Directors on Directors
Spike Lee, Oliver Stone and other directors in conversation
The Hollywood Foreign Press Assn.'s annual gala will matter more than normal in this unconventional year. Find all of Variety's predictions for the awards show, airing tonight, here.
Warner Bros.’ animated family film “Tom and Jerry” debuted to $13.7 million at the domestic box office, one of the biggest opening weekend hauls of the coronavirus era and a signal that moviegoing…
Will the Golden Globes honor shows this year that already have been well-represented by Emmy wins, or will this year’s kudos aim to be the first out of the gate to recognize a new crop of critically…
The lack of Black HFPA members has drawn heavy criticism. Variety's film awards editor examines how Golden Globes voters have differed from Oscars and Emmys.
Soleil Moon Frye has always had the ability to capture audiences.
Russell T Davies' new series takes us to the London of the 1980s.
Will Smith leads a six-part seminar on the 14th Amendment, a primer in equal rights.
The ending of Netflix's "Behind Her Eyes" is surprising, but even more than that, it's stupid.
R.J. Cutler's film shines a light on the old-meets-new electricity that's made Billie Eilish the quintessential pop star of the 21st century.
Warner Bros. resurrects Hanna-Barbera's inexterminable frenemies, placing them in a live-action context where they can wreak maximum mayhem.
A video-chat party during shutdown goes south in this dull, implausible thriller.
Tom Holland plays a nowhere dude who falls in love, goes to war and becomes a junkie bank robber.
Dave Grohl promised an album you can groove to, and he delivered with Foo Fighters' latest, "Medicine at Midnight."
Former One Direction member Zayn Malik embraces an intimate, less-pop type of R&B for his third solo album, "Nobody Is Listening."
Eminem stays within his comfort zone, for better and for worse, on "Music to Be Murdered By – Side B," his second album release in 2020.
Paul McCartney returns to the idea of a true solo album with "McCartney III," a quarantine record where DIY randomness is part of the charm.
Ben Ashenden and Alex Owen's riotous West End comedy "The Comeback" is a triumph, but London theater closures stopped it in its tracks.
Starring "Hamilton's" Michael Balogun and performed on the eve of England's second lockdown, the play is sure to be seen again.
This smart revival of Jason Robert Brown's musical plays in a London theater cleverly redesigned for COVID-era safety.
Kristin Scott Thomas and Rochenda Sandall headline two Alan Bennett monologues, which even under social distance pack a punch.