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Meghann Fahy and Theo James Tell All on Their Twisted ‘White Lotus’ Love Story: They're 'Cut From the Same Cloth'

James has been asked ad nauseam about his prosthetic penis in "White Lotus," and Fahy is starting to feel left out. "Nobody ever asks me about my prosthetic," she says with a laugh.

By Katcy Stephan

48 mins

More on the Cannes Film Festival

‘The Little Mermaid’

Rob Marshall risks drowning audiences in visual effects, but Halle Bailey's performance justifies Disney revisiting this classic.
‘You Hurt My Feelings’

It captures how even a good marriage can hit a snag when it comes to the issue of secrets and lies.
‘Fast X’

The first part of Louis Leterrier's vagely defined finale is overcrowded and predictably ridiculous.
‘About My Father’

Sebastian Maniscalco makes a bid for leading-man status in his autofictional comedy co-starring Robert De Niro.

‘Platonic’

The show feels stranded between a tighter, more joke-forward M.O. and grounded psychological realism.
‘American Born Chinese’

The Disney+ series is so sprawling that its efforts to tie everything together end up hasty and haphazard.
‘The Idol’

Slick and expensive looking, but smarmy as anything HBO has ever produced, the five-part series could be a softcore, female-focused inversion of the network's long-running 'Entourage.'
‘XO, Kitty’

It highlights a generation determined to see the world while being reflective and thoughtful about understanding what is true and right for themselves.

Drake’s ‘Her Loss’

Drake is back on his game with "Her Loss," which has levity where the last album had sulking. 21 Savage is employed far less often but makes for an edgy, strategic foil.
Taylor Swift’s ‘Midnights’

Taylor Swift's "Midnights" is a pendulum swing away from "Folklore" and "Evermore," in trading acoustic instruments for electronic ones, but it feels like their continuation, in sheer intimacy terms.
Muni Love’s ‘Public Displays of Affection’

Megan Thee Stallion's "Traumazine" goes lighter on her trademark sensuality and humor as it deals with well-known career and personal drama.
Noah Cyrus’ ‘The Hardest Part’

Six years after the release of "Lemonade," pop icon Beyoncé has come through again with the sticky, sweaty, hedonistic "Renaissance."

‘The Piano Lesson’

Samuel L. Jackson, John David Washington and Danielle Brooks lead the cast of "The Piano Lesson," August Wilson's story of a family haunted by ghosts of the past.
‘Funny Girl’

Lea Michele gives this 'Funny Girl' what the revival previously lacked: charisma, astonishing vocals and assuredness — not to mention a killer fan base.
‘The Devil Wears Prada’

"Devil Wears Prada," the Broadway-bound new musical, now premiering in Chicago, needs to take a cue from Miranda Priestly and get meaner.
‘The Kite Runner’

Starring Amir Arison, this stage adaptation of Khaled Hosseini's novel is a heartbreaker -- but so uplifting, it's worth the pain.