Lists
What's new on Netflix, Zack Snyder's films ranked, and more
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Sudeikis & Hahn
Jason Sudeikis and Kathryn Hahn discuss their shows "Ted Lasso" and "WandaVision," and reminisce on making "We're the Millers" for Actors on Actors.
Film
Minnesota Lawmakers Reach Deal on $5 Million Film Tax Credit
The Minnesota House and Senate have reached a deal to create a new $5 million-a-year tax credit for film and TV production in the state. The bill language was unveiled on Monday as the Legislature
VIP
Influencer Fans May Not Be Ready for Social Media Subscriptions Yet
New VIP+ Analysis: Survey finds consumers not ready to pay monthly subscriptions for exclusive influencer content on social platforms.
Film
‘The Cable Guy’ Turns 25: How Jim Carrey’s $20 Million Salary Shook Hollywood
In the 1990s, Jim Carrey was an unstoppable force, and his big-budget salary on "The Cable Guy" in 1996 left Hollywood reeling.
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Lin-Manuel Miranda Addresses Lack of Afro-Latino Representation in ‘In the Heights’: ‘We Fell Short’
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‘Loki’
Marvel's new Disney Plus series "Loki," starring Tom Hiddleston, looks a bit different, but mostly sticks to the MCU's superhero basics.
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‘Kevin Can F**k Himself’
"Kevin Can F**k Himself" stars Annie Murphy as a long-suffering sitcom wife.
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‘Physical’
"Physical" misuses Rose Byrne in a too-harsh '80s black comedy.
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‘Sweet Tooth’
Netflix's comic-book adaptation "Sweet Tooth" is a pleasant, family-friendly surprise on Netflix.
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Critics Pick
‘In the Heights’
"Crazy Rich Asians" director Jon M. Chu's spirited adaptation of Lin-Manuel Miranda's pre-"Hamilton" hit is a blast on the big screen.
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‘Hitman’s Wife’s Bodyguard’
Ryan Reynolds, Samuel. L. Jackson and Salma Hayek return for a sequel so over-the-top it's an insult to the concept of having a top.
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‘Infinite’
Antoine Fuqua reteams with Mark Wahlberg for a high-concept action bonanza with a decidedly "been there, done that" feel.
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‘Awake’
With second-rate "Bird Box" knock-off "Awake," Netflix just may have found the cure for insomnia.
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Maroon 5’s ‘Jordi’
Maroon 5 named "Jordi" after its late manager and prefaced it with "Memories," but the album is otherwise entirely, reliably light-spirited.
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Olivia Rodrigo’s ‘Sour’
As good as you might've hoped Olivia Rodrigo's debut album would be from the handful of songs already released, "Sour" is better.
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J. Cole’s ‘The Off-Season’
Rapper J. Cole has insisted he's moving toward retirement, but "The Off-Season" doesn't sound remotely like somebody ready to bow out.
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Miranda Lambert’s ‘The Marfa Tapes’
Miranda Lambert strips it down, yet sounds grander than ever in her fashion, on a Texas trio project with Jack Ingram and Jon Randall.
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‘After Life’
Based on Hirokazu Kore-eda's 1998 film, the play explores a fascinating idea, but it never comes alive as a fully-fledged drama.
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‘Cruise’
"Cruise's" subject is stalked by death, but Jack Holden's debut confounds expectations by being an embodiment of high-energy life.
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‘Two Sisters and a Piano’
New Normal Rep's starry, slick digital production of Nilo Cruz's play splits the difference between stage action and TV.
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‘The Comeback’
Ben Ashenden and Alex Owen's riotous West End comedy "The Comeback" is a triumph, but London theater closures stopped it in its tracks.
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