You will be redirected back to your article in seconds

Super Mario Bros.

Wildly overproduced and derivative, "Super Mario Bros." is 1993's answer to "Howard the Duck." Some brief kiddie business and eventual video rentals can't justify its nearly $ 50 million negative cost.

Mario Mario ... Bob Hoskins Luigi Mario ... John Leguizamo King Koopa ... Dennis Hopper Daisy ... Samantha Mathis Iggy ... Fisher Stevens Spike ... Richard Edson Lena ... Fiona Shaw Daniella ... Dana Kaminski Toad ... Mojo Nixon Scapelli ... Gianni Russo Bertha ... Francesca Roberts The King ... Lance Henriksen Old Lady ... Sylvia Harman Angelica ... Desiree Marie Velez

Wildly overproduced and derivative, “Super Mario Bros.” is 1993’s answer to “Howard the Duck.” Some brief kiddie business and eventual video rentals can’t justify its nearly $ 50 million negative cost.

The task of converting a non-narrative Nintendo videogame into a motion picture was too much for a trio of scripters, a pair of (married) directors and a couple of high-profile producers. What set them in motion was obviously the success of the “Teenage Mutant Ninja Turtles” movies, which “Mario” imitates when it’s not into “Star Wars” riffs or “Batman” pastiche.

Awkwardly constructed pic, featuring two prologues and two epilogues, starts with the premise of a parallel world to New York created 65 million years ago by a meteorite that also killed off the dinosaurs. A miscast (he’s not the only one) Dennis Hopper is the villain ruling the other world, intent upon retrieving a meteorite fragment and the young princess (Samantha Mathis) sent to our world with it.

If the princess reunites the fragment with the meteorite, she will fuse the two dimensions back together.

Mathis is kidnapped by Hopper’s bumbling assistants and pursued into his world by the Mario Bros., two Brooklyn plumbers beloved by Nintendo game fans over the past decade. If you’re over the age of 5 and can believe that Bob Hoskins and John Leguizamo are brothers — let alone Italian — the rest of the film’s leaps of faith are child’s play.

After a fairly realistic opening reel, picture segues into Hopper’s world of oversize sets and mechanical slapstick. There are plenty of gags, but not one laugh in the whole farrago.

As stiffly directed by Annabel Jankel and Rocky Morton, “Mario” occasionally attempts to careen along like a videogame, with chases, fireballs and narrow escapes. But the action scenes are generally photographed in closeups and telephoto shots that prove unexciting.

While Hopper overacts and condescends to the comic strip material, Fiona Shaw as his Joanna Cassidy-esquepartner in evil is an impressive, larger-than-life villainess.

Down-to-earth Hoskins and Leguizamo vainly attempt to humanize their strictly functional central roles, while Mathis as Princess Daisy (that name passes for wit in this script) is an uninspiring heroine.

The technicians have done an OK job here, delivering decent morphing effects, a cute little dinosaur pet named Yoshi, quality sound effects (given impressive separation via Dolby Digital Stereo) and some striking sets.

There’s nothing original about “Mario,” and the absence of tension or an interesting narrative makes it tedious in the extreme.

Super Mario Bros.


Production: A Buena Vista release from Hollywood Pictures of a Lightmotive/Allied Filmmakers presentation, in association with Cinergi Prods. Produced by Jake Eberts, Roland Joffe. Directed by Rocky Morton, Annabel Jankel. Screenplay, Parker Bennett & Terry Runte, Ed Solomon; based on the Nintendo game concept and characters created by Shigeru Miyamoto, Takashi Tezuka.

Crew: Camera (Technicolor), Dean Semler; editor, Mark Goldblatt; music, Alan Silvestri; sound (Dolby Digital), Richard Van Dyke; production design, David L. Snyder; art direction, Walter P. Martishius; set decoration, Beth Rubino; costume design, Joseph Porro; assistant director, Louis D'Esposito; production manager/co-producer, Fred Caruso; special visual effects, Christopher Francis Woods; narrator, Dan Castellenetta; choreography, Barry Lather; stunt coordinator, Gary Jensen; special effects coordinator, Paul Lombardi; second-unit directors, James Devis, Semler; second-unit camera, Devis; associate producer, Brad Weston; casting, Mali Finn, Don Finn. Reviewed at Murray Hill Theater 4, N.Y., May 28, 1993. MPAA Rating: PG. Running time: 104 min.

With: Mario Mario ... Bob Hoskins Luigi Mario ... John Leguizamo King Koopa ... Dennis Hopper Daisy ... Samantha Mathis Iggy ... Fisher Stevens Spike ... Richard Edson Lena ... Fiona Shaw Daniella ... Dana Kaminski Toad ... Mojo Nixon Scapelli ... Gianni Russo Bertha ... Francesca Roberts The King ... Lance Henriksen Old Lady ... Sylvia Harman Angelica ... Desiree Marie Velez

More Film

  • 'Super Pets' Release Date Pushed Back

    Film News Roundup: 'Super Pets' Movie Moves Back a Year, Avoiding 'John Wick 4'

    In today’s film news roundup, “Super Pets” has moved back to 2022, “Into the Ashes” gets bought and veteran executive David Gale has a new gig. RELEASE DATE Warner Bros. has pushed back the release of “DC Super Pets” back a year, avoiding opening against “John Wick 4.” The studio announced Wednesday that “Super Pets” [...]

  • Quentin Tarantino

    Quentin Tarantino Documentary 'QT8: The First Eight' Scores Sales (EXCLUSIVE)

    Wood Entertainment has completed sales for France, Germany, Turkey, Italy and Russia for “QT8: The First Eight,” a documentary that chronicles Quentin Tarantino’s first eight films. The first buyers’ screening took place on Sunday at the Cannes Film Festival. Tarantino’s ninth film, “Once Upon a Time in Hollywood,” premiered at Cannes on Tuesday night. Producer [...]

  • 'Asbury Park' Doc Covers Bruce Springsteen,

    Film Review: 'Asbury Park: Riot, Redemption, Rock 'N Roll'

    A civic Phoenix story is promised and effectively delivered in “Asbury Park: Riot, Redemption, Rock ‘N Roll,” even if there’s little doubt that what much of the audience will be hoping for from this documentary is Bruce, the whole Bruce and nothing but the Bruce. The film satisfies a good portion of that craving with [...]

  • Timothy Olyphant Once Upon a Time

    Timothy Olyphant Explains Why He Did 'Hitman' Movie

    The 2007 film adaptation of the “Hitman” video game franchise is … not good. It received a score of 15% on Rotten Tomatoes, with many critics panning its incoherent plot and terrible dialogue. So, why did actor Timothy Olyphant take on the lead role as Agent 47? He had a mortgage to pay, he told [...]

  • Daniel Craig

    Daniel Craig to Undergo Ankle Surgery After 'Bond 25' Injury

    Daniel Craig will undergo ankle surgery after sustaining an injury while filming “Bond 25.” “Daniel Craig will be undergoing minor ankle surgery resulting from an injury sustained during filming in Jamaica,” the franchise’s official Twitter account posted. “Production will continue whilst Craig is rehabilitating for two weeks post-surgery. The film remains on track for the [...]

  • Oh Mercy

    Cannes Film Review: 'Oh Mercy'

    It takes more than just watching “Oh Mercy” to understand exactly why Arnaud Desplechin was drawn to the subject matter of his latest movie, a reasonably engrossing police procedural with roots in a 2008 TV documentary. Something of an unexpected detour in the veteran director’s weighty career, the film combines multiple strands to paint a [...]

More From Our Brands

Access exclusive content