×
You will be redirected back to your article in seconds

Super Mario Bros.

Wildly overproduced and derivative, "Super Mario Bros." is 1993's answer to "Howard the Duck." Some brief kiddie business and eventual video rentals can't justify its nearly $ 50 million negative cost.

With:
Mario Mario ... Bob Hoskins Luigi Mario ... John Leguizamo King Koopa ... Dennis Hopper Daisy ... Samantha Mathis Iggy ... Fisher Stevens Spike ... Richard Edson Lena ... Fiona Shaw Daniella ... Dana Kaminski Toad ... Mojo Nixon Scapelli ... Gianni Russo Bertha ... Francesca Roberts The King ... Lance Henriksen Old Lady ... Sylvia Harman Angelica ... Desiree Marie Velez

Wildly overproduced and derivative, “Super Mario Bros.” is 1993’s answer to “Howard the Duck.” Some brief kiddie business and eventual video rentals can’t justify its nearly $ 50 million negative cost.

The task of converting a non-narrative Nintendo videogame into a motion picture was too much for a trio of scripters, a pair of (married) directors and a couple of high-profile producers. What set them in motion was obviously the success of the “Teenage Mutant Ninja Turtles” movies, which “Mario” imitates when it’s not into “Star Wars” riffs or “Batman” pastiche.

Awkwardly constructed pic, featuring two prologues and two epilogues, starts with the premise of a parallel world to New York created 65 million years ago by a meteorite that also killed off the dinosaurs. A miscast (he’s not the only one) Dennis Hopper is the villain ruling the other world, intent upon retrieving a meteorite fragment and the young princess (Samantha Mathis) sent to our world with it.

If the princess reunites the fragment with the meteorite, she will fuse the two dimensions back together.

Mathis is kidnapped by Hopper’s bumbling assistants and pursued into his world by the Mario Bros., two Brooklyn plumbers beloved by Nintendo game fans over the past decade. If you’re over the age of 5 and can believe that Bob Hoskins and John Leguizamo are brothers — let alone Italian — the rest of the film’s leaps of faith are child’s play.

After a fairly realistic opening reel, picture segues into Hopper’s world of oversize sets and mechanical slapstick. There are plenty of gags, but not one laugh in the whole farrago.

As stiffly directed by Annabel Jankel and Rocky Morton, “Mario” occasionally attempts to careen along like a videogame, with chases, fireballs and narrow escapes. But the action scenes are generally photographed in closeups and telephoto shots that prove unexciting.

While Hopper overacts and condescends to the comic strip material, Fiona Shaw as his Joanna Cassidy-esquepartner in evil is an impressive, larger-than-life villainess.

Down-to-earth Hoskins and Leguizamo vainly attempt to humanize their strictly functional central roles, while Mathis as Princess Daisy (that name passes for wit in this script) is an uninspiring heroine.

The technicians have done an OK job here, delivering decent morphing effects, a cute little dinosaur pet named Yoshi, quality sound effects (given impressive separation via Dolby Digital Stereo) and some striking sets.

There’s nothing original about “Mario,” and the absence of tension or an interesting narrative makes it tedious in the extreme.

Popular on Variety

Super Mario Bros.

Color

Production: A Buena Vista release from Hollywood Pictures of a Lightmotive/Allied Filmmakers presentation, in association with Cinergi Prods. Produced by Jake Eberts, Roland Joffe. Directed by Rocky Morton, Annabel Jankel. Screenplay, Parker Bennett & Terry Runte, Ed Solomon; based on the Nintendo game concept and characters created by Shigeru Miyamoto, Takashi Tezuka.

Crew: Camera (Technicolor), Dean Semler; editor, Mark Goldblatt; music, Alan Silvestri; sound (Dolby Digital), Richard Van Dyke; production design, David L. Snyder; art direction, Walter P. Martishius; set decoration, Beth Rubino; costume design, Joseph Porro; assistant director, Louis D'Esposito; production manager/co-producer, Fred Caruso; special visual effects, Christopher Francis Woods; narrator, Dan Castellenetta; choreography, Barry Lather; stunt coordinator, Gary Jensen; special effects coordinator, Paul Lombardi; second-unit directors, James Devis, Semler; second-unit camera, Devis; associate producer, Brad Weston; casting, Mali Finn, Don Finn. Reviewed at Murray Hill Theater 4, N.Y., May 28, 1993. MPAA Rating: PG. Running time: 104 min.

With: Mario Mario ... Bob Hoskins Luigi Mario ... John Leguizamo King Koopa ... Dennis Hopper Daisy ... Samantha Mathis Iggy ... Fisher Stevens Spike ... Richard Edson Lena ... Fiona Shaw Daniella ... Dana Kaminski Toad ... Mojo Nixon Scapelli ... Gianni Russo Bertha ... Francesca Roberts The King ... Lance Henriksen Old Lady ... Sylvia Harman Angelica ... Desiree Marie Velez

More Film

  • Incitement

    'Incitement' Wins Ophir Award for Best Picture, Becomes Israel's Oscar Submission

    “Incitement” was the best-picture winner at Israel’s Ophir Awards on Sunday night, automatically becoming the country’s choice to vie for the international feature film Oscar. The winning film, a drama about the period leading up to the assassination of Israeli Prime Minister Yitzhak Rabin by a Jewish extremist in 1995, had its global premiere at [...]

  • LargoAI

    LargoAI Wins Inaugural San Sebastian Zinemaldia & Technology Startup Challenge

    SAN SEBASTIAN  —  Swiss artificial intelligence and data analytics company LargoAI won Sunday’s first-ever San Sebastian Film Festival Zinemaldia & Technology Startup Challenge. LargoAI’s software provides data-driven filmmaking strategies, similar to those used by major VOD platforms which aggregate and often horde their own user-driven data. From early in the screenwriting process through development and [...]

  • MARIANA-RONDÓN-MARITÉ-UGÁS

    FiGa Snags 'Contactado,' By The Team Behind San Sebastian Winner 'Pelo Malo' (EXCLUSIVE)

    Sandro Fiorin’s FiGa Films has picked up worldwide sales rights to “Contactado,” the upcoming feature by Sudaca Films’ Marité Ugás and Mariana Rondón, the duo behind San Sebastian 2013 Golden Shell winner, “Pelo Malo.” The Sudaca partners are attending San Sebastian to pitch Rondón-helmed project “Zafari” at the 8th Europe-Latin American Co-production Forum. Directed by [...]

  • Brad Pitt stars in “Ad Astra”.

    'Ad Astra' Lifts Above Competition at International Box Office With $26 Million

    Though “Ad Astra” was overthrown by the Crawley family at the domestic box office, Brad Pitt’s astronaut drama reigned supreme at the international box office. Directed by James Gray, “Ad Astra” launched overseas with $26 million from 44 foreign markets. The $80 million sci-fi epic debuted in North America with $19.2 million, bringing global box [...]

  • hugh jackman tiff bad education

    Toronto's Biggest Deal Goes to HBO: A Sign of the Future? (Column)

    When it comes to how we’ll be watching movies — or, at least, watching serious dramas for adults — in the future, here are two stark and timely contradictory facts: 1. Last week, as the Toronto International Film Festival drew to a close, a deal that had been in the rumor stage for a while [...]

  • 'Talking About Trees' Helmer Suhaib Gasmelbari

    'Talking About Trees' Director Suhaib Gasmelbari Receives Variety MENA Award

    Suhaib Gasmelbari, whose Sudanese documentary “Talking About Trees” premiered in the Berlinale’s Panorama section, received the Variety Middle East and North Africa Region Talent Award Saturday at the El Gouna Film Festival in Egypt from festival director Intishal Al Timimi. Variety critic Jay Weissberg, who selected the honoree, said that it is not usual that [...]

More From Our Brands

Access exclusive content