Variety.com

For a show about a couple uprooting their livelihoods to move across the country, the stakes are remarkably low.

PBS’ sweeping new adaptation of the Victor Hugo classic stars David Oyelowo, Dominic West, Olivia Colman, and Lily Collins.

Netflix’s new, sweet sitcom about a gay man with cerebral palsy deserves more time to flourish.

“Fosse/Verdon” depicts the pair’s process with a tactician’s clear understanding of how musicals, and choreography, work.

If anyone could play Hillary Clinton, it’s Laurie Metcalf – and here she is, in Lucas Hnath’s “Hillary and Clinton.”

Adam Driver and Keri Russell make sparks in a passionate dance of denial and discovery, in this Broadway revival of Lanford Wilson’s play.

The Broadway “Be More Chill” feels more even and flows more smoothly than it did Off Broadway.

Ivo van Hove’s stage adaptation fine-tunes its feminism for our own sexist age — image-obsessed, anti-aging, the time of Time’s Up.

Lizzo’s star-making debut album, “Cuz I Love You,” is sexy, smart and scuffed-up R&B of the highest order.

With guest spots from Halsey and Ed Sheeran, BTS’ “Map of the Soul: Persona” combines sleek pop with intellectual lyrics.

The debut from the supergroup LSD — hitmakers Labrinth, Sia and Diplo — is actually as great as the sum of its parts.

A “long-awaited” album … from someone barely 17? Yes, and Billie Eilish’s “When We All Fall Asleep” is the real deal.

It’s hard to shake the feeling that if it traded in some of its stubborn design cruelty for just a touch of empathy, it would be all the greater.

Seven years of Telltale’s “The Walking Dead” comes to a close with this final season.

“Devil May Cry 5” shakes off the rust and reminds us why we liked these games, but you have to work to ignore its outdated feel.

Even if you put aside the potential for a console hard crash, “Anthem” is a disjointed and clunky experience.