Contemporary Hollywood, including composites of the characters that make the town the glamour capital it is, is the setting for The Bad and the Beautiful.
It is the story of a first-class heel, a ruthless, driving individual whose insistent push changes a number of lives to the end that all have benefited in some way from his multiple double-crosses, despite the personal sorrow or loss experienced. The screenplay of the George Bradshaw story is exceptionally well-written.
Kirk Douglas scores as the ruthless individual out to prove he is the best when it comes to making pictures. Swung along with him is Lana Turner, the drunken, inferiority-complexed daughter of a former screen great; Dick Powell, the self-satisfied southern professor-writer who is pulled into the Hollywood mill; and Barry Sullivan, who, as an embryo director, gets Douglas his first chance and is double-crossed for the helping hand.
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1952: Best Supp. Actress (Gloria Grahame), Screenplay, B&W Cinematography, B&W Art Direction, B&W Costume Design.
Nomination: Best Actor (Kirk Douglas)