Digital Marketing Impact Report
The people behind the most effective content promotions
The people behind the most effective content promotions
How and when the TV and film industries are resuming work
"Awards Circuit," "The Big Ticket," "Strictly Business"
Variety Intelligence Platform offers in-depth analysis
National TV-news outlets are being less deferential to the White House in the waning days of the Trump administration.
Charlie Hauck, Emmy-nominated writer-producer of “Maude” and “Frasier,” died of complications from pancreatic cancer on Saturday at the age of 79. Warner Bros. TV confirmed his death at his home in…
“Black Lightning” will end its run on The CW after its upcoming Season 4. Based on the DC character of the same name, “Black Lightning” centers around Jefferson Pierce (Cress Williams), a high school…
Megan Thee Stallion's "Good News" is a strong and sexed-up debut album that crushes Tory Lanez in the first song, then moves on.
Hulu's "Animaniacs" reboot tries so hard to be timely that it keeps forgetting what made the original special in the first place.
"Marvel's 616," a new Disney Plus docuseries, highlights women creators, forgotten characters, Japanese Spider-Man and more.
"Big Sky" works hard to convince its audience that it's not like anything else on broadcast network TV, but it indulges in trope after trope.
FX on Hulu's drama, starring Nick Robinson and Kate Mara, details the beginning, middle and endless end of a teacher abusing her student.
Steve McQueen dramatizes protest in British society, this time turning his attention on heroes in London's West Indian immigrant community.
Director Clea DuVall has made a coming-out-at-Christmas rom-com (starring Kristen Stewart and Mackenzie Davis) that earns its emotion.
Viola Davis and Chadwick Boseman astonish in August Wilson's timelier-than-ever study of Black culture's influence on popular music.
Holiday fluff comes gift-wrapped in a pleasant sequel to Netflix's 2018 hit, starring Vanessa Hudgens.
Megan Thee Stallion's "Good News" is a strong and sexed-up debut album that crushes Tory Lanez in the first song, then moves on.
AC/DC's "Power Up," the Aussie rock band's first new album in six years, proves that old dogs doing old tricks isn't a bad thing.
On "Starting Over," Chris Stapleton is sticking with the mixture of gentle country-folk and blues-rock that made him an insider and outlier.
Kylie Minogue's most consistent and cohesive album since her oughts-era heyday, "Disco" is a welcome blast of sugar-rush anthems.
Starring "Hamilton's" Michael Balogun and performed on the eve of England's second lockdown, the play is sure to be seen again.
This smart revival of Jason Robert Brown's musical plays in a London theater cleverly redesigned for COVID-era safety.
Kristin Scott Thomas and Rochenda Sandall headline two Alan Bennett monologues, which even under social distance pack a punch.
David Hare's monologue at the Bridge Theatre in London recounts the playwright's battle with COVID-19.
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