TV Pilots/Development Scorecard
Up-to-the-minute listings of pilot and series orders
'Godzilla vs. Kong' tops the box office for a second weekend, bringing its total U.S. haul to $69.5 million.
“Ma Rainey’s Black Bottom” was the big winner on the opening night of the 2021 BAFTA Film Awards, taking home two golden masks from a possible two. Night 1, hosted virtually by radio and TV presenter…
David Fincher’s “Mank” and Christopher Nolan’s “Tenet” were among the winners at the Art Directors Guild Awards on Saturday night — both are also Oscar nominees for best production design. In a…
After 11 seasons, it's last call for "Shameless." Read our recap of the series finale here.
HBO's new drama "The Nevers" is engaging even as it leans heavily on Joss Whedon's go-to tropes.
Kate Winslet powers through grief as a Pennsylvania cop in HBO's limited series "Mare of Easttown."
ABC's "Home Economics" has a canny central idea and a game cast, and though it lacks a certain surefootedness, there is potential there.
New TBS comedy "Chad" stars "Saturday Night Live" alum Nasim Pedrad as an extremely awkward Iranian American teen boy.
Melissa McCarthy gets more chuckles than laughs in a comedy that sticks too close to her comfort zone.
Neil Burger's youth sci-fi action movie doesn't make any obvious wrong moves, but it's more dutiful than exciting.
South African auteur Oliver Hermanus makes his masterpiece with this brutal but radiant story of young gay desire on the Angolan war front.
Cricket Brown makes a splash in a rare good megaplex nightmare, in which the spirit of the Virgin Mary shows up in Massachusetts.
On "Fearless (Taylor's Version)," Taylor Swift recreates her 2008 album to the tee, but gives herself stylistic latitude on "vault" tracks.
In "Dancing With the Devil... The Art of Starting Over," Lovato turns her recovery into musical theater ... with bonus straight pop songs.
"Alone Together" documents Charli XCX staving off quarantine depression by inviting her fans to watch her make an album in just six weeks.
"Chemtrails Over the Country Club," a second collaboration with Jack Antonoff, is solid but languid, even by Lana Del Rey's standards.
Ben Ashenden and Alex Owen's riotous West End comedy "The Comeback" is a triumph, but London theater closures stopped it in its tracks.
Starring "Hamilton's" Michael Balogun and performed on the eve of England's second lockdown, the play is sure to be seen again.
This smart revival of Jason Robert Brown's musical plays in a London theater cleverly redesigned for COVID-era safety.
Kristin Scott Thomas and Rochenda Sandall headline two Alan Bennett monologues, which even under social distance pack a punch.