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Owen Gleiberman on how the controversy over who deserves the screenplay credit for "Citizen Kane" is a conduit to a deeper mystery.
This week's episode of "The Mandalorian" introduces Rosario Dawson as Ahsoka Tano and reveals Baby Yoda's real name.
Vanderbilt University senior Sarah Fuller made sports history today after taking the field as a placekicker for the football team in its game against the University of Missouri. Fuller’s big moment…
Lipa's PPV webcast was such a blast of fun, it didn't even need guests like Kylie Minogue, though she was the English disco-ball cherry on top.
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"Saved by the Bell" is a pleasant surprise thanks to Tracey Wigfield's experience with skewering meta commentary on series like "30 Rock."
Netflix's "Dolly Parton's Christmas on the Square," starring Parton and Christine Baranski, puts an earnest spin on "A Christmas Carol."
"The Flight Attendant" throws Kaley Cuoco, Rosie Perez, Zosia Mamet and more into a screwball murder mystery.
FX's Black Narcissus series stars Gemma Arterton and Diana Rigg in a story once told with more personality and verve.
DreamWorks Animation's follow-up to toon "The Croods" once again focuses more on dazzling CG environments and nonstop jokes than story.
Alex Winter's documentary finds an emotional through line by taking the one-of-a-kind rock legend as seriously as he took himself.
Steve McQueen dramatizes protest in British society, this time turning his attention on heroes in London's West Indian immigrant community.
Director Clea DuVall has made a coming-out-at-Christmas rom-com (starring Kristen Stewart and Mackenzie Davis) that earns its emotion.
As the punky cover suggests, Miley Cyrus returns partly to power-pop on "Plastic Hearts," which includes duets with Joan Jett & Dua Lipa.
Megan Thee Stallion's "Good News" is a strong and sexed-up debut album that crushes Tory Lanez in the first song, then moves on.
AC/DC's "Power Up," the Aussie rock band's first new album in six years, proves that old dogs doing old tricks isn't a bad thing.
On "Starting Over," Chris Stapleton is sticking with the mixture of gentle country-folk and blues-rock that made him an insider and outlier.
Starring "Hamilton's" Michael Balogun and performed on the eve of England's second lockdown, the play is sure to be seen again.
This smart revival of Jason Robert Brown's musical plays in a London theater cleverly redesigned for COVID-era safety.
Kristin Scott Thomas and Rochenda Sandall headline two Alan Bennett monologues, which even under social distance pack a punch.
David Hare's monologue at the Bridge Theatre in London recounts the playwright's battle with COVID-19.
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