Variety.com

“Nightflyers,” based on the writing of George R. R. Martin, is a fine addition to an onscreen canon that’s already well-stuffed.

For all who were initially charmed by “Maisel’s” confectionary world, its return means the return of everything they loved.

As “Dirty John” proves, good storytelling in one medium doesn’t necessarily make sense in another.

Catherine Zeta-Jones stars in “Queen America,” a cruel black comedy set in the Oklahoma pageant scene.

Bryan Cranston gives a full-throated roar as Howard Beale, a TV news anchor who is “mad as hell” about his corrupt society.

A schlocky TV variety show format diminishes Broadway’s Cher musical, despite a can-do cast, pop tunes, and diva power.

It’s all about the 2,000-pound gorilla in the room, and this visually dazzling production delivers big time despite a stylistic mishmash.

This overstuffed, crude musical version of “Beetlejuice,” now playing in D.C., needs a lot of work before it hits Broadway.

Eight years after “Dancing on My Own,” Robyn returns with an album of bittersweet pop filled with the heartache that went into its creation.

The long-delayed set is fresh, frenetic, and flush with guest appearances from Kendrick Lamar, Nicki Minaj, and Snoop Dogg.

Faithfulness is the name of the game for Cher’s album of ABBA covers: It’s sheer Cher-aoke.

Prince’s “Piano & a Microphone 1983” takes you under the piano, so to speak, witnessing genius casually at work.