Variety.com

“Bob Hearts Abishola” is an unabashedly sweet comedy about a divorced socks salesman falling for his Nigerian nurse.

“Bluff City Law’s” understanding of the workings of the legal profession is frustratingly limited in a familiar way.

It almost feels like “All Rise” accidentally wandered onto CBS’ schedule on its way to ABC’s Shonda Rhimes-diven TGIT lineup.

“Prodigal Son,” a new Fox drama, is in its first three episodes a pleasant surprise: Its central serial killer underplays his viciousness.

The impeccable London revival of Harold Pinter’s “Betrayal” stars Hiddleston, Charlie Cox, and Zawe Ashton.

Hit or myth? This legendary hunk finds a musical home — this time with a sense of community.

Jake Gyllenhaal and Tom Sturridge star in paired monologues, arriving after becoming an Off Broadway hit.

The latest play by Lucy Prebble, premiering at the Old Vic, follows the true story of a Russian defector’s assassination.

The follow-up to his 2018’s album mostly goes to softer places, but he still wants to nurture his bad-boy side, too.

Sheryl Crow is vowing this is her final full-length album. If so, it’s a heck of a retirement banquet.

It’s not even a contradiction to say that “Lover” is Swift’s most mature album and her most fun one, all at once.

After 13-years, the art-damaged metal of Maynard James Keenan and co., is back, as challenging and satisfying as ever.