Variety.com

“Deadly Class” talks tough about being different than other high school shows, but watching it proves more frustrating than fascinating.

If its many mysteries come together, “Roswell, New Mexico” could very well end up one of the CW’s more satisfying debuts.

Unconventional families are as standard a sitcom premise as any, so it feels fitting that “Fam” is as standard as they come.

The new “True Detective” transcends hype and amounts to 2019’s first pleasant small-screen surprise.

Jeff Daniels takes on the towering figure of Atticus Finch in Aaron Sorkin’s Broadway adaptation of Harper Lee’s famous novel.

Bryan Cranston gives a full-throated roar as Howard Beale, a TV news anchor who is “mad as hell” about his corrupt society.

A schlocky TV variety show format diminishes Broadway’s Cher musical, despite a can-do cast, pop tunes, and diva power.

It’s all about the 2,000-pound gorilla in the room, and this visually dazzling production delivers big time despite a stylistic mishmash.

Lady Gaga raises the bar for Vegas residencies with a show that gets by even more on live vocals and ace choreography than unceasing glitz.

21 Savage’s “i am > i was” has A-list guests — Childish Gambino, Post Malone, J. Cole — yet it’s strongest when Savage is solo.

Eight years after “Dancing on My Own,” Robyn triumphantly returns with an album of bittersweet pop filled with the heartache that went into its creation.

The long-delayed set is fresh, frenetic, and flush with guest appearances from Kendrick Lamar, Nicki Minaj, and Snoop Dogg.