The durable heroics of What Price Glory undergo a comedic treatment in Technicolor for this fresh version of the Maxwell Anderson-Laurence Stallings stage drama.
James Cagney, a corpulent Captain Flagg who looks like he’ll bust out of his britches any minute, and Dan Dailey, the braggard Sergeant Quirt, enact the top male roles as rivals for gals and glory with amusing emphasis on frenetics. Both are inclined to mumble or shout their dialog.
Corinne Calvet’s charms are freely displayed as the ever-loving Charmaine, ready and willing to give any masculine ally of France aid and comfort.
Story scatters itself among episodes dealing with the marines in World War I and the professional and amatory rivarly of Cagney and Dailey.
Over the entire production is a feeling that any second the picture will break into a musical number. This doesn’t happen, but it still serves as a subconscious distraction.
What Price Glory
20th Century-Fox. Director John Ford; Producer Sol C. Siegel; Screenplay Phoebe Ephron, Henry Ephron; Camera Joe MacDonald; Editor Dorothy Spencer; Music Alfred Newman; Art Director Lyle Wheeler, George W. Davis
(Color) Available on VHS. Extract of a review from 1952. Running time: 110 MIN.
Popular on Variety
Maggie Gyllenhaal on How Intimacy Experts Can Help Young Actresses
John Krasinski Reveals 'A Quiet Place' Birthing Scene Took One Take
Sam Elliott on the Moment 'Everybody Just Stopped' on 'A Star Is Born' Set
Unrolling the Masterful Sushi Scene in 'Isle of Dogs'
Emily Blunt and Hugh Jackman on What Makes a Great Musical
Mahershala Ali on Fighting for a Black Lead on 'True Detective'
Timothee Chalamet, Emma Stone on Being Rejected by Tim Burton
Timothee Chalamet Wept the First Time He Watched Himself on 'Interstellar'
Why 'Shallow' Is One of the Most 'Authentic' Songs Lady Gaga Has Ever Written
Wanda Cinema Line has placed an order for 100 RealD Ultimate Screens from visual tech specialist RealD. For RealD the deal, announced at the CineAsia convention in Hong Kong, is the largest order in its history from a single exhibition circuit. The high-end equipment, which optimizes the 3D experience, will be installed in Wanda’s mainland [...]
Aisling Franciosi (“The Nightingale”), Ardalan Esmaili (“The Charmer”) and Elliott Crosset Hove (“Winter Brothers”) are among the 10 actors and actresses who have been named as the European Film Promotion’s Shooting Stars. Previous Shooting Stars include Alicia Vikander, Matthias Schoenaerts, Pilou Asbæk and Baltasar Kormákur. The new crop of up-and-coming talent for the 22nd edition of [...]
In today’s film news roundup, Jodie Foster is remaking Iceland’s “Woman at War,” the Art Directors Guild honors production designers Anthony Masters and Ben Carre, “47 Meters Down: Uncaged” gets cast and Melissa Takal directs “New Year New You” for Hulu. PROJECT ANNOUNCEMENT Jodie Foster will direct, co-produce and star in an English-language remake of [...]
Bold Films, and Jake Gyllenhaal and Riva Marker’s Nine Stories banner have acquired the rights to remake the Danish thriller “The Guilty,” with Gyllenhaal attached to star. The pic won the world cinema audience award at this year’s Sundance Film Festival and was also named one of the top five foreign language films of 2018 by [...]
Legendary Entertainment is developing “The Toxic Avenger” as a movie after acquiring the feature film rights. Lloyd Kaufman and Michael Herz of Troma Entertainment will serve as producers. Alex Garcia and Jay Ashenfelter will oversee for Legendary. Kaufman and Herz produced the original 1984 comedy, set in the fictional town of Tromaville, N.J., and centered [...]
“Crazy Rich Asians” star Constance Wu is in talks to join Sony’s Screen Gems’ untitled romantic comedy, with Elizabeth Banks and Max Handelman producing. “GLOW” actress Kimmy Gatewood is making her feature directorial debut on the project. She will be directing from a Savion Einstein script about a woman who becomes pregnant with two babies [...]
Having a female director doesn’t automatically make a story more feminine, says “The Kindergarten Teacher” star Maggie Gyllenhaal, but when it comes to her film with director Sara Colangelo, she says the female narrative is fully encapsulated. “Just because something is written or directed by a woman doesn’t necessarily make it a feminine articulation,” she says [...]