×
You will be redirected back to your article in seconds

Beethoven’s 2nd

Universal unleashes what should be a big, slobbering hit with this reasonably entertaining sequel, certainly a more pleasing tale than the one that sired it. Facing relatively weak competition for its kid-oriented family audience, pic figures to outscore the first movie and bury a whole lot of bones in the studio's backyard.

With:
George Newton - Charles Grodin
Alice Newton - Bonnie Hunt
Ryce - Nicholle Tom
Ted - Christopher Castile
Emily - Sarah Rose Karr
Regina - Debi Mazar
Floyd - Chris Penn
Taylor - Ashley Hamilton
Seth - Danny Masterson

Universal unleashes what should be a big, slobbering hit with this reasonably entertaining sequel, certainly a more pleasing tale than the one that sired it. Facing relatively weak competition for its kid-oriented family audience, pic figures to outscore the first movie and bury a whole lot of bones in the studio’s backyard.

The producers don’t stray far thematically from their first composition, where reluctant family patriarch George Newton (Charles Grodin) had to be won over to keeping a monstrous mutt around.

To its credit, though, “Beethoven’s 2nd” does better than just double up its mediocre forebearer, creating what amounts to a live-action cartoon with a strong “101 Dalmatians” riff that should play particularly well among moppets.

Pic begins with a lonely Beethoven meeting his dream-dog and having puppies, only to have the pooch taken away by her evil owner, Regina (Debi Mazar), who hopes to use the St. Bernard to fleece her husband in their divorce settlement.

The Newton kids start raising the puppies, concealing them from Dad, before Regina becomes determined to cash in on a second front by selling the pure-bred litter. After a section based largely on kid-dog antics, the climax occurs at a mountain retreat where both the Newtons and Regina, conveniently, are vacationing.

As in the first film, the dog exhibits the strangely prescient ability to solve all the family’s problems, and one wishes there were less reliance on peeing puppies as the basis for comedy.

Even so, those elements are less obtrusive this time, as director Rod Daniel (whose credits include the man-and-dog comedy “K-9”) and writer Len Blum (“Stripes”) capture the simple feel of a solid animated children’s film, mixing in identifiable coming-of-age crises that the dog helps the Newton kids resolve.

Mazar, of TV’s “Civil Wars” and “L.A. Law,” adds necessary menace as a flesh-and-blood version of “Dalmatians’ ” Cruella de Vil — her piercing, Stepford-wife eyes helping distinguish her as the sort of villain kids can immediately recognize.

Grodin and Bonnie Hunt also manage a few sitcom-style moments that will provide even jaded adults a chuckle, and Nicholle Tom, Christopher Castile and Sarah Rose Karr are OK as the kids — Karr the closest runner-up to the puppy quartet on the adorable meter.

Not surprisingly, the trainers merit the biggest kudos, as the dog actors (more than 100 play the puppies at various stages, per the production notes) out-emote their two-footed counterparts.

Tech credits are also well-groomed, with Montana’s Glacier National Park providing a lush backdrop as the fictitious town of Glen Haven.

The producers, meanwhile, can start considering what to play for an encore. It doesn’t take a bloodhound’s scent to ascertain that this dog will have yet another day.

Beethoven's 2nd

Production: A Universal Pictures release of an Ivan Reitman presentation. Produced by Michael C. Gross, Joe Medjuck. Executive producer, Reitman. Co-producer, Gordon Webb. Directed by Rod Daniel. Screenplay, Len Blum, based on characters created by Edmond Dantes, Amy Holden Jones.

Crew: Camera (Deluxe color), Bill Butler; editors, Sheldon Kahn, William D. Gordean; music, Randy Edelman; production design, Lawrence Miller; art direction, Charles Breen; set decoration, Cloudia; costume design, April Ferry; sound (Dolby), Gene S. Cantamessa; associate producer, Kahn; Beethoven trainers, Glen D. Garner, April Morley; Missy and puppy trainers , Karin McElhatton, Paul A. Calabria; casting, Steven Jacobs. Reviewed at the Universal City Cinemas, Universal City, Dec. 4, 1993. MPAA Rating: PG. Running time: 88 MIN.

With: George Newton - Charles Grodin
Alice Newton - Bonnie Hunt
Ryce - Nicholle Tom
Ted - Christopher Castile
Emily - Sarah Rose Karr
Regina - Debi Mazar
Floyd - Chris Penn
Taylor - Ashley Hamilton
Seth - Danny Masterson

More Film

  • Ralph Breaks the Internet

    'Ralph Breaks the Internet,' 'Creed II' Impress in Thanksgiving Box Office Previews

    Universal unleashes what should be a big, slobbering hit with this reasonably entertaining sequel, certainly a more pleasing tale than the one that sired it. Facing relatively weak competition for its kid-oriented family audience, pic figures to outscore the first movie and bury a whole lot of bones in the studio’s backyard. The producers don’t […]

  • Chinese Producer Feng Xiaogang Attends at

    Feng Xiaogang Announces New Film, Denies Tax Fraud Rumors

    Universal unleashes what should be a big, slobbering hit with this reasonably entertaining sequel, certainly a more pleasing tale than the one that sired it. Facing relatively weak competition for its kid-oriented family audience, pic figures to outscore the first movie and bury a whole lot of bones in the studio’s backyard. The producers don’t […]

  • IDFA Forum: ’Sisters on Track’ Chronicles

    IDFA Forum: New Doc ‘Tracks’ Sheppard Sisters’ Sprint into the Spotlight (EXCLUSIVE)

    Universal unleashes what should be a big, slobbering hit with this reasonably entertaining sequel, certainly a more pleasing tale than the one that sired it. Facing relatively weak competition for its kid-oriented family audience, pic figures to outscore the first movie and bury a whole lot of bones in the studio’s backyard. The producers don’t […]

  • IDFA: French Helmer Mathieu Rochet Talks

    IDFA: French Helmer Mathieu Rochet 'Chasin’' Trap Music to Its Source (EXCLUSIVE)

    Universal unleashes what should be a big, slobbering hit with this reasonably entertaining sequel, certainly a more pleasing tale than the one that sired it. Facing relatively weak competition for its kid-oriented family audience, pic figures to outscore the first movie and bury a whole lot of bones in the studio’s backyard. The producers don’t […]

  • The Border Fence

    IDFA Film Review: 'The Border Fence'

    Universal unleashes what should be a big, slobbering hit with this reasonably entertaining sequel, certainly a more pleasing tale than the one that sired it. Facing relatively weak competition for its kid-oriented family audience, pic figures to outscore the first movie and bury a whole lot of bones in the studio’s backyard. The producers don’t […]

More From Our Brands

Access exclusive content