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"Creed III" exceeded expectations in its domestic box office debut, ringing up a $58 million opening.

CREED II, Michael B. Jordan, 2018. © MGM/courtesy Everett Collection
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  • ‘Creed III’

    In a sports drama that feels like a thriller, Jonathan Majors proves his mettle as Adonis' ominous friend-turned-boxing-foe.

  • ‘Children of the Corn’

    The 11th film to have been sprung from Stephen King's story lacks the strength to infect you with even a speck of fear.

  • ‘The Consultant’

    Give the team behind 'The Consultant' this much — they managed to find just the right lead.

  • ‘Party Down’

    The 'Party Down' revival comes to feel dour, tonally unbalanced — a party one cannot wait to leave.

  • ‘Hello Tomorrow!’

    The ideas are unrewarding enough that the worked-over look of the show grows tiresome, as though it's covering for a lack in the series' writing.

  • ‘Stolen Youth’

    With a startling rawness and directness, Zach Heinzerling's work makes a case for itself as an unusually sensitive and strong outing in its genre.

  • Drake’s ‘Her Loss’

    Drake is back on his game with "Her Loss," which has levity where the last album had sulking. 21 Savage is employed far less often but makes for an edgy, strategic foil.

  • Taylor Swift’s ‘Midnights’

    Taylor Swift's "Midnights" is a pendulum swing away from "Folklore" and "Evermore," in trading acoustic instruments for electronic ones, but it feels like their continuation, in sheer intimacy terms.

  • ‘The Piano Lesson’

    Samuel L. Jackson, John David Washington and Danielle Brooks lead the cast of "The Piano Lesson," August Wilson's story of a family haunted by ghosts of the past.

  • ‘Funny Girl’

    Lea Michele gives this 'Funny Girl' what the revival previously lacked: charisma, astonishing vocals and assuredness — not to mention a killer fan base.

  • ‘The Devil Wears Prada’

    "Devil Wears Prada," the Broadway-bound new musical, now premiering in Chicago, needs to take a cue from Miranda Priestly and get meaner.

  • ‘The Kite Runner’

    Starring Amir Arison, this stage adaptation of Khaled Hosseini's novel is a heartbreaker -- but so uplifting, it's worth the pain.

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