Variety

Variety Podcasts

Listen: "The Big Ticket," "Stagecraft," "Strictly Business"
The State of Black Hollywood

Covering the reckoning over representation in Hollywood
Magazine Delivery

Re-route Variety to my personal address
Introducing VIP

Variety Intelligence Platform offers in-depth analysis

Video

‘The Baby-Sitter’s Club’

This Netflix adaptation of Ann M. Martin's beloved book series is as warm as it is empathetic.
‘I’ll Be Gone in the Dark’

A series about the work of a true-crime author finds interest and pathos in the mystery she lived.
‘Perry Mason’

HBO's punishing eight-hour miniseries "Perry Mason" puts Matthew Rhys to limited use.
‘Brave New World’

Alden Ehrenreich and Jessica Brown Findlay can't save a dystopian drama that doesn't know what kind of show it wants to be.

‘The Old Guard’

In a watchable franchise wannabe, Charlize Theron leads a team of immortals who are also B-movie renegades.
‘Greyhound’

Tom Hanks anchors a World War II thriller that's less a drama than a tense and sturdy diary of the logistics of battle.
'Palm Springs'

This ironic, irreverent and at times insane rom-com from the Lonely Island gang does something new with a genre audiences have experienced a million times before.
‘First Cow’

Kelly Reichardt gently explores how friendship and other human connections may have worked in a remote trading post in the Oregon Territory, circa 1820.

Haim’s ‘Women in Music Pt. III’: Album Review

The Haim sisters expand their canvas in "Women in Music Pt. III," the trio's strongest and most revealing record yet.
‘CeeLo Green Is … Thomas Callaway’: Album Review

On "CeeLo Green Is ... Thomas Callaway," the singer is in a meditative mood -- crooning rather than riffing; reflective, not rapturous.
Bob Dylan’s ‘Rough and Rowdy Ways’: Album Review

Bob Dylan's first album of new material in eight years makes up for lost rhyme with songs that are funny, fascinating, elusive and epic.
Lady Gaga’s ‘Chromatica’: Album Review

Lady Gaga has returned to the dancefloor with "Chromatica," her best album since "Born This Way" — and possibly her best yet.

‘The Prince of Egypt’

With a score by Stephen Schwartz ("Wicked"), this screen-to-stage transfer is so effortful it's enervating.
‘Girl From the North Country’

The moody music and lyrics from the Bob Dylan playbook both define and heighten Conor McPherson's haunting vision of the Depression.
‘The Hot Wing King’

Katori Hall gets belly laughs out of this comedy about an amateur cook trying to create a signature dish while chaos reigns in the kitchen.
‘West Side Story’

Ivo Van Hove dares to fiddle with perfection in this modernized but still respectful re-working of the 1957 masterpiece.