Directors on Directors
Spike Lee, Oliver Stone and other directors in conversation
Our final Golden Globes film predictions include "Nomadland" winning best picture drama, and Chadwick Boseman and Carey Mulligan nabbing acting trophies.
Costume designer Ruth E. Carter makes history with a star on the Hollywood Walk of Fame.
Here are Emily Blunt's 10 best performances, ranked, including "A Quiet Place" and "The Devil Wears Prada."
ViacomCBS lifted the curtain on Paramount Plus, the overhauled streaming service that was originally CBS All Access. Here's everything you need to know about it.
Russell T Davies' new series takes us to the London of the 1980s.
Will Smith leads a six-part seminar on the 14th Amendment, a primer in equal rights.
The ending of Netflix's "Behind Her Eyes" is surprising, but even more than that, it's stupid.
A four-episode HBO series investigates the battle between Woody Allen and Mia Farrow.
Tom Holland plays a nowhere dude who falls in love, goes to war and becomes a junkie bank robber.
Netflix's Notorious B.I.G. documentary, "Biggie: I Got a Story to Tell," focuses on his street-hustle days more than his tragic end.
Lee Daniels' biopic showcases Billie Holiday as a searing political artist, persecuted for singing "Strange Fruit."
J Blakeson has made the rare suspense film that's truly about something: the wages of power.
Dave Grohl promised an album you can groove to, and he delivered with Foo Fighters' latest, "Medicine at Midnight."
Former One Direction member Zayn Malik embraces an intimate, less-pop type of R&B for his third solo album, "Nobody Is Listening."
Eminem stays within his comfort zone, for better and for worse, on "Music to Be Murdered By – Side B," his second album release in 2020.
Paul McCartney returns to the idea of a true solo album with "McCartney III," a quarantine record where DIY randomness is part of the charm.
Ben Ashenden and Alex Owen's riotous West End comedy "The Comeback" is a triumph, but London theater closures stopped it in its tracks.
Starring "Hamilton's" Michael Balogun and performed on the eve of England's second lockdown, the play is sure to be seen again.
This smart revival of Jason Robert Brown's musical plays in a London theater cleverly redesigned for COVID-era safety.
Kristin Scott Thomas and Rochenda Sandall headline two Alan Bennett monologues, which even under social distance pack a punch.