Trending Movies
The most buzzed about films based on Twitter engagement
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Ready or Not, Here Comes Web3
Over the past 12 months, as the world has eased out of pandemic crisis mode, pop culture and Wall Street have been rife with discourse about NFTs, crypto and the metaverse.
TV
‘Wednesday’ Trailer: Tim Burton Unveils His Bloody Reimagining of ‘The Addams Family’ for Netflix
Digital
Why Fox Is Investing Millions in NFTs and Blockchain Technology
"Anne Heche was a showrunner's dream. She was a strong and empathetic leader who always showed up ready to do the work," writes Emmy-winning showrunner Jenny Bicks.
VIP+
Fading 'Gray Man' Viewership Points to Netflix's Uphill Movie Battle
The "John Wick" prequel series, titled "The Continental," is moving from Starz to Peacock, where it will launch next year.
TV
‘She-Hulk’ Review
Marvel's "She-Hulk" legal comedy series on Disney+ is a charming, if somewhat outdated, comedic showcase for Tatiana Maslany.
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TV Critics Assn. Press Tour
Reviews
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‘Day Shift’
"Day Shift," with Jamie Foxx as a vampire hunter, is a blow-you-away action movie and a bloodsucker satire full of rules it barely follows.
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‘Bodies Bodies Bodies’
Halina Reijn's film gathers — and kills off — a group of rich kids whose idea of friendship is the most lethal thing about them.
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‘Fall’
Two women climb an abandoned TV tower in the desert, and we're with them every shivery step.
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‘Mack & Rita’
Katie Aselton's body-swap comedy "Mack & Rita" is muddled on its message, but clear on one thing: It's great to be Diane Keaton.
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‘Legacy’
Hulu's "Legacy" feels like yet another story about the Showtime-era Lakers.
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‘This Fool’
Hulu's "This Fool," starring Chris Estrada and Michael Imperioli, finds new way into old sitcom tropes.
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‘Power Book III: Raising Kanan’
In Season 2, "Raising Kanan" feels more like watching the original "Power" than either of its other continuations, "Ghost" and "Force."
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‘Five Days at Memorial’
Vera Farmiga stars in Apple's drama about the aftermath of Hurricane Katrina.
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Megan Thee Stallion’s ‘Traumazine’
Megan Thee Stallion's "Traumazine" goes lighter on her trademark sensuality and humor as it deals with well-known career and personal drama.
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Beyoncé's ‘Renaissance’
Six years after the release of "Lemonade," pop icon Beyoncé has come through again with the sticky, sweaty, hedonistic "Renaissance."
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Amanda Shires’ ‘Take It Like a Man’
Amanda Shires' seventh Americana-flavored album, "Take It Like a Man," is almost cocky in spinning strong songs out of personal uncertainty.
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Jack White’s ‘Entering Heaven Alive’
Jack White has released his second album in four months, a mostly acoustic collection that is as gentle as the last one was gonzo.
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‘The Devil Wears Prada’
"Devil Wears Prada," the Broadway-bound new musical, now premiering in Chicago, needs to take a cue from Miranda Priestly and get meaner.
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‘The Kite Runner’
Starring Amir Arison, this stage adaptation of Khaled Hosseini's novel is a heartbreaker -- but so uplifting, it's worth the pain.
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‘Jack Absolute Flies Again’
The National Theatre production of a new play by the writer of "One Man, Two Guvnors" proves comedy lightning does strike twice.
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‘Patriots’
Boris Berezovsky, Russian oligarch and Putin foe, is brought vividly to life by Tom Hollander in Peter Morgan's latest.
VIP+
Fading 'Gray Man' Viewership Points to Netflix's Uphill Movie Battle
The film's underwhelming following hints at the streamer's struggle to make more than momentary noise with its movies
Awards
Emmys 2022: The Complete Nominations List
"Succession" nabbed the most Emmy nominations on Tuesday morning, followed by "Ted Lasso" and "The White Lotus."
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The Magazine
Ready or Not, Here Comes Web3: How the Internet’s Next Evolution Is Shaping Hollywood’s Future
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Ready or Not, Here Comes Web3: How the Internet’s Next Evolution Is Shaping Hollywood’s Future
By Andrew Wallenstein
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Jennifer Coolidge’s White-Hot Comeback: Hollywood Didn’t Get Her, Then She Landed the Role of a Lifetime
By Andrew Wallenstein
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From Maverick to Mogul, Madonna’s Manager Guy Oseary Transcends the Music World to Take on NFTs
By Andrew Wallenstein