Variety.com

“Queer Eye” was always fun TV, but, in ways that are realer than reality TV tends to get, it’s now verging on great.

The new superhero drama, starring Olivia Holt and Aubrey Joseph, follows two New Orleans teens trying to withstand a hostile world.

If “Dietland” wants to be truly scathing, it would do better to streamline its fury and focus at more specific targets.

There’s simply never been a show on TV quite like “Pose” – a fact that “Pose” knows, relishes, and celebrates.

West coast audiences are treated to the rare pleasure of seeing Tom Hanks on stage as the actor reinterprets Shakespeare’s drunken buffoon.

Lucy Barton’s personal meditation blossoms into something bigger than itself — a portrait of America, even of history as a whole.

Jim Parsons heads a super ensemble in this revival of Mart Crowley’s landmark play about gay friends at a birthday party.

Lincoln Center Theater opens its heart (and its superb Vivian Beaumont stage) to that most beloved of musicals, “My Fair Lady.”

On Christina Aguilera’s “Liberation,” it’s clear she wants to move further toward hip-hop … and that she isn’t missing “The Voice,” at all.

If this is all another chapter in his long saga of outrages he’s daring fans to indulge, maybe it’s time to say “enough.”

In the closing show of the first leg of her U.S. tour. Pink made “acrobat-diva” seem like the most natural hyphenation in the world.

With its sharper focus on personal foibles, Father John Misty’s “God’s Favorite Customer” lives up to its “heartbreak album” billing.