Alternately affecting and affected, Field of Dreams is a fable about redemption and reconciliation that uses the mythos of baseball as an organizing metaphor.
Kevin Costner plays Ray Kinsella, a new-age farmer who has come to Iowa’s cornfields with his college sweetheart (Amy Madigan).
In the fields one day Costner hears a celestial voice that cryptically advises: ‘If you build it, he will come.’ Once he convinces himself and his family that he’s not going crazy, Costner sets out to sculpt a beautiful baseball diamond from his precious cornfield.
The whole town thinks the outsider has gone bonkers, but one night Costner’s faith is rewarded: the spirit of Shoeless Joe Jackson, the most precipitously fallen of the disgraced World Series fixers, the 1919 Chicago White Sox, materializes on his ballfield.
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Fully in the grip of supernatural forces, Costner leaves the farm on a cross-country pilgrimage to find the Boston home of America’s best-known reclusive writer (James Earl Jones) – a cultural demigod depicted as a cross between J.D. Salinger and Bob Dylan.
Costner, Shoeless Joe, Jones and Burt Lancaster (a failed dead baseballer) are all haunted by regrets over failed relatonships, life-shattering mistakes and missed opportunities. All yearn for a collective second chance at inner peace. In spite of a script hobbled with cloying aphorisms and shameless sentimentality, Field of Dreams sustains a dreamy mood in which the idea of baseball is distilled to its purest essence: a game that stands for unsullied innocence in a cruel, imperfect world.
1989: Nominations: Best Picture, Adapted Screenplay, Original Score