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Marlowe

Raymond Chandler's private eye character, Philip Marlowe, is in need of better handling if he is to survive as a screen hero. Marlowe, is a plodding, unsure piece of so-called sleuthing in which James Garner can never make up his mind whether to play it for comedy or hardboil.

Raymond Chandler’s private eye character, Philip Marlowe, is in need of better handling if he is to survive as a screen hero. Marlowe, is a plodding, unsure piece of so-called sleuthing in which James Garner can never make up his mind whether to play it for comedy or hardboil.

Stirling Silliphant’s adaptation of The Little Sister comes out on the confused side, with too much unexplained action. Garner as the private eye is hired by a girl from Kansas to find her missing brother, then finds himself involved in a maze in which he’s as mystified as the spectator.

Garner walks through the picture mostly with knotted brow, but Gayle Hunnicutt as the actress is nice to look at toward the end. Rita Moreno as a strip dancer delivers soundly, but a peeler does not a picture make.

Marlowe

  • Production: Cherokee/M-G-M. Director Paul Bogart; Producer Gabriel Katzka, Sidney Beckerman; Screenplay Stirling Silliphant; Camera William H. Daniels; Editor Gene Ruggiero; Music Peter Matz; Art Director George W. Davis, Addison Hehr
  • Crew: (Color) Available on VHS. Extract of a review from 1969. Running time: 95 MIN.
  • With: James Garner Gayle Hunnicutt Carroll O'Connor Rita Moreno Sharon Farrell Bruce Lee
  • Music By: