Variety.com

As “Dirty John” proves, good storytelling in one medium doesn’t necessarily make sense in another.

Catherine Zeta-Jones stars in “Queen America,” a cruel black comedy set in the Oklahoma pageant scene.

“Kominsky Method” is meant for network TV both in format and message: that not only is changing with the times hard, it’s not worth it.

Patricia Arquette makes “Dannemora” worth sticking with, even as the show’s running time grows punishing.

It’s all about the 2,000-pound gorilla in the room, and this visually dazzling production delivers big time despite a stylistic mishmash.

This overstuffed, crude musical version of “Beetlejuice,” now playing in D.C., needs a lot of work before it hits Broadway.

It’s hard to take your eyes off Kerry Washington in this gripping new play about a woman waiting for news of her missing son.

Elaine May returns to Broadway with a warm, sensitive, good-humored performance in Kenneth Lonergan’s play.

Eight years after “Dancing on My Own,” Robyn returns with an album of bittersweet pop filled with the heartache that went into its creation.

The long-delayed set is fresh, frenetic, and flush with guest appearances from Kendrick Lamar, Nicki Minaj, and Snoop Dogg.

Faithfulness is the name of the game for Cher’s album of ABBA covers: It’s sheer Cher-aoke.

Prince’s “Piano & a Microphone 1983” takes you under the piano, so to speak, witnessing genius casually at work.