Countdown to Oscars
See all the predictions and news for the Academy Awards
Joni Mitchell and Tracy Chapman made for an outstanding Grammys, but the show has forgotten how to spotlight new artists.
Dozens of advertisers will flock to Super Bowl LVIII this Sunday, ready to pay out a small fortune to CBS in a bid to grab some attention. But they won’t crave as much of that…
Taylor Swift won the Grammy for best pop vocal album for “Midnights” and, in her acceptance speech, announced her next studio album, “The Tortured Poets Department,” out April…
Will a string of underperforming blockbusters eventually force Apple to economize on its film slate?
Hollywood's quest to find the next indie breakout.
The Sundance film makes it clear that Reeve's comeback came at a tremendous price.
Matthew Vaughn's catawampus spy comedy enlists an American cast in a convoluted plot that puts a fiction writer at the center of the action.
The movie musical sticks close to the spirit of the film that mythologized the culture of gossip and backstabbing for a new generation.
Bhutan's terrific Oscar contender, from director Pawo Choyning Dorji, uses the country's first elections to offer a sly critique of Western influence.
Leah McKendrick's debut, about a proudly flighty millennial on an egg-freezing mission, starts out hardboiled but ultimately goes over easy.
This version of 'Mr. and Mrs. Smith' with Donald Glover and Maya Erskine may not make as many headlines as its predecessor, but it stands up far better to scrutiny.
Naomi Watts and Chloë Sevigny lead a glamorous flock in Ryan Murphy's surprisingly sad series.
Nicole Kidman astounds in Prime Video's haunting series about womanhood and regret.
Austin Butler's World War II drama is riveting when it looks beyond the combat.
Eladio Carrión's 'Sol María' finds its balance in experimental Latin trap.
Green Day's sociopolitical sarcasm ages well in sharp 'Saviors.'
21 Savage plays to his strengths with deadpan wit on 'American Dream.'
André 3000's solo debut eschews Outkast-style rap for a peaceful, easy feeling album.
This revival of the Ossie Davis satire is a delightful romp centering Black joy and the absurdity of racism.
The musical's English-language debut is a remarkable debacle.
If pratfalls piling up is wrong, this Ahmanson production doesn't want to be right.
The car is the star in this underwhelming screen-to-stage duplication.
An in-depth examination of the global gaming business' trends, challenges and opportunities
The blockbuster is shaping up to be the first undeniable best picture sweeper since 'Slumdog Millionaire'