The opening hour of "Last Resort" is crisp, tense and full of possibilities.
Adapted from the U.K. series "Undercover Princes," "Secret Princes" owes such a debt to the movie "Coming to America" it's a shame the late Art Buchwald isn't around to file another lawsuit against…
After a few misfires since "Will & Grace," producers David Kohan and Max Mutchnick have taken the maxim, "Write what you know," to heart, devising their new comedy, "Partners," around a professional…
Post-apocalyptic drama requires its own set of rules, and in "Revolution's" case, plenty of willing suspension of disbelief.
The show's title character explains in an opening voiceover she's "not your typical doctor," but even with a few unexpected twists, this show is about as typical as TV gets.
Some TV personalities do one thing well. Katie Couric -- in keeping with the varied demands of her signature "Today" stint -- is a chameleon.
After the scintillating highs and surprises of its second season, "Boardwalk Empire" returns following a passage of time, which can always be a trifle unsettling.
Harmless, but about as inspiring as any forgotten sitcom from the Reagan Era.
NBC's most promising new half-hour, "The New Normal" exhibits some of the excesses audiences have come to expect from "Glee" and "Nip/Tuck" creator Ryan Murphy, but also contains heart and a message.
This four-hour acquisition -- adapted from Michael Faber's novel -- is sumptuously filmed and intriguingly offbeat, yet ultimately fails to deliver a payoff worthy of its come-on.
A show devoted to a seemingly promising topic -- young Amish who choose to break with their faith and explore life in New York -- that hits all the expected notes too hard, in the most obvious ways.