×
You will be redirected back to your article in seconds

Beach Red

In contrast to many professedly anti-war films, Beach Red is indisputably sincere in its war is hell message. Except for brief reveries of civilian life, the film focuses entirely on a single dreary campaign by an American unit out to take a Japanese-held island in the Pacific.

With:
Cornel Wilde Rip Torn Burr DeBenning Patrick Wolfe Jean Wallace Jaime Sanchez

In contrast to many professedly anti-war films, Beach Red is indisputably sincere in its war is hell message. Except for brief reveries of civilian life, the film focuses entirely on a single dreary campaign by an American unit out to take a Japanese-held island in the Pacific.

Notably absent are the usual stereotypes: the tough-talking sarge with the heart of gold, the frightened kid who becomes a man in combat, etc. The trouble with the screenplay, adapted from Peter Bowman’s 1945 novel, is that little is substituted for these wisely-avoided cliches. The central characters are spokesmen for differing points of view, not real, full-bodied people. The acting quality suffers as a result.

The captain (Cornel Wilde) loves his wife and hates war. The sergeant (Rip Torn) derives sadistic pleasure from the war. An 18-year-old minister’s son (Patrick Wolfe) remembers his girl back home and inarticulately echoes the captain’s pacificism. His Southern sidekick (Burr DeBenning) is a hearty illiterate for whom the armed forces is a haven.

1967: Nomination: Best Editing

Beach Red

Production: United Artists. Director Cornel Wilde; Producer Cornel Wilde; Screenplay Clint Johnston, Donald A. Peters, Jefferson Pascal; Camera Cecil R. Cooney; Editor Frank P. Keller; Music Elbey Vid, Antonio Buenaventura; Art Director Francisco Balangue

Crew: (Color) Extract of a review from 1967. Running time: 105 MIN.

With: Cornel Wilde Rip Torn Burr DeBenning Patrick Wolfe Jean Wallace Jaime Sanchez

More Film

  • MEET THE PRESS -- Pictured: (l-r)

    Submissions Now Welcome for Third 'Meet the Press' Film Festival

    Chuck Todd’s quest to bring “Meet the Press” to the movies continues. The third annual Meet the Press Film Festival, held in collaboration with the American Film Institute, will take place on October 6 and 7 in Washington, D.C., and remains a haven for issue-focused documentary shorts. Todd believes the event serves a critical mission: [...]

  • Challenges Still Keep Content From Traveling

    Cannes: Challenges Still Keep Content From Traveling to and From China

    Challenges still remain when it comes to buying, distributing and producing content that can travel between China and the West, attendees of a panel organized by the Shanghai Intl. Film Festival on the sidelines of Cannes said. Cai Gongming, president of Road Pictures, has hit box office gold in China with Cannes art-house titles such [...]

  • 180423_A24_Day_03B_0897.jpg

    Cannes Film Review: Robert Pattinson and Willem Dafoe in 'The Lighthouse'

    “The Lighthouse,” the second feature directed by Robert Eggers (“The Witch”), is a gripping and turbulent drama that draws on a number of influences, though it merges them into its own fluky gothic historical ominoso art-thriller thing. Set in the 1890s, and suffused with foghorns and epic gusts of wind, as well as a powerfully [...]

  • Cannes: Diao Yinan Explains His Artistic

    Diao Yinan on Cannes Pic 'Wild Goose Lake': 'I Try to Portray the Opposite of a Utopia'

    In competition in Cannes with “Wild Goose Lake,” director Diao Yinan explained Sunday why he’s fascinated by dark crime thrillers – and why his new film features dialogue in China’s Wuhan dialect. “Such thrillers are not only an exercise in style; they’re also full of dramatic tension, and when you combine style with dramatic tension, [...]

  • CAP D'ANTIBES, FRANCE - MAY 18:

    Cannes: Robert Pattinson, Shailene Woodley Attend Starry Vanity Fair Party

    It’s true what they say about Batman being a loner. On Saturday night, Robert Pattinson made his first public appearance since being cast as the new Dark Knight at this year’s Vanity Fair Party at the Cannes Film Festival. But while all the other A-list guests mingled and worked the crowd at the restaurant of [...]

  • 180423_A24_Day_03B_0897.jpg

    Robert Pattinson: 'The Lighthouse' Rehearsal Was a 'Pressure Cooker'

    Rehearsal for director Robert Eggers’ “The Lighthouse” wasn’t as long as Robert Pattinson remembers. “I’ve never rehearsed like I rehearsed with Robert before,” Pattinson said at the first screening of the period thriller on Sunday morning. “We rehearsed for what, three weeks?” Actually, no — it was only one week! “One, but it felt like [...]

  • FilmSharks Scores Global Sales, Remake Rights

    FilmSharks Scores Intl. Sales-Remake Rights for Fernando Spiner’s ‘Immortal’

    Guido Rud’s Buenos Aires-based FilmSharks International has acquired global sales and remake rights to renowned Latin American genre director Fernando Spiner’s latest feature “Immortal,” which participated in this year’s Blood Window Showcase at the Cannes Film Market. Included in the deal, FilmSharks also picked up Spiner’s sci-fi catalog which includes “Sleepwalker” and “Adiós querida luna.” [...]

More From Our Brands

Access exclusive content