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Hud is a near miss. Where it falls short of the mark is in its failure to filter its meaning and theme lucidly through its characters and story.

Paul Newman Melvyn Douglas Patricia Neal Brandon de Wilde Whit Bissell Crahan Denton

Hud is a near miss. Where it falls short of the mark is in its failure to filter its meaning and theme lucidly through its characters and story.

The screenplay, adapted from a novel by Larry McMurtry, tells a tale of the modern American West, of its evolution from the land of pioneer ethics, of simple human gratifications unmotivated by greed, to the rangy real estate of shallow, mercenary creatures who have inherited the rugged individualism of the early settlers, but not their souls, their morals or their principles.

The new westerner is Hud (Paul Newman), noxious son of old Homer Bannon (Melvyn Douglas), pioneer Texas Panhandler who detests his offspring with a passion that persists to his bitter end, after he has just witnessed the liquidation of his entire herd of cattle (hoof and mouth disease) and the attempt of his son to have him declared incompetent to run his ranch.

It is in the relationship of father and son that the film slips. It is never clear exactly why the old man harbors such a deep-rooted, irrevocable grudge against his lad.

But the picture has a number of elements of distinction and reward. The four leading performances are excellent. Newman creates a virile, pernicious figure as that ornery title critter. The characteristics of old age are marvelously captured and employed by Douglas. Another fine performance is by Brandon de Wilde as Newman’s nephew. Patricia Neal comes through with a rich and powerful performance as the housekeeper assaulted by Newman.

1963: Best Actress (Patricia Neal), Supp. Actor (Melvyn Douglas), B&W Cinematography.

Nominations: Best Director, Actor (Paul Newman), Adapted Screenplay, B&W Art Direction


Production: Paramount/Salem/Dover. Dir Martin Ritt; Producer Martin Ritt, Irving Ravetch; Screenplay Irving Ravetch, Harriet Frank Jr; Camera James Wong Howe; Editor Frank Bracht; Music Elmer Bernstein Art Dir Hal Pereira, Tambi Larsen

Crew: (B&W) Widescreen. Available on VHS, DVD. Extract of a review from 1963. Running time: 113 MIN.

With: Paul Newman Melvyn Douglas Patricia Neal Brandon de Wilde Whit Bissell Crahan Denton

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