Variety.com

The series shows so little movement that watching “Camping” becomes nearly as unpleasant as it is for the characters.

Even when “The Romanoffs” doesn’t always click into place, it can still be hypnotizing to watch its gears work to get there.

In all the wrong ways, Candice Bergen’s reboot of the CBS sitcom “Murphy Brown” is the perfect show for the Trump era.

“New Amsterdam,” like the mammoth hospital it’s set in, has a whole lot of enthusiasm and too many areas in which to direct it.

This bouncy musical turns the story into a full-on satire of the narcissistic male ego.

Stubbornly inconsequential, it’s a morally uplifting fairy tale of which everyone, young and old alike, can be skeptical.

Baz Luhrmann’s iconic, trippy movie comes to the stage with its grandeur and craziness intact.

Graft some hits from the Go-Go’s songbook onto an Elizabethan prose poem and you get a lot of silly stuff.

The long-delayed set is fresh, frenetic, and flush with guest appearances from Kendrick Lamar, Nicki Minaj, and Snoop Dogg.

Faithfulness is the name of the game for Cher’s album of ABBA covers: It’s sheer Cher-aoke.

Prince’s “Piano & a Microphone 1983” takes you under the piano, so to speak, witnessing genius casually at work.

Paul McCartney sounds ready to do it in the road, again … with the album-ending suites making clear that’s “Abbey Road.”