Variety.com

Patricia Arquette makes “Dannemora” worth sticking with, even as the show’s running time grows punishing.

Robin Wright soars in the sixth and final season of Netflix’s “House of Cards,” but deserved a better story.

Julia Roberts turns in a much more understated performance than one might expect of her first big TV role.

As entertainment, “Making a Murderer” remains expertly made, its seductive slow pace gripping viewers by the neck.

It’s all about the 2,000-pound gorilla in the room, and this visually dazzling production delivers big time despite a stylistic mishmash.

This overstuffed, crude musical version of “Beetlejuice,” now playing in D.C., needs a lot of work before it hits Broadway.

It’s hard to take your eyes off Kerry Washington in this gripping new play about a woman waiting for news of her missing son.

Elaine May returns to Broadway with a warm, sensitive, good-humored performance in Kenneth Lonergan’s play.

Eight years after “Dancing on My Own,” Robyn returns with an album of bittersweet pop filled with the heartache that went into its creation.

The long-delayed set is fresh, frenetic, and flush with guest appearances from Kendrick Lamar, Nicki Minaj, and Snoop Dogg.

Faithfulness is the name of the game for Cher’s album of ABBA covers: It’s sheer Cher-aoke.

Prince’s “Piano & a Microphone 1983” takes you under the piano, so to speak, witnessing genius casually at work.