Cast: Jami Gertz, Dylan McDermott, Sheryl Lee, Joe Bologna, Star Jasper, Aida Turturro, Molly Price, Philip Casnoff, Pat Collins, Regina Taylor, Amy Sakasitz, Mary Beth Peil, Jordan Dean, Richard Maldone.

More TV

  • Short Form Digital Content Isn't Just

    Short Form Content Isn't Just Good for Execs, But Writers Too, as Emmy Voters Take Notice

    Jami Gertz tries hard to transform this predictable-at-every-turn telefilm into something more than a “Pretty Woman” clone, but the two-hour histrionic-fest is besieged by Gina Wendkos’ insipid dialogue and over-the-top characters that should fail to establish a connection with viewers on any level. Pic uses time-exhausted cliches about the courtship process in relating the relationship […]

  • Richard Valeriani

    Former 'NBC Nightly News' Correspondent Richard Valeriani Dies at 85

    Jami Gertz tries hard to transform this predictable-at-every-turn telefilm into something more than a “Pretty Woman” clone, but the two-hour histrionic-fest is besieged by Gina Wendkos’ insipid dialogue and over-the-top characters that should fail to establish a connection with viewers on any level. Pic uses time-exhausted cliches about the courtship process in relating the relationship […]

  • Jessica Parker KennedyHollywood Foreign Press Association

    TV News Roundup: 'The Flash' Ups Hartley Sawyer, Jessica Parker Kennedy to Series Regulars

    Jami Gertz tries hard to transform this predictable-at-every-turn telefilm into something more than a “Pretty Woman” clone, but the two-hour histrionic-fest is besieged by Gina Wendkos’ insipid dialogue and over-the-top characters that should fail to establish a connection with viewers on any level. Pic uses time-exhausted cliches about the courtship process in relating the relationship […]

  • 'Problem Areas': Wyatt Cenac on Finding

    'Problem Areas' Host Wyatt Cenac on Finding the Solutions to Today's Issues

    Jami Gertz tries hard to transform this predictable-at-every-turn telefilm into something more than a “Pretty Woman” clone, but the two-hour histrionic-fest is besieged by Gina Wendkos’ insipid dialogue and over-the-top characters that should fail to establish a connection with viewers on any level. Pic uses time-exhausted cliches about the courtship process in relating the relationship […]

  • Heather Locklear arrested

    Heather Locklear Hospitalized, Reportedly Undergoing Psychiatric Evaluation

    Jami Gertz tries hard to transform this predictable-at-every-turn telefilm into something more than a “Pretty Woman” clone, but the two-hour histrionic-fest is besieged by Gina Wendkos’ insipid dialogue and over-the-top characters that should fail to establish a connection with viewers on any level. Pic uses time-exhausted cliches about the courtship process in relating the relationship […]

  • Jon Bernthal The Walking Dead

    Jon Bernthal to Appear in 'Walking Dead' Season 9

    Jami Gertz tries hard to transform this predictable-at-every-turn telefilm into something more than a “Pretty Woman” clone, but the two-hour histrionic-fest is besieged by Gina Wendkos’ insipid dialogue and over-the-top characters that should fail to establish a connection with viewers on any level. Pic uses time-exhausted cliches about the courtship process in relating the relationship […]

  • Liz Friedman, SPTV

    Liz Friedman Signs Sony Pictures TV Deal

    Jami Gertz tries hard to transform this predictable-at-every-turn telefilm into something more than a “Pretty Woman” clone, but the two-hour histrionic-fest is besieged by Gina Wendkos’ insipid dialogue and over-the-top characters that should fail to establish a connection with viewers on any level. Pic uses time-exhausted cliches about the courtship process in relating the relationship […]

More From Our Brands

Access exclusive content